Campaign residen the P -litics - Princeton University
Campaign residen the P -litics - Princeton University
Campaign residen the P -litics - Princeton University
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secular state can resolve competing<br />
claims through political means: Liberal<br />
Palestinian votes would be sought by<br />
progressive Israelis, and vice versa. The<br />
grim alternative for Israel: fur<strong>the</strong>r<br />
isolation, virtual apar<strong>the</strong>id, boycotts,<br />
sanctions.<br />
Peace and lasting reconciliation can<br />
follow only from negotiations aimed at<br />
democracy for all, not nonsubstantive<br />
border-tinkering. Difficult? Certainly.<br />
Impossible, no.<br />
KEN SCUDDER ’63<br />
San Francisco, Calif.<br />
Designing in green<br />
I appreciate your report about progress<br />
and growing interest in green design<br />
(feature, March 21).<br />
I helped build <strong>the</strong> <strong>the</strong>rmal helio -<br />
dome in <strong>Princeton</strong>’s architectural laboratory<br />
as an undergraduate. Victor and<br />
Aladar Olgyay were fascinating teachers.<br />
Their heliodome showed how thick<br />
masonry walls transfer cool night temperatures<br />
to interiors during <strong>the</strong> day in<br />
JOHN CONSTABLE:<br />
Oil Sketches from <strong>the</strong><br />
Victoria and Albert Museum<br />
On view through June 10<br />
Free<br />
and open to <strong>the</strong> public<br />
artmuseum.princeton.edu<br />
artmuseum.princeton.<br />
edu<br />
609.258.3788<br />
609.258.<br />
3788<br />
hot dry climates. Frank Lloyd Wright<br />
came to visit <strong>the</strong> laboratory, carefully<br />
felt all <strong>the</strong> project’s components, and<br />
explained that touch helped him comprehend<br />
surfaces.<br />
Don Lyndon ’57 and I went to Holland<br />
after graduation in 1957. Don<br />
returned to do his master’s; I stayed in<br />
Europe and apprenticed with Eugene<br />
Beaudouin, renowned Chef d’Atelier of<br />
<strong>the</strong> Ecole des Beaux Arts and chief<br />
planner for North Africa and <strong>the</strong> south<br />
of France.<br />
In 1972 I found myself managing <strong>the</strong><br />
northwest sector of <strong>the</strong> Boston Transportation<br />
Planning Review, which<br />
stopped construction of an “inner-belt”<br />
highway, used <strong>the</strong> funds allocated to<br />
better serve Boston and its suburbs<br />
with high-speed freight and passenger<br />
rail service, and buried <strong>the</strong> Central<br />
Artery. I returned to Europe to work<br />
with Frank Elliott ’57 on plans for<br />
Mexico and a city in Saudi Arabia for<br />
<strong>the</strong> Middle East Division of <strong>the</strong> U.S.<br />
Army Corps of Engineers.<br />
Between 1957 and 1975, fuel-consumptive<br />
ideas hatched bigger and big-<br />
Tuesday,<br />
Wednesday,<br />
Friday,<br />
and Saturday,<br />
10 a.m.–5 p.m.<br />
Thursday,<br />
10 0 a.m.–10 p.m.<br />
Sunday,<br />
1–5 p.m. p p.m.<br />
ger planning, zoning, construction, and<br />
manufacturing failures, overwhelmed<br />
infrastructures and materials suppliers,<br />
and confused intellectual-property values.<br />
Corporations changed <strong>the</strong> practice<br />
of architecture so that drawings and<br />
specifications became invitations for<br />
litigation between clients, builders,<br />
architects, and materials suppliers.<br />
It is refreshing to read what Claire<br />
Maxfield *03, ARO, and Maryann<br />
Thompson ’83 are doing. For me, too,<br />
building green means appreciating<br />
local microdynamics that ecologically<br />
vitalize and renew watersheds and realestate<br />
values.<br />
PETER ROUDEBUSH ’57<br />
Greensboro, Vt.<br />
The progressive work of <strong>the</strong> sustainable<br />
<strong>Princeton</strong> architects profiled in your<br />
March 21 issue is impressive. Side by<br />
side with <strong>the</strong> architects using green<br />
practices are landscape architects promoting<br />
<strong>the</strong>se innovative practices in<br />
every phase of <strong>the</strong>ir work.<br />
Today my profession is at <strong>the</strong> forecontinues<br />
on page 10<br />
<strong>Princeton</strong> and <strong>the</strong><br />
Gothic Revival:<br />
1870 - 1930<br />
On view through June 24<br />
Exhibition organized by<br />
<strong>the</strong> Victor Victoria ia and Albert<br />
Museum,<br />
eum, , London.<br />
London.<br />
John Constab Constable, le,<br />
Br<br />
British, itish, 1776–1837:<br />
1776–1837: Salisb Salisbury ury<br />
Ca<strong>the</strong>dr Ca<strong>the</strong>dral a al from <strong>the</strong> South West West, est,<br />
ca. 1820, , detail.<br />
detail.<br />
Oil on<br />
canvas, canvv<br />
as, later<br />
lined.<br />
The Victoria<br />
and<br />
Albert<br />
Museum<br />
(319-1888). © Victoria ia and<br />
Albert<br />
Museum / V&A images.<br />
Cram and Ferguson,<br />
ar<br />
architects, chitects, Boston,<br />
, fl.<br />
1915–1941:<br />
pr proposed oposed inter interior ior of Uni <strong>University</strong> versity<br />
Chapel,<br />
undated, detail.<br />
detail. Water Watercolor atercolor<br />
on wwove<br />
ove<br />
paper paper. . Uni <strong>University</strong> versity<br />
AAr<br />
Archives, chives,<br />
Depar Department tment of Rar Rare e Books and<br />
Special Collections, Pr <strong>Princeton</strong> inceton Uni <strong>University</strong> versity<br />
Librar Library. y.<br />
paw.princeton.edu • May 16, 2012 <strong>Princeton</strong> Alumni Weekly<br />
Inbox<br />
P<br />
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