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Nineteen Fifty-Six Vol. 2 No. 5

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

This is the 2022 print edition of Nineteen Fifty-Six magazine. The theme "Movin' On Up" is inspired by the Black Panther Party.

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JA’QUACY MINTER<br />

WHEN AMERICA CATCHES A COLD,<br />

THE BLACK MAN BREATHES HIS<br />

LAST BREATH<br />

A PERSONAL NARRATIVE<br />

60<br />

I<br />

heard a saying the other day that when America<br />

catches a cold, the Black man catches the flu and I have<br />

never been the same since. After hearing this saying, I<br />

began to dwell on how I got here and the amount of work<br />

that I would put in; trying to run away from that flu, not<br />

knowing that I was running myself into my own casket. I<br />

know you’re probably thinking, “damn is this nigga about<br />

to talk about his near death experience?” Well, don’t<br />

worry, I’m not. But, I will talk about how I was so busy<br />

running from what I had assumed was the flu, the fear of<br />

not succeeding, that I could not see what the real sickness<br />

was. The risks I felt obligated to take in order to succeed<br />

in a society that does everything in its power to stop me.<br />

For most Black men, they experience this “flu-like”<br />

phenomenon in the everyday big boy workforce but for<br />

me, my “workforce” was competitive speech and debate.<br />

This is part of the story where you can laugh if you’d<br />

like because things are about to get really dark from<br />

this point on...no pun intended. Yah know I don’t think<br />

people get it at all, the pressure that comes with being<br />

a Black competitor in speech and debate. The amount of<br />

work it takes to drop your ebonics. The amount of work<br />

that it takes just to walk up in front of a room filled<br />

with mostly white competitors. To pour your heart out<br />

to a panel of mostly white judges and hope to God that<br />

their support is not pseudo and that they are there for<br />

you. That they want to hear your story and not the story<br />

that institutionalized racism has created for them. But<br />

the hard work doesn’t stop there and shit, if i’m being<br />

honest, I don’t quite know where it begins.<br />

I remember the first day I held a balck book in my hand.<br />

The color of its skin reminded me of the weight that the<br />

stories inside of it would carry. A weight heavy enough to<br />

break the stigma; to demolish every building in my path.<br />

My stories carry oppression and pain and power and the<br />

ammunition to shoot bullets through the glass ceilings<br />

that were made to incase me and place me on display to<br />

be the “good Black” the “proper Black” the Black who’s<br />

“not like the rest of them.” But sometimes I feel as if<br />

forensics isn’t the only thing to blame for my assumed<br />

“assimilation.” I received so much backlash for attending<br />

a predominantly white institution and competing on<br />

a predominantly white forensics team Even before<br />

forensics, I wasn’t like the “rest of them.” The other<br />

Black boys wore football cleats, I wore dress shoes. They<br />

spoke like a “nigga” where as I spoke “white” as my peers<br />

would say. I always felt white and I hated that feeling. It<br />

removed so many of my experiences that Black boys are<br />

supposed to experience. There’s a picture of me from my<br />

first speech and debate tournament that always makes me<br />

feel something. I was wearing a purple dress shirt with<br />

a Black suit that was composed of two different Blacks.<br />

What the hell was I thinking? Yes, you can laugh here.<br />

Anyways, when I examine this picture, I regret not being<br />

able to travel back in time to notify younger me about the<br />

amount of work that it will take for a heavyset Black boy

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