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Capoeira - MA Typeface Design at the University of Reading

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Introduction<br />

1 Defining a brief - 5<br />

2 <strong>Design</strong> Process - 7<br />

Contents<br />

a) Getting familiar with <strong>the</strong> design process<br />

b) Finding personality<br />

c) Refinements and adjustments<br />

d) Building an italic<br />

e) Getting familiar with foreign scripts (Greek & Cyrillic)<br />

f) Adjusting <strong>the</strong> spacing (test documents)<br />

3 Expanding <strong>the</strong> character set and adjusting <strong>the</strong> spacing - 17<br />

a) Small caps/caps<br />

b) <strong>Design</strong>ing figures<br />

c) Diacritics<br />

g) Metrics classes and kerning pairs<br />

Conclusion<br />

Introduction<br />

This reflection on practice rel<strong>at</strong>es my year <strong>of</strong> study <strong>at</strong> <strong>the</strong> <strong>MA</strong> <strong>Typeface</strong><br />

<strong>Design</strong> <strong>of</strong> <strong>the</strong> <strong>University</strong> <strong>of</strong> <strong>Reading</strong>. It covers <strong>the</strong> development<br />

<strong>of</strong> <strong>Capoeira</strong>, a typefamily intended for bilingual public<strong>at</strong>ions such<br />

as brochures, leaflets and magazines, and th<strong>at</strong> includes L<strong>at</strong>in, Greek<br />

and Cyrillic.<br />

Through a constant testing and revising process <strong>Capoeira</strong> was<br />

slowly and gradually refined, improving both its efficiency and<br />

personality. In a first part, I'm explaining <strong>the</strong> brief and <strong>the</strong> purpose<br />

<strong>of</strong> such a typeface. The second parts rel<strong>at</strong>es <strong>the</strong> developement <strong>of</strong> <strong>the</strong><br />

typeface: <strong>the</strong> first constraints I had to face and <strong>the</strong> choices I had to<br />

make. And finally, <strong>the</strong> third part is rel<strong>at</strong>ed to <strong>the</strong> additional char<strong>at</strong>ers<br />

and <strong>the</strong> last adjustment th<strong>at</strong> were done in order for <strong>the</strong> typeface<br />

to be oper<strong>at</strong>ional.<br />

3

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