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Graphic and Photographic Documentation - Reed College

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Braun, Barbara<br />

Pre-Columbian Art <strong>and</strong> the Post-Columbian World: Ancient American Sources of Modern<br />

Art. New York: Harry N. Abrams, Inc., 1993.<br />

This book provides examples of the multifaceted influences of Pre-Columbian art on<br />

artists from Gauguin to American artists of the 1970s. In her first chapter, Braun<br />

traces the history of pre-Hispanic objects in Europe <strong>and</strong> Mexico in the context of<br />

changing concepts of history <strong>and</strong> culture. She examines the choices made by<br />

individuals <strong>and</strong> institutions in deciding which objects to collect, exchange, display, <strong>and</strong><br />

preserve, how <strong>and</strong> why. This chapter provides an orderly, chronological survey of the<br />

major figures, institutions, <strong>and</strong> events.<br />

The 4 th of the 7 chapters is titled “Frank Lloyd Wright: A Vision of Maya Temples”,<br />

tracing Wright’s contract with <strong>and</strong> influence of Pre-Columbian architecture on his<br />

work. In addition to Wright’s interest in early publications <strong>and</strong> photographs of pre-<br />

Columbian architecture, his most direct <strong>and</strong> deepest contact took place at the 1893<br />

World’s Columbian Exposition in Chicago, where he lived, <strong>and</strong> thereafter in the new<br />

Field Columbian Museum, which acquired <strong>and</strong> displayed artifacts, photographs<br />

(including photographs of Sayil <strong>and</strong> Labná by Maler) <strong>and</strong> the large casts from the<br />

Exposition Including casts of the Labná arch, 2 details of the Nunnery Quadrangle,<br />

<strong>and</strong> 1 section of the Governor’s Palace at Uxmal. Among the many large, high quality<br />

reproduction are 4 photographs of Uxmal, 1 of the Palace at Labná (reversed leftright,<br />

p.173), <strong>and</strong> 3 of the plaster copies.<br />

Briggs, Peter, ed.<br />

The Maya Image in the Western World: A Catalogue to an Exhibition at the University of<br />

New Mexico. Albuquerque, NM: University of New Mexico Press, 1986.<br />

Although titled as a catalogue, this publication does not include a catalogue of the<br />

works exhibited in the exhibition held at the University of New Mexico Art Museum<br />

<strong>and</strong> Maxwell Museum of Anthropology. It does illustrate some of the works in the<br />

exhibition <strong>and</strong> provides a rich context for their underst<strong>and</strong>ing.<br />

The following three articles are separately listed <strong>and</strong> annotated in this bibliography:<br />

Harrison, Peter, “Carlos Vierra: His Role <strong>and</strong> Influence on the Maya”<br />

Paxton, Merideth, “Frederick Catherwood <strong>and</strong> the Maya”<br />

Sabloff, Jeremy A., <strong>and</strong> Kelli Carmean, “Archaeologists’ Images of the Ancient Maya”.<br />

Brine, Lindesay<br />

Travel Amongst American Indians, Their Ancient Earthworks <strong>and</strong> Temples; including a<br />

journey in Guatemala, Mexico <strong>and</strong> Yucatan, <strong>and</strong> a visit to the Ruins of Patinamit, Utatlan,<br />

Palenque <strong>and</strong> Uxmal. London: Sampson Low, Marston & Co., 1894 (republished by Oracle<br />

Pub., Ltd., Royston, Hertfordshire,1996).<br />

The 10 images of Uxmal <strong>and</strong> map of the author’s travels in this volume are reproduced on<br />

this web site.<br />

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