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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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“She’s from Atlanta. I met her in person in <strong>20</strong>12 <strong>and</strong> she came here last May. She’s the<br />

only person I ever would have married.”<br />

The gears turn behind Heather’s eyes. “That’s the girl you took a selfie with at<br />

the Bean. Natalie, right?”<br />

I squint. “You’re stalking me.”<br />

“Stalked,” she says, pointing at her webcam. “I was thinking of dating you.<br />

Research is a given. I accepted you were weird, but I needed to know you weren’t<br />

dangerous.”<br />

Others have described me as “Weird, but not dangerous.”<br />

“Anyway, that explains a lot,” she says.<br />

“Natalie Belle—I call her ‘NB’—didn’t feel the same way when we she came<br />

last May, though she never explained why. But I didn’t put it as clearly as I just did<br />

with you; the ‘M Word.’ I always feared being too forward with her <strong>and</strong> wrecking our<br />

relationship. On the other h<strong>and</strong>, I want to respect what she said. I don’t have much<br />

reason to believe she saw in me what I saw in her.”<br />

“Other than seeing it in her, hoping she felt the same.”<br />

Which is often all we have: blind hope, dreams we hold close for years. When<br />

it comes to love, so many of us are children thrashing in the deep end, <strong>and</strong> nobody ever<br />

taught us how to swim.<br />

I peer into my webcam, suddenly aware of the strangeness of some plastic<br />

<strong>and</strong> metal firing a digital image to my friend’s laptop. We are so easily bent by the<br />

movement of energy, the stroke of a pen, a glance too long or short. We are profoundly<br />

affected beings. So much of my love for NB was forged through electrical signals <strong>and</strong><br />

ones <strong>and</strong> zeroes. I feared for so long telling NB that what I really wanted was to hold<br />

her face in my h<strong>and</strong>s while she smiled, to see the diamonds in her eyes without a screen<br />

dividing us, to hear her voice without earbuds <strong>and</strong> a volume knob.<br />

“I would have moved to Atlanta for her,” I say. “I never told her how I really<br />

felt.”<br />

“Wow,” Heather says.<br />

“Her trip last year was vindication. My friends thought I was crazy for loving<br />

someone I’d only met once before in person. By the time she left, they understood. If<br />

they could see it, why couldn’t NB?”<br />

Heather thinks it over. “Even with all the uncertainties, do you feel certain<br />

enough about her to move to Atlanta?”<br />

“Only money would stop me, <strong>and</strong> I’d figure it out.” I stop myself. “I didn’t even<br />

have to think about that, did I?”<br />

Heather nods. “Exactly. Let me be honest: I think you should tell her<br />

everything. It isn’t just a crush. Tell her all the reasons you see you two working. And<br />

then tell her you can’t just give up on it with no real explanation from her.”<br />

“I don’t want to wreck my friendship with her.”<br />

“She has to feel something for you, otherwise she wouldn’t have come to<br />

Chicago.”<br />

“That is what people said at the time.” I show a true smile. “Thanks for staying<br />

friends with me. I’m sorry I dragged you into my mess.”<br />

“I wouldn’t have found Paul otherwise. I’m rooting for you. I’m a hopeless<br />

romantic at heart.”<br />

“Penny, I’ve got a problem,” I say, pacing behind Parsonage House, my phone<br />

pressed to my ear.<br />

“Okay,” her voice crackles through the phone.<br />

“Where are you, anyway?” I ask.<br />

“Danny, we’ve been over this. I moved to New Jersey in January for work.”<br />

“Oh, right. It sucks not having you around!”<br />

157 <strong>Windward</strong> <strong>Review</strong> <strong>Vol</strong>ume <strong>20</strong><br />

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