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Campaign residen the P -litics - Princeton University

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secular state can resolve competing<br />

claims through political means: Liberal<br />

Palestinian votes would be sought by<br />

progressive Israelis, and vice versa. The<br />

grim alternative for Israel: fur<strong>the</strong>r<br />

isolation, virtual apar<strong>the</strong>id, boycotts,<br />

sanctions.<br />

Peace and lasting reconciliation can<br />

follow only from negotiations aimed at<br />

democracy for all, not nonsubstantive<br />

border-tinkering. Difficult? Certainly.<br />

Impossible, no.<br />

KEN SCUDDER ’63<br />

San Francisco, Calif.<br />

Designing in green<br />

I appreciate your report about progress<br />

and growing interest in green design<br />

(feature, March 21).<br />

I helped build <strong>the</strong> <strong>the</strong>rmal helio -<br />

dome in <strong>Princeton</strong>’s architectural laboratory<br />

as an undergraduate. Victor and<br />

Aladar Olgyay were fascinating teachers.<br />

Their heliodome showed how thick<br />

masonry walls transfer cool night temperatures<br />

to interiors during <strong>the</strong> day in<br />

JOHN CONSTABLE:<br />

Oil Sketches from <strong>the</strong><br />

Victoria and Albert Museum<br />

On view through June 10<br />

Free<br />

and open to <strong>the</strong> public<br />

artmuseum.princeton.edu<br />

artmuseum.princeton.<br />

edu<br />

609.258.3788<br />

609.258.<br />

3788<br />

hot dry climates. Frank Lloyd Wright<br />

came to visit <strong>the</strong> laboratory, carefully<br />

felt all <strong>the</strong> project’s components, and<br />

explained that touch helped him comprehend<br />

surfaces.<br />

Don Lyndon ’57 and I went to Holland<br />

after graduation in 1957. Don<br />

returned to do his master’s; I stayed in<br />

Europe and apprenticed with Eugene<br />

Beaudouin, renowned Chef d’Atelier of<br />

<strong>the</strong> Ecole des Beaux Arts and chief<br />

planner for North Africa and <strong>the</strong> south<br />

of France.<br />

In 1972 I found myself managing <strong>the</strong><br />

northwest sector of <strong>the</strong> Boston Transportation<br />

Planning Review, which<br />

stopped construction of an “inner-belt”<br />

highway, used <strong>the</strong> funds allocated to<br />

better serve Boston and its suburbs<br />

with high-speed freight and passenger<br />

rail service, and buried <strong>the</strong> Central<br />

Artery. I returned to Europe to work<br />

with Frank Elliott ’57 on plans for<br />

Mexico and a city in Saudi Arabia for<br />

<strong>the</strong> Middle East Division of <strong>the</strong> U.S.<br />

Army Corps of Engineers.<br />

Between 1957 and 1975, fuel-consumptive<br />

ideas hatched bigger and big-<br />

Tuesday,<br />

Wednesday,<br />

Friday,<br />

and Saturday,<br />

10 a.m.–5 p.m.<br />

Thursday,<br />

10 0 a.m.–10 p.m.<br />

Sunday,<br />

1–5 p.m. p p.m.<br />

ger planning, zoning, construction, and<br />

manufacturing failures, overwhelmed<br />

infrastructures and materials suppliers,<br />

and confused intellectual-property values.<br />

Corporations changed <strong>the</strong> practice<br />

of architecture so that drawings and<br />

specifications became invitations for<br />

litigation between clients, builders,<br />

architects, and materials suppliers.<br />

It is refreshing to read what Claire<br />

Maxfield *03, ARO, and Maryann<br />

Thompson ’83 are doing. For me, too,<br />

building green means appreciating<br />

local microdynamics that ecologically<br />

vitalize and renew watersheds and realestate<br />

values.<br />

PETER ROUDEBUSH ’57<br />

Greensboro, Vt.<br />

The progressive work of <strong>the</strong> sustainable<br />

<strong>Princeton</strong> architects profiled in your<br />

March 21 issue is impressive. Side by<br />

side with <strong>the</strong> architects using green<br />

practices are landscape architects promoting<br />

<strong>the</strong>se innovative practices in<br />

every phase of <strong>the</strong>ir work.<br />

Today my profession is at <strong>the</strong> forecontinues<br />

on page 10<br />

<strong>Princeton</strong> and <strong>the</strong><br />

Gothic Revival:<br />

1870 - 1930<br />

On view through June 24<br />

Exhibition organized by<br />

<strong>the</strong> Victor Victoria ia and Albert<br />

Museum,<br />

eum, , London.<br />

London.<br />

John Constab Constable, le,<br />

Br<br />

British, itish, 1776–1837:<br />

1776–1837: Salisb Salisbury ury<br />

Ca<strong>the</strong>dr Ca<strong>the</strong>dral a al from <strong>the</strong> South West West, est,<br />

ca. 1820, , detail.<br />

detail.<br />

Oil on<br />

canvas, canvv<br />

as, later<br />

lined.<br />

The Victoria<br />

and<br />

Albert<br />

Museum<br />

(319-1888). © Victoria ia and<br />

Albert<br />

Museum / V&A images.<br />

Cram and Ferguson,<br />

ar<br />

architects, chitects, Boston,<br />

, fl.<br />

1915–1941:<br />

pr proposed oposed inter interior ior of Uni <strong>University</strong> versity<br />

Chapel,<br />

undated, detail.<br />

detail. Water Watercolor atercolor<br />

on wwove<br />

ove<br />

paper paper. . Uni <strong>University</strong> versity<br />

AAr<br />

Archives, chives,<br />

Depar Department tment of Rar Rare e Books and<br />

Special Collections, Pr <strong>Princeton</strong> inceton Uni <strong>University</strong> versity<br />

Librar Library. y.<br />

paw.princeton.edu • May 16, 2012 <strong>Princeton</strong> Alumni Weekly<br />

Inbox<br />

P<br />

7

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