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Windward Review Vol. 20 (2022): Beginnings and Endings

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

"Beginnings and Endings" (2022) challenged South Texas writers and beyond to narrate structures of beginnings and ends. What results is a collection of poetry, prose, hybrid writing, and photography that haunts, embraces, and consoles all the same. Similar to past WR volumes, this collection defies easy elaboration - it contains diverse tones, languages, colors, and creative spaces. Creative pieces within the text builds upon others, allowing polyvocal narratives to interlock and defy the logic of 'beginning-middle-end'. By the end of this collection, you will neither sense nor crave the finality that a typical text brings. Instead, you will be inspired to learn and create beyond a narrative linear structure. Your reading and support is sincerely appreciated.

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Steve Brisendine<br />

The Green Man in Autumn<br />

This metaphor business<br />

starts to wear on a fellow<br />

some nights.<br />

My joints are all stiff,<br />

creaking like old-growth oak<br />

in a strong wind,<br />

<strong>and</strong> my hair has gone brittle,<br />

crackling with a sound<br />

that never fails to remind<br />

of that first kiss, soft<br />

yet ravenous, of flame<br />

against stubble.<br />

Come three in the morning,<br />

I can feel my eyelids<br />

freezing shut.<br />

There is, I must confess,<br />

a sweet familiar rhythm<br />

to the slow onset of these<br />

brown days, the first turns<br />

of chill earth.<br />

My cheeks glow, even as<br />

they draw <strong>and</strong> wither, <strong>and</strong><br />

there are those to whom<br />

I look best in red <strong>and</strong> gold.<br />

Still, it is no easy thing<br />

to turn my back – weary,<br />

wind-bent, gnarled as<br />

it might be,<br />

upon a world of ripened fields,<br />

laden vines, lovers sharing<br />

orchard-fruit...<br />

No matter. My bed of earth<br />

calls; whether I will or no,<br />

I cannot but answer <strong>and</strong><br />

draw close my coverlet of<br />

frost-tinged leaves.<br />

I will dream of cracking<br />

river-ice, a first shy opening<br />

of peony buds,<br />

the scent of bread on the final<br />

morning of my next life.<br />

<strong>Beginnings</strong> X <strong>Endings</strong><br />

44

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