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PAGE 10 - MADISON MESSENGER - <strong>November</strong> 6, <strong>2022</strong><br />

opinions<br />

www.madisonmessengernews.com<br />

Romantic comedy uses star power to shine<br />

A vital piece missing in the romantic comedies of late—besides a<br />

truly original plot—is the lack of genuine movie stars. To be fair and<br />

kind to up-and-coming actors and the well-known faces cast in their<br />

stead, they mostly do an admirable job of trying to sell these products<br />

of pure fluff to the masses, but it is the movie star that can<br />

make even the most standard rom-com pop off the screen.<br />

“Ticket to Paradise”, a romantic comedy released solely into the<br />

theaters on Oct. 21, understands the power stars can hold. Truthfully,<br />

the movie doesn’t have a great script, but it doesn’t have to<br />

because George Clooney and Julia Roberts are speaking its words.<br />

And it’s not even that romantic, but it doesn’t have to be because<br />

Clooney is smiling his crinkly smile and Roberts is giving her clarion<br />

call laugh. Heck, it’s not even particularly good, but it doesn’t<br />

really have to be because these sparkling and beautiful people are<br />

throwing their sparkle and beauty around in a movie whose locale<br />

is as equally sparkling and beautiful.<br />

This is a film that knows it is not a great piece of cinematic art,<br />

but it effortlessly wields the power of the movie star and somehow<br />

manages to be light and fun and mostly charming. With the shininess<br />

of the stars and the magnificent beachscapes, it lulls you into<br />

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looking past its general ho-humness<br />

and asks that you bask in<br />

a world you could never dream<br />

of living in—or afford to, for most<br />

of us.<br />

In “Ticket to Paradise,”<br />

Clooney plays David Cotton, a bachelor architect living<br />

in Chicago who, after nearly 20 years of being divorced,<br />

still gripes about his first and only wife to anyone willing<br />

to lend an ear—or just be in his general vicinity. For<br />

her part, Roberts plays Georgia Cotton, a gallerist semiliving<br />

with her pilot boyfriend. After nearly 20 years of<br />

being divorced, she still gripes about her first and only<br />

husband to anyone willing to lend an ear—or just be in<br />

her general vicinity.<br />

Although they are bitter exes to the core, David and<br />

Georgia have managed to raise a nearly perfect daughter,<br />

Lily (Kaitlyn Dever), who has just graduated from<br />

law school and is on her way to a prestigious job at the<br />

top law-firm in Illinois. To celebrate Lily’s accomplishments,<br />

David and Georgia have paid to send her and her<br />

best friend, Wren (Billie Lourd), on an all-expenses paid<br />

vacation to Bali for two months before they have to get<br />

used to the soul-sucking grind of adulthood.<br />

Feeling as if they did a good deed by working together<br />

on this project, the (when put together) demonic<br />

duo agrees to never see or speak to the other again.<br />

They do just that until Lily shoots off an email saying<br />

she met a wonderful local man named Gede (Maxime<br />

Bouttier) and they plan to marry within a week’s time.<br />

Not wanting their daughter to make the same mistake<br />

as they did—David and Georgia married right out<br />

of college, and Georgia put her career on hold to support<br />

her family—they strike a rare truce and agree to work<br />

together to sabotage their daughter’s impending nuptials.<br />

While the film does not fully acknowledge how<br />

truly awful their mission is and how off the deep-end<br />

they are, the genuine movie stars play their parts so<br />

well they manage to infuse their characters with pathetic<br />

charm so you do not outright hate them for their<br />

occasional bouts of wretchedness.<br />

the reel deal<br />

Dedra Cordle<br />

This romantic comedy likes<br />

to split its time between the two<br />

couples, one fresh in the bloom<br />

of love and the other, well, decidedly<br />

not—or so it seems. Over<br />

the course of trying to crush<br />

their daughter’s heart and<br />

spirit, the latter pair can’t help<br />

but get swept up in the magic of<br />

the island and the unresolved<br />

issues that frayed their once loving<br />

friendship and romance. Although<br />

both of the couples could<br />

use a bit more romantic chemistry, it’s hard to deny the<br />

adults are the most interesting pairing to watch, much<br />

of it due to the fact that they were given the most material<br />

to work with and had the characters who were the<br />

most developed. It also doesn’t hurt that they are played<br />

by movie stars who know how to chew the fat from any<br />

scene.<br />

“Ticket to Paradise” is a movie where you can see<br />

how much fun the actors had filming it, and for the most<br />

part, that translates out of the screen and with the audience.<br />

But with its over-reliance on the star power of<br />

Clooney and Roberts, some aspects of the film suffer<br />

from a lack of attention paid to other important elements,<br />

like the dialogue or development of secondary<br />

characters you are also supposed to care about.<br />

Overall, this film isn’t a bad one, but if you are able<br />

to withstand the presence of Clooney and Roberts together<br />

again, you’ll probably notice the cracks in the<br />

foundation a bit more. But if you just want to turn off<br />

your brain and watch beautiful people do ugly things<br />

and then put in some work to beautify themselves again<br />

in a majestic location, then this might be something you<br />

want to check out when you get a chance.<br />

Grade: B-<br />

Dedra Cordle is a <strong>Messenger</strong> staff writer and columnist.<br />

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