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Graphic and Photographic Documentation - Reed College

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is to determine the degree of analogy that the art of Uxmal is going to present to that<br />

of Palenque <strong>and</strong> Tonina” (p. 148).<br />

Baudex accurately notes that (in translation), “The merit of the book resides in the<br />

lithographs”, but his statement that “The text on the other h<strong>and</strong> is deceiving <strong>and</strong> does<br />

not distinguish itself from the notes <strong>and</strong> journals that Waldeck had not intended for<br />

publication” (p. 158) minimizes the importance of some of those observations.<br />

Baudez’s justifiable admiration for Waldeck sometimes distorts his account. For<br />

example, in his caption to the Waldeck’s famous reconstruction drawing of a classicaltype<br />

st<strong>and</strong>ing male nude on the façade of Temple 5 of the Pyramid of the Magician,<br />

Baudez writes (in translation): “The colossal statues are considered by most<br />

Mayanists as the invention of the artist” adding that “fragments of the colossal statues<br />

have been since recovered in the zone of Uxmal” (caption to fig. 26, p.150). Although<br />

not explicitly stated, Baudez’s wording clearly implies that these fragments vindicated<br />

Waldeck’s reconstruction. In fact, no fragments found anywhere at Uxmal lend any<br />

support to Waldeck’s imaginary drawing. No sculpture of any st<strong>and</strong>ing figure in Maya<br />

art st<strong>and</strong>s naturalistically, touching the back wall at only buttocks <strong>and</strong> shoulders, as in<br />

Waldeck’s profile drawing.<br />

Includes 34 color plates <strong>and</strong> 31 grey-scale figures, all of good quality. There is an<br />

important 2-page bibliography, with separate listings for publications by Waldeck <strong>and</strong><br />

the locations for his manuscripts <strong>and</strong> drawings. Chapter 3 on the Yucatan includes<br />

only 2 pages on Uxmal <strong>and</strong> 1 illustration from Waldeck’s l<strong>and</strong>mark volume (pp. 148-<br />

149 <strong>and</strong> fig. 26). Arches at Kabah, Uxmal, <strong>and</strong> Labna, are included in a drawing<br />

comparing 8 Maya arches (fig. 29).<br />

Benavidas Castillo, Antonio<br />

“Teobert Maler”. La antropología en México: Panorama histórico. 10.Los protagonistas<br />

(Diaz-Murillo), 469-476. Ed. Lina Odena Güemes <strong>and</strong> Carlos García Mora. Mexico<br />

City, D.F.: Colección Biblioteca del INAH; Instituto Nacional de Antropología e Historia,<br />

1987.<br />

A 5-page review of the life <strong>and</strong> work of Teobert Maler (1842-1917). There is a useful. 4page<br />

bibliography<br />

Bonaccorsi-Hild, Doris<br />

Teobert Maler: Soldat, Abenteurer, Gelehrter aud den Spuren der Maya. Wien: Ibera<br />

Verlag, 2001.<br />

An excellent 245-page biography on Maler, the best overall introduction to his life.<br />

Written clearly for a general readership, the book includes details from archives <strong>and</strong><br />

from conversations with a few of those still living who remember him. There are a few<br />

references to Uxmal, Kabah, Sayil <strong>and</strong> Labná.<br />

4

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