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AphroChic Magazine: Issue No. 13.


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VISUAL CUES<br />

Gadsden’s Wharf in Charleston, SC, was the port of arrival for nearly half of all enslaved Africans brought<br />

to <strong>No</strong>rth America. It was that history that made the wharf location so important for the new International<br />

African American Museum that opened this summer. The museum's goal is to tell "the unvarnished stories<br />

of the African American experience across generations, the trauma and triumph that gave rise to a resilient<br />

people." The stunning building hovers 13 feet above the earth on pillars, symbolically highlighting the idea that<br />

this is hallowed ground that should be honored. Garden paths are filled with plants that represent both where<br />

enslaved people came from in Africa and the legacy they built here. So a Palm Grove studded with Canary<br />

Island Palms is a reflection of the African Diaspora, while a Sweetgrass Field honors the Lowcountry basket<br />

weaving traditions. Inside, 12 permanent exhibitions and 9 galleries offer more than 150 historical objects, 30<br />

works of art, and 50 films and digital interactive experiences that bring history to life, framed by a gateway<br />

to the Atlantic Ocean. There is both tragedy and celebration in the exhibits, including African Roots/African<br />

Routes, showcasing both the cultures of West and West Central Africa and tracing the movement of people of<br />

African descent through the slave trade. Carolina Gold examines the transformative impact of enslaved people<br />

on the lucrative rice industry. And Gullah Geechee highlights the history of the Gullah Geechee peoples and<br />

the issues facing their communities today. For more information, go to iaamuseum.org.<br />

12 aphrochic

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