Windward Review Vol. 20 (2022): Beginnings and Endings
"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.
"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.
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But she seemed so terribly tired, with<br />
her perpetually vibrant eyes dim, dark<br />
<strong>and</strong> sunken in. Impossibly older looking,<br />
much like my mother, as if I had been<br />
asleep for an eternity instead of a month.<br />
“Morgan,” She begun again, <strong>and</strong> I<br />
remember how she drew herself up<br />
straighter, stronger, like she always did<br />
on those occasions when your dad got<br />
mad; but not mad like yelling, those<br />
few times it happened, but like those<br />
stern, unbearable, disappointed lectures<br />
that came every other day. You always<br />
took them with an irreverent grace, but<br />
your mother made like she had to make<br />
herself sturdy, to bear the weight of<br />
what was coming. It was a posture I had<br />
never seen directed at me before. “You’ve<br />
already spoken with the police, right?”<br />
I had. It had been one of the first things to<br />
happen after the nurses deemed me safe<br />
for non-familial visitors. That frustration<br />
was all the more painful when they would<br />
tell me nothing about where my dad was,<br />
or where you were. “It’d be better to have<br />
his mom break the news.” I remember<br />
one officer saying in an uncomfortably<br />
loud voice, as if I couldn’t hear them<br />
rather than couldn’t speak.<br />
So I nodded.<br />
She took a deep, shuddering breath <strong>and</strong>,<br />
as if in response, the whole rest of her<br />
body began to shake too—fine, minute<br />
tremors that I can only see in my mind’s<br />
eye in hindsight. (Crystalline memories,<br />
<strong>and</strong> I still wish them gone). She walked<br />
– too slow – <strong>and</strong> sat, carefully, on the<br />
chair next to my hospital bed, as if to<br />
draw out the experience as long as<br />
possible. She shucked her purse from her<br />
shoulder, settled it on her lap, crossed<br />
<strong>and</strong> uncrossed her legs. My eyes were on<br />
her the whole time.<br />
Finally, she spoke again. “They told<br />
me you still don’t remember anything.<br />
Your mom wanted me to tell you, since…<br />
well, we’ve known each other longer.” She<br />
said this without any of her usual hemming<br />
<strong>and</strong> hawing. And for a glimpse: at the<br />
mention of my mother, her lips pursed<br />
in a disapproving line. Her expression<br />
smoothed out again shortly after – though<br />
I think more from tiredness than a lack of<br />
disapproval.<br />
She cleared her throat, <strong>and</strong> gently<br />
attempted to tell me. And her facetious<br />
gentleness meant nothing, then, just as<br />
it means nothing to me now. She told me<br />
about how you got your father’s Glock, <strong>and</strong><br />
took it to the grocery store. She told me<br />
how you shot everyone there. My father.<br />
Your father. Monica, the single mother.<br />
And Monica’s daughter, Charlie, who could<br />
have done nothing wrong other than being<br />
there.<br />
And me. I was there.<br />
It was said so plainly, I couldn’t help but<br />
believe it. Even if the last thing I could<br />
remember before the hospital was<br />
playing some video game with you in my<br />
room back in November, right after a big<br />
Thanksgiving meal – it made sense. It<br />
made sense, even though you shooting<br />
up a grocery store was nothing I had<br />
even had a passing thought of, before.<br />
And yet your mother still sat there,<br />
watching. Waiting. Her eyes were tearful,<br />
<strong>and</strong> expectant. I still don’t know exactly<br />
what she was expecting from me, then.<br />
Denial? Anger? Hysteria? More halfformed<br />
<strong>and</strong> misspoken words? Nothing<br />
would come, <strong>and</strong> nothing could. My mind<br />
was plain <strong>and</strong> clear with the acceptance<br />
that you were gone, <strong>and</strong> that my father<br />
was gone, <strong>and</strong> that my life then may as<br />
well be gone.<br />
“Morgan? Do you underst<strong>and</strong>?” She asked.<br />
I nodded. Her words rang unholy <strong>and</strong> true,<br />
just as they do now, recalling them for you.<br />
51 <strong>Windward</strong> <strong>Review</strong> <strong>Vol</strong>ume <strong>20</strong>