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THE RUDLOPH WURUTZER CO., CINCINNATI, 0.<br />

RARE OLD VIOLINS-Continued<br />

No. 1074 OLD BOHEMIAN $100.00<br />

Amati model, excellent workmanship, has been played a great deal and is<br />

in fine condition, tone sweet and mellow, also quite pewerful.<br />

No. 961 AMATI MODEL $150.00<br />

Ra<strong>the</strong>r highly arched, fine quality dark varnish. Condition good, tone a<br />

beautiful clear quahty, rich and sonorous.<br />

No. 748 OLD GERMAN, 1764 $300.00<br />

Undoubted fine old German Violin, good model and workmanship. In<br />

fine condition and with a satisfactory tone, both in quality and volume.<br />

No. 1249 MICHAEL ACHNER $150.00<br />

Wallgau, 1769<br />

In fine condition, well selected wood and a good thickness throughout.<br />

Plenty <strong>of</strong> tone and <strong>of</strong> fine quality. Made about 1830, probably by .. pupil <strong>of</strong><br />

Achner. Heavy transparent varnish, excellent value.<br />

No. 1312 VUILLAUNE SCHOOL $80.00<br />

Good archestra violin, Stradivarius model, has had considerable use,<br />

excellent condition and appearance.<br />

No. 1323 ROBERT GLIER $130.00<br />

Cincinnati, 1887<br />

One <strong>of</strong> <strong>the</strong> violins made for Pr<strong>of</strong>. Jacobsohn, excellent workmanship,<br />

enormous volume <strong>of</strong> tone, possesses much beauty, an ideal orchestra leader's<br />

violin.<br />

No. 747<br />

LEOPOLD WITHALM<br />

$250.00<br />

Nurnberg.<br />

Neatly made old German Violin, model slightly original, but in good taste;<br />

varnish a lovely dark amber; tone rich and full.<br />

No. 107?<br />

CONRAD WERLL<br />

$300.00<br />

Lauten und Geigenmacher in Wein, 1788.<br />

Very characteristic and genuine instrument and with a most beautiful<br />

tone <strong>of</strong> great volume and clearness and very easily produced. Varnish a very<br />

dark ruddy brown, a rich and satisfactory appearance, condition<br />

Repaired in 1906 by Gemunder, <strong>of</strong> Astoria, N. Y.<br />

first-class.<br />

No. 680 AEGIDIUS KLOZ $400.00<br />

Very handsome and perfect specimen <strong>of</strong> this fine maker's work. General<br />

design and fini.sh equal to a fine Gagliano. Good condition and line singing<br />

quality <strong>of</strong> tone, mellow and far-carrying.<br />

No. 1092 GEORGE GEMUNDER<br />

New York, 1875.<br />

$150.00<br />

Beautiful copy <strong>of</strong> "Le Messie" Stradivarius. Workmanship all that <strong>the</strong><br />

original Gemunder's name stands for—perfection. It is well covered with a<br />

lustrous dark red varnish <strong>of</strong> great beauty. The back is two pieces <strong>of</strong> Italian<br />

maple <strong>of</strong> remarkably handsome figure. The sides and neck match exactly.<br />

The top is Italian spruce, a carefully selected piece <strong>of</strong> medium wide grain.<br />

The tone is all that could be desired, being full and reedy and <strong>of</strong> exquisite<br />

quality.<br />

No. 963 PIERRE ALOYSIUS JOSEPHS<br />

$250.00<br />

New York, fecit 1888,<br />

Stradivarius model worked out somewhat after Vuillaume's style. Wood<br />

carefully selected, varnish golden red to amber shades and very transparent.<br />

Its tone is <strong>of</strong> rare quality, uniform and <strong>of</strong> great volume and flexibility.<br />

No. 867 GEORGE CRASKE<br />

$250.00<br />

London, about 1850.<br />

Guarnerius model, arching medium, fine wood and workmanship. Varnish<br />

is a dark meilow transparent brown <strong>of</strong> excellent quality. Condition perfect,<br />

as when it left <strong>the</strong> maker's bench. The tone is fine and <strong>of</strong> great volume.<br />

No. 836 ALBERT KRELL No. 294, 1891 $250.00<br />

Fine Stradivarius model. Back in two pieces; handsomely figured maple,<br />

sides and scroll match. Top is remarkably well chosen wood <strong>of</strong> broad and<br />

uniform grain, which gives <strong>the</strong> instrument a splendid tone, powerful and farcarrying<br />

and <strong>of</strong> fine quality. A good solo Violin and would also make a<br />

wonderful orchestra instrument; varnish a fine golden amber.<br />

No. 1170 FRANCOIS SIMONIN $200.00<br />

An interesting copy <strong>of</strong> Vuillaume; back two pieces <strong>of</strong> handsome maple,<br />

sides and scroll from same wood. Top selected spruce <strong>of</strong> uniform grain<br />

width. Varnish a rich golden red. Careful and artistic workmanship. Its<br />

tone is broad and reasonant and <strong>of</strong> beautiful quality.<br />

No. 1243 STRADIVARIUS MODEL $150.00<br />

Fine old German instrument in fine condition, handsome wood and good<br />

workmanship. Tone is free and <strong>of</strong> good quality and power.<br />

No. 1244 JOANNES BAPTISTE GUADAGNINI $150.00<br />

Back two-piece with well marked figure slanting upward from centre.<br />

Arching ra<strong>the</strong>r flat, ebony neck, button nicely inserted. Condition perfect,<br />

