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86<br />
BLOOMSBURY AUCTIONS<br />
Lot 327<br />
327. Edward Williams Clay th e dO w N fa l l O f MO t h e r<br />
Ba N k, caricature supporting President Jackson’s<br />
decision to remove federal deposits from the Bank of<br />
the United States, lithograph, 1833, New York, by the<br />
artist, 240 x 340mm. (9 ½ x 13 ³∕₈ in); with another<br />
caricature on the same subject, The Kitchen Cabinet, or<br />
Political Money Changers Removing the Deposits, by<br />
C.H. Evans, both unframed (2) £200 - £300<br />
*** A reverse copy of The Downfall of Mother Bank,<br />
issued by H.R. Robinson, is also known.<br />
Lot 328<br />
328. George Edwards & Matthias Darly th e au c t i O N,<br />
‘tis aP P l i c at i O N M a k e s t h e ass, engraving, 1756, at the<br />
Acorn in the Strand, 250 x 300mm. (9 7⁄₈ x 11 ¾ in);<br />
with 2 caricatures of auctioneers by Robert Dighton,<br />
The Specious Orator, depicting James Christie, and<br />
A View near Hyde Park Corner, depicting Edmund<br />
Tattersall; and another; the first item, only, unframed (4)<br />
£150 - £200<br />
Lot 329<br />
329. John Harris hO r s e de a l i N g NO. 1 a N d NO. 2, a<br />
comic pair, after R. Scanlan, illustrating the disreputable<br />
sides of buying and selling by Messrs Screwdriver<br />
& Reardone, in their dealings with Mr Green, handcoloured<br />
aquatints, each c.350 x 460mm (13 ¾ x 18 in)<br />
(2). £200 - £300<br />
Lot 330<br />
330. Charles Hunt a g r O u P O f c a r i c at u r e s f O r le w i s’s<br />
Bl a c k JO k e s, a N d life iN Ph i l a d e l P h i a, including Grand<br />
Celebration ob de Bobalition ob African Slabery, Miss<br />
White’s birth-day Party, Blackberrying, and others, 8<br />
original hand-coloured aquatints, 4 from each series,<br />
including 2 duplicates, c.1830, all by T.C. Lewis & Co.,<br />
v.s., 225 x 180mm. to 230 x 280mm. (8 7⁄₈ x 7 in to 9 x<br />
11 in), all unframed £300 - £400<br />
*** Based on the American black social caricatures of<br />
E.W. Clay, in turn inspired by caricatures of London<br />
life he had seen on a visit to England in the 1820s.