Graphic and Photographic Documentation - Reed College
Graphic and Photographic Documentation - Reed College
Graphic and Photographic Documentation - Reed College
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A Morel et Ce, 1862-1863 (first Spanish edition, Ciudadas y ruinas americanas, 1866; an<br />
edition was published by the Bibliothéque Nationale de France, Paris, in 1982).<br />
All of Charnay’s photographs of Uxmal in the lavish vol. 1 of this publication <strong>and</strong> the<br />
illustration to Viollet-le-Duc’s article in vol. 2 are reproduced on this web site.<br />
There are no photographs of Kabah, Sayil, or Labná in this publication.<br />
http://academic.reed.edu/uxmal/galleries/thumbnails/drawings/Drawings-Charnay.htm<br />
This 2-volume publication was made up of 1 large, lavish volume of 49 plates (47<br />
original photographic prints <strong>and</strong> 2 photo-lithographs), published 1862 (a few of<br />
Charnay’s photographs published in 1862 had been published 2 years earlier) <strong>and</strong> 1<br />
much smaller volume of text, published 1863.<br />
Charnay’s photographs were the first ever made of Maya ruins, overcoming not only<br />
the difficulties of a challenging, foreign environment, but also the dem<strong>and</strong>ing logistics<br />
of mid-19 th century photography. He used a large camera, large glass plates which<br />
had to be prepared just before each exposure <strong>and</strong> developed on site, printed later on<br />
albumen-silver paper. Moreover, he worked systematically, documenting not only<br />
details but also the gr<strong>and</strong>eur of the cities he recorded. The photographs in Cités et<br />
ruines américaines were taken during two seasons of fieldwork in 1859 <strong>and</strong> 1860.<br />
The much smaller text volume contained an account by Charnay of his travels: “Le<br />
Mexique: 1858-1861: Souvenirs et Impressions de Voyage”, In his preface, Charnay<br />
points out the immensity of his subject, the inadequacy of previous publications, <strong>and</strong><br />
the necessary shortcomings of his own. On the contentious subject of foreign origins<br />
of Maya architecture, he notes similarities to the art <strong>and</strong> architecture of other cultures,<br />
but states that any conclusions are now hypothetical. Nevertheless, he introduces<br />
Viollet-le-Duc as (in translation) “a synthetic talent that can reconstruct the past on the<br />
ruins if the present” (p. vi). The text volume includes also a revealing essay by Violletle-Duc<br />
(pp. 3-80), based on photographs, drawings, <strong>and</strong> notes provided by Charnay.<br />
Viollet-le-Duc’s essay, “Antiquités Américaines”, is separately listed <strong>and</strong> annotated in<br />
this web bibliography.<br />
Charnay’s 19 chapters include one on the Yucatan <strong>and</strong> one on Uxmal, including 19<br />
short pages on the ruins of Uxmal (pp. 362-380). This includes details of his set-up for<br />
photography at Uxmal, roles of his Maya assistants, <strong>and</strong> practical difficulties in dealing<br />
with sleeping, along with brief, straightforward descriptions of the ruins.<br />
Charnay, Claude Joseph Désiré<br />
Ciudades y ruinas americanas. Translated from the French, Cités et ruines américaines, by<br />
Rocio Alonzo. Prologue Lorenzo Ochoa, 1993. México, F.D.: Consejo Nacional Para la<br />
Cultura y las Artes, 1994.<br />
In his prologue, Ochoa calls attention to the lack of recognition that Charnay’s<br />
publications received in many 20 th century academic studies of the ancient Maya,<br />
because Charnay’s writing was not sufficiently scientific. However, Ochoa points out<br />
that Charnay’s accounts are valuable descriptions of the life of the Maya people <strong>and</strong><br />
their environments during the 19 th century. In his chapter on Uxmal, in addition to his<br />
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