<strong>the</strong> tone is deep and mellow and <strong>of</strong> a good carrying quality. Of German<br />

origin, about 1840<br />

No. 1191 ALBERT KRELL, MAKER. $200.00<br />

Cincinnati, Oliio, 1859.<br />

Concert Stradivarius model. Handsome wood throughout and goocji<br />

workmanship. Nice varnish <strong>of</strong> reddish brown color. Perfectly sound condition.<br />

Its tone renders it a very serviceable, all-round instrument, being full'<br />

and mellow and very responsive.<br />

No. 1226 DR. KNAPPE, LEIPZIG, 1906 $150,011<br />

Artistic construction throughout, Stradivarius pattern, beautiful wood and<br />

very transparent, golden orange varnish. Tone is distinctly fine, <strong>of</strong> gooi<br />

quality and ample power.<br />

No. 1003 ROBERT DUNCAN $180.00<br />

Aberdeen, 1746<br />

Repaired by Mat<strong>the</strong>w Hardie in Edinburgh, Scotland, in 1817. Interestinj<br />

old violin in good condition. Fine mellow tone. Slab back, workmanshij<br />

Italian in character, brown amber varnish.<br />

No. 1150 JOHANN CHRISTIAN BOELANDT<br />

$150.0[<br />

Violin maker in Klingenthal, 1794<br />

Fine model somewhat after Stainer's, scroll original, condition perfect<br />

Varnish deep yellow brown.<br />

able power.<br />

The tone is free and mellow and <strong>of</strong> consider­<br />

No. 1152 BRESCIAN SCHOOL $170.01<br />

Labeled Caspar da Salo. Excellent workmanship, broad-grained top,"<br />

handsome one-piece back, has seen much use, fine state <strong>of</strong> preservation;<br />

varnish Brescian type, dark red.<br />

No. 1256 GUSTAVE BERNARDEL, 1862. $150.00<br />

One <strong>of</strong> <strong>the</strong> greatest French violin makers <strong>of</strong> <strong>the</strong> present time, resembles<br />

Pique in many respects. A charming color, strikingly handsome, curled<br />

back with sides to match scroll, well executed, fine grained top, tone<br />

mellow, well balanced.<br />

No. 941 CARL CHRISTIAN MEISEL $180.00,<br />

Klingenthal, 1768<br />

A violin that would prove very suitable for a <strong>the</strong>atre orchestra, has<br />

penetrating tone, an ideal leader's violin, can be heard above <strong>the</strong> o<strong>the</strong>i<br />

instruments. Very handsome back and sides, has had much use. Goldei<br />

amber color, good preservation.<br />

No. 1163 NEUNER & HORNSTEINER $150.00,<br />

Mittenwald<br />

Fine type <strong>of</strong> Mittenwald violin, varnish ruddy brown; wood and work-|<br />

manship good and <strong>the</strong> tone is rich and satisfying. Made about 18.J0 or M.<br />

Has had constant use.<br />

No. 1165 Labeled J..B. GUADAGNINI $200.00<br />

Fine old violin <strong>of</strong> <strong>the</strong> Guadagnini type, large model, arching mediufl(<br />

Workmanship distinctly fine throughout. Tone is <strong>of</strong> Italian quality, rich<br />

and mellow, excellent value.<br />

No. 769 JOSEPH KEFFER $150.00,<br />

Ramsan (about 1790)<br />

Fine old violin <strong>of</strong> German origin, slab back fine wood throughout. Dark<br />

amber varnish. Tone free and mellow.<br />

No. 1209 FRANCOIS FENT<br />

$200.09<br />

Paris, 1770 to 1790<br />

Old French violin, condition flawless, back one piece handsome maple.<br />

Nice appearance, varnish dark brown hue.<br />

powerful, suitable for orchestra.<br />

Tone remarkably sweet and<br />

No. 1212 Labeled MATHIAS KLOZ $150.00<br />

Very neat and handsome model, finish and general workmanship good.<br />

Slab back, varnish an attractive brown, condition perfect. Its tone is powerful<br />

and a very pleasing quality. Made in Mittenwald, about 1840.<br />

No. 1229 Labeled GEORGES CHANOT $200.00<br />

Fine French violin, back two-piece curly maple, sides and scroll match,<br />

top a fine piece <strong>of</strong> Italian spruce. The model i§ large and handsome, varnish<br />

a deep transparent red. Its tone is uniformly good throughout.<br />

SMALL SIZE OLD VIOLINS<br />

No. 1084 AMATI 14 Size $200.00<br />

Undoubted old Italian, very large tone for small instrument, and fine<br />

quality. Fine wood and an excellent rich golden red varnish.<br />

No. 025 OLD GERMAN 14 Size $40.00<br />

Nice little Stradivarius model, beautiful wood and workmanship. Good<br />

tone.<br />

No. 1228 LEOPOLD WIDHALM $200.00<br />

Lautten und Geigenmacher in Nurnberg, Fecit anno 1787<br />

Three-Fourths size, 1.3 inches length <strong>of</strong> body, Artistic workmanship and<br />

very fine tone, perfect condition.

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