Windward Review Vol. 20 (2022): Beginnings and Endings
"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.
"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.
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Edward Wang<br />
Embers of Ambition<br />
It stood perfectly upright <strong>and</strong><br />
centered in full view when she opened<br />
the door to the new place. In every<br />
respect, a monkey’s paw was a strange<br />
thing to encounter, certainly nothing<br />
that Antimony remembered ever<br />
purchasing or being gifted, <strong>and</strong> definitely<br />
something that the white-glove moving<br />
service failed to notify her of when they<br />
moved <strong>and</strong> unpacked the bulk of her<br />
items. Box in h<strong>and</strong>, she skirted around<br />
the disembodied limb to set her burden<br />
down <strong>and</strong> went back to the moving van<br />
to retrieve everything else. Then, she<br />
locked the door on her way out <strong>and</strong> drove<br />
off.<br />
The macabre thing was still<br />
present when she returned. She squatted<br />
down to almost eye-level <strong>and</strong> stared to<br />
confirm its existence. It was definitely<br />
a desiccated h<strong>and</strong> of some primate or<br />
another with bristled, dark hair around<br />
what was left of an arm, thick padding<br />
on the palm, <strong>and</strong> five fingers slightly<br />
too long to belong to a human. That<br />
Antimony couldn’t identify the species<br />
to which it could have belonged was no<br />
concern. She was more preoccupied,<br />
however ridiculous the notion, about<br />
whether the thing before her was merely<br />
a monkey’s paw or The Monkey’s Paw of<br />
literary horror. A matter to ponder later<br />
when she wasn’t still in the process of<br />
moving <strong>and</strong> settling in.<br />
Antimony strode over to the<br />
kitchen <strong>and</strong> returned armed with a pair<br />
of metal tongs. She gingerly grasped the<br />
monkey’s paw, noted it felt very much<br />
like h<strong>and</strong>ling a light length of wood, <strong>and</strong><br />
deposited it deep into a nearby alcove<br />
where it was out of the way but clearly<br />
in full view. There was no visible residue<br />
or hair on the tongs but she washed them<br />
with hot water <strong>and</strong> soap as a matter of<br />
course.<br />
She didn’t bother much with the<br />
monkey paw beyond moving it around<br />
as she cleaned <strong>and</strong> organized the rest of<br />
her possessions. Ill-fated, wish-granting<br />
item or decidedly not, she wasn’t much for<br />
touching it in general <strong>and</strong> gladly sacrificed<br />
one of her tongs to keep it at length.<br />
Nothing seemed to happen while she<br />
h<strong>and</strong>led it <strong>and</strong> it thankfully didn’t move<br />
itself from day to day. The idea of tossing<br />
it out was considered <strong>and</strong> dismissed,<br />
being more reassured in keeping it in<br />
sight <strong>and</strong> harboring the slight paranoia<br />
of it reasserting itself back into her life<br />
somehow. The novelty of its appearance<br />
soon wore thin against the more menial<br />
tasks in her life. Most of those came with<br />
moving to an entirely different place,<br />
but there was still much cleaning to do,<br />
figurative fires to put out, a new job to be<br />
bored at, <strong>and</strong> every other adult thing to<br />
deal with in daily life.<br />
Social interactions were not one<br />
of those things. Work people stayed as<br />
work people <strong>and</strong> none of her neighbors<br />
stopped by to say “hi”. To be fair, she chose<br />
a residence that was just remote enough<br />
that people had to try <strong>and</strong> she had little<br />
initiative to introduce herself. Online<br />
groups satisfied her low minimums for<br />
interactions <strong>and</strong> the only people she saw<br />
more frequently than her coworkers were<br />
the various couriers who made the long<br />
trips to her property. Antimony supposed<br />
that, were she to ever entertain visitors,<br />
the monkey paw didn’t particularly st<strong>and</strong><br />
out among her collections of books,<br />
figures, trinkets, <strong>and</strong> generally interesting<br />
clutter she failed to curate during the<br />
<strong>Beginnings</strong> X <strong>Endings</strong><br />
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