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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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Edward Wang<br />

Embers of Ambition<br />

It stood perfectly upright <strong>and</strong><br />

centered in full view when she opened<br />

the door to the new place. In every<br />

respect, a monkey’s paw was a strange<br />

thing to encounter, certainly nothing<br />

that Antimony remembered ever<br />

purchasing or being gifted, <strong>and</strong> definitely<br />

something that the white-glove moving<br />

service failed to notify her of when they<br />

moved <strong>and</strong> unpacked the bulk of her<br />

items. Box in h<strong>and</strong>, she skirted around<br />

the disembodied limb to set her burden<br />

down <strong>and</strong> went back to the moving van<br />

to retrieve everything else. Then, she<br />

locked the door on her way out <strong>and</strong> drove<br />

off.<br />

The macabre thing was still<br />

present when she returned. She squatted<br />

down to almost eye-level <strong>and</strong> stared to<br />

confirm its existence. It was definitely<br />

a desiccated h<strong>and</strong> of some primate or<br />

another with bristled, dark hair around<br />

what was left of an arm, thick padding<br />

on the palm, <strong>and</strong> five fingers slightly<br />

too long to belong to a human. That<br />

Antimony couldn’t identify the species<br />

to which it could have belonged was no<br />

concern. She was more preoccupied,<br />

however ridiculous the notion, about<br />

whether the thing before her was merely<br />

a monkey’s paw or The Monkey’s Paw of<br />

literary horror. A matter to ponder later<br />

when she wasn’t still in the process of<br />

moving <strong>and</strong> settling in.<br />

Antimony strode over to the<br />

kitchen <strong>and</strong> returned armed with a pair<br />

of metal tongs. She gingerly grasped the<br />

monkey’s paw, noted it felt very much<br />

like h<strong>and</strong>ling a light length of wood, <strong>and</strong><br />

deposited it deep into a nearby alcove<br />

where it was out of the way but clearly<br />

in full view. There was no visible residue<br />

or hair on the tongs but she washed them<br />

with hot water <strong>and</strong> soap as a matter of<br />

course.<br />

She didn’t bother much with the<br />

monkey paw beyond moving it around<br />

as she cleaned <strong>and</strong> organized the rest of<br />

her possessions. Ill-fated, wish-granting<br />

item or decidedly not, she wasn’t much for<br />

touching it in general <strong>and</strong> gladly sacrificed<br />

one of her tongs to keep it at length.<br />

Nothing seemed to happen while she<br />

h<strong>and</strong>led it <strong>and</strong> it thankfully didn’t move<br />

itself from day to day. The idea of tossing<br />

it out was considered <strong>and</strong> dismissed,<br />

being more reassured in keeping it in<br />

sight <strong>and</strong> harboring the slight paranoia<br />

of it reasserting itself back into her life<br />

somehow. The novelty of its appearance<br />

soon wore thin against the more menial<br />

tasks in her life. Most of those came with<br />

moving to an entirely different place,<br />

but there was still much cleaning to do,<br />

figurative fires to put out, a new job to be<br />

bored at, <strong>and</strong> every other adult thing to<br />

deal with in daily life.<br />

Social interactions were not one<br />

of those things. Work people stayed as<br />

work people <strong>and</strong> none of her neighbors<br />

stopped by to say “hi”. To be fair, she chose<br />

a residence that was just remote enough<br />

that people had to try <strong>and</strong> she had little<br />

initiative to introduce herself. Online<br />

groups satisfied her low minimums for<br />

interactions <strong>and</strong> the only people she saw<br />

more frequently than her coworkers were<br />

the various couriers who made the long<br />

trips to her property. Antimony supposed<br />

that, were she to ever entertain visitors,<br />

the monkey paw didn’t particularly st<strong>and</strong><br />

out among her collections of books,<br />

figures, trinkets, <strong>and</strong> generally interesting<br />

clutter she failed to curate during the<br />

<strong>Beginnings</strong> X <strong>Endings</strong><br />

28

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