Corybas for Percussion Ensemble
by John Psathas | Mallet Quintet and Percussion
by John Psathas | Mallet Quintet and Percussion
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• The motors of both vibraphones are used and pedalling is at the discretion of the<br />
players except where marked.<br />
• Marimba 1 is written <strong>for</strong> a 4.3 octave instrument, and also plays some Glockenspiel<br />
including low FÍ. If low FÍ is not available then those notes may be transposed up.<br />
• Marimba 2 and Marimba 3 are both written <strong>for</strong> 5-octave instruments.<br />
• <strong>Percussion</strong> includes: bamboo chimes, flat ride (with sizzles), tubular bells, sizzle<br />
cymbal, triangle, four tom-toms, and daouli.<br />
• Daouli (also called a davul) is a double-headed drum played with a stick in one hand<br />
and a thin switch in the other. If a daouli is not available, a small unmuted bass drum<br />
will suffice instead. However, if the per<strong>for</strong>mer prefers, any kind of frame drum or<br />
hand drum such as a tar, daff, or doumbek would also be welcome. To accommodate<br />
any of the above choices, these sections are notated with two broad sound choices<br />
noted in the score: ‘doum’ (a low open tone) or ‘tak’ (a high-pitched tone). Per<strong>for</strong>mers<br />
are welcome to adapt these parts to the idiosyncrasies of their chosen instrument.<br />
PE193S – vii