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Nineteen Fifty-Six Vol. 2 No. 5

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

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and Richard Delgado to explore the intersectionality<br />

of race and law in America. It was designed to examine<br />

American liberal approaches to racial justice.<br />

However, CRT rose to mainstream notoriety when<br />

American conservatives began the fight against teaching<br />

it.<br />

Schools stopped teaching certain aspects of Black history.<br />

Chapters about slavery and the civil rights movement were<br />

removed from textbooks. Conservative organizations<br />

criticized the validity of critical race theory.<br />

“When followed to its logical conclusion, CRT is<br />

destructive and rejects the fundamental ideas on which<br />

our constitutional republic is based,” the Heritage<br />

Foundation claimed.<br />

Arguably the biggest issue that has come out of banning<br />

critical race theory is knowing where the line is. That line<br />

being free speech. Where does limiting the teaching of<br />

CRT end and limiting free speech begin?<br />

Or is limiting CRT also limiting free speech?<br />

schools of thought like psychology and research in racist<br />

practices. The crusade to limit CRT has now — whether<br />

intentionally or not — become a crusade of limiting<br />

diverse academia.<br />

“Administrators, among the most risk-averse people in<br />

the known universe, will err on the side of canceling<br />

programs and courses,” Kruse said. “Only the brave and<br />

the foolish will teach ethnic studies in Ohio in the future.”<br />

Despite being almost 200 years apart, the goals of<br />

lawmakers in 1831 and 2022 remain the same: limit<br />

different views of culture and the world. When one takes<br />

a critical lens of the actions of these lawmakers, one thing<br />

becomes clear.<br />

These laws are designed to make white people feel<br />

comfortable and for Black people to have no voice.<br />

Censorship — no matter what form it takes — chooses<br />

what stories are more important. It chooses what voices<br />

matter.<br />

It chooses what race matters.<br />

Timothy Messler-Kruse is a professor of ethnic studies at<br />

Bowling Green University in Ohio. The state legislature<br />

is close to passing House Bill 327. The bill defines several<br />

ideas that shouldn’t be taught in any public school or<br />

university.<br />

Most of the concepts in the bill — like teaching that one<br />

race is superior or inferior to others — are ideas Kruse<br />

teaches against. But, as the bill reads on, the ideas become<br />

increasingly more vague.<br />

The vagueness of the bill reaches over into other<br />

59

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