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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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But she seemed so terribly tired, with<br />

her perpetually vibrant eyes dim, dark<br />

<strong>and</strong> sunken in. Impossibly older looking,<br />

much like my mother, as if I had been<br />

asleep for an eternity instead of a month.<br />

“Morgan,” She begun again, <strong>and</strong> I<br />

remember how she drew herself up<br />

straighter, stronger, like she always did<br />

on those occasions when your dad got<br />

mad; but not mad like yelling, those<br />

few times it happened, but like those<br />

stern, unbearable, disappointed lectures<br />

that came every other day. You always<br />

took them with an irreverent grace, but<br />

your mother made like she had to make<br />

herself sturdy, to bear the weight of<br />

what was coming. It was a posture I had<br />

never seen directed at me before. “You’ve<br />

already spoken with the police, right?”<br />

I had. It had been one of the first things to<br />

happen after the nurses deemed me safe<br />

for non-familial visitors. That frustration<br />

was all the more painful when they would<br />

tell me nothing about where my dad was,<br />

or where you were. “It’d be better to have<br />

his mom break the news.” I remember<br />

one officer saying in an uncomfortably<br />

loud voice, as if I couldn’t hear them<br />

rather than couldn’t speak.<br />

So I nodded.<br />

She took a deep, shuddering breath <strong>and</strong>,<br />

as if in response, the whole rest of her<br />

body began to shake too—fine, minute<br />

tremors that I can only see in my mind’s<br />

eye in hindsight. (Crystalline memories,<br />

<strong>and</strong> I still wish them gone). She walked<br />

– too slow – <strong>and</strong> sat, carefully, on the<br />

chair next to my hospital bed, as if to<br />

draw out the experience as long as<br />

possible. She shucked her purse from her<br />

shoulder, settled it on her lap, crossed<br />

<strong>and</strong> uncrossed her legs. My eyes were on<br />

her the whole time.<br />

Finally, she spoke again. “They told<br />

me you still don’t remember anything.<br />

Your mom wanted me to tell you, since…<br />

well, we’ve known each other longer.” She<br />

said this without any of her usual hemming<br />

<strong>and</strong> hawing. And for a glimpse: at the<br />

mention of my mother, her lips pursed<br />

in a disapproving line. Her expression<br />

smoothed out again shortly after – though<br />

I think more from tiredness than a lack of<br />

disapproval.<br />

She cleared her throat, <strong>and</strong> gently<br />

attempted to tell me. And her facetious<br />

gentleness meant nothing, then, just as<br />

it means nothing to me now. She told me<br />

about how you got your father’s Glock, <strong>and</strong><br />

took it to the grocery store. She told me<br />

how you shot everyone there. My father.<br />

Your father. Monica, the single mother.<br />

And Monica’s daughter, Charlie, who could<br />

have done nothing wrong other than being<br />

there.<br />

And me. I was there.<br />

It was said so plainly, I couldn’t help but<br />

believe it. Even if the last thing I could<br />

remember before the hospital was<br />

playing some video game with you in my<br />

room back in November, right after a big<br />

Thanksgiving meal – it made sense. It<br />

made sense, even though you shooting<br />

up a grocery store was nothing I had<br />

even had a passing thought of, before.<br />

And yet your mother still sat there,<br />

watching. Waiting. Her eyes were tearful,<br />

<strong>and</strong> expectant. I still don’t know exactly<br />

what she was expecting from me, then.<br />

Denial? Anger? Hysteria? More halfformed<br />

<strong>and</strong> misspoken words? Nothing<br />

would come, <strong>and</strong> nothing could. My mind<br />

was plain <strong>and</strong> clear with the acceptance<br />

that you were gone, <strong>and</strong> that my father<br />

was gone, <strong>and</strong> that my life then may as<br />

well be gone.<br />

“Morgan? Do you underst<strong>and</strong>?” She asked.<br />

I nodded. Her words rang unholy <strong>and</strong> true,<br />

just as they do now, recalling them for you.<br />

51 <strong>Windward</strong> <strong>Review</strong> <strong>Vol</strong>ume <strong>20</strong>

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