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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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Sitting in his wheel chair in prison,<br />

Donny did finally watch the video based<br />

on Steven Hawking’s book. And then he<br />

called. I picked up the phone to an old<br />

familiar silence. I knew it was him, his<br />

ragged breath, struggling on the other<br />

end of the line.<br />

“What is it, Donny?” I asked, trying<br />

not to sound impatient. I really do want<br />

him to call. Still, I’m always surprised by<br />

my reaction when he does. Maybe I have<br />

buckets of my own.<br />

The outside light’s bulb was dead. That<br />

was the kind of repair I used to depend<br />

on Donny to do. Now the glass door<br />

panel was like a portal, an opening onto<br />

a dark future I couldn’t imagine, let<br />

alone see. “Mother underst<strong>and</strong>s,” I said<br />

to my son.<br />

His last words to me were as soft<br />

as light from a dying planet.<br />

“Do you, mother. Do you really<br />

underst<strong>and</strong>?”<br />

“I watched Steven Hawking today,”<br />

he said, his voice taking on the old<br />

familiar sound of spilled molasses. Like<br />

he’d just been poured out of a thick<br />

crockery jug. My Boy.<br />

“It made me think,” he said. I<br />

wondered what his words would sound<br />

like filtered through a synthesizer,<br />

thinking of the hesitant, broken metal<br />

of Hawking’s voice. What a lucky woman<br />

Mrs. Hawking must have been. So proud.<br />

“What Donny, what did you think,<br />

dear?” I tried to sound sincere, even<br />

though I could smell a pot of leftover<br />

pasta burning on the stove. It was bad—a<br />

two-day soak <strong>and</strong> scrub smell. And I<br />

confess, I felt a whiff of rage coming on.<br />

His putting me through all that he did.<br />

“Mom, sometimes I feel like a<br />

tea cup on the edge of a table. Like<br />

somebody hit the pause button. Like<br />

time’s suspended, <strong>and</strong> I don’t know<br />

which way to fall.”<br />

“I underst<strong>and</strong>, Donny.” If I didn’t<br />

get to that pot, it would be a three-day<br />

project. Where was Maya when I needed<br />

her? It was pitch black in our yard as I<br />

looked through the aluminum patio slider.<br />

<strong>Beginnings</strong> X <strong>Endings</strong><br />

22

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