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96 BASEMAN Jordan<br />

BASEMAN Jordan<br />

READER<br />

BiOgrAPhY Jordan Baseman is a visual artist<br />

and filmmaker. He received a BFA from Tyler<br />

School <strong>of</strong> Art, Philadelphia, Pennsylvania and<br />

an MA from Goldsmith’s <strong>College</strong>, University <strong>of</strong><br />

London. Baseman is currently Reader in Time-<br />

Based Media at Wimbledon <strong>College</strong> <strong>of</strong> Art, University<br />

<strong>of</strong> the <strong>Arts</strong> London, and is also a Lecturer<br />

at the Royal <strong>College</strong> <strong>of</strong> Art Sculpture School and<br />

The Ruskin School <strong>of</strong> Drawing and Fine Art, University<br />

<strong>of</strong> Oxford. Jordan is currently the Artist<br />

in Residence Fellow at St John’s <strong>College</strong>, Oxford.<br />

rESEArCh StAtEMENt My most recent work<br />

is a synthesis <strong>of</strong> reportage, portraiture, documentary,<br />

creative non-fiction and narrative practices.<br />

I work with and record people, in order to<br />

produce films that have the interview and editing<br />

process at their core. Oral history, first person<br />

spoken-word narratives, field recordings and<br />

recorded inter views are all <strong>of</strong> great interest to me.<br />

My films seek to entertain, to emotionally<br />

engage and to challenge audiences. Although the<br />

work is placed within a fine art context and<br />

positioned within academic research culture, I do<br />

not feel that it is restricted to those environments<br />

and to those debates alone. It is <strong>of</strong> the utmost<br />

importance to me that my work does not operate<br />

exclusively within those realms and solely<br />

for those audiences.<br />

Narration, storytelling, personal experience<br />

and belief interest me a great deal. The unpredictability<br />

<strong>of</strong> the interview situation excites me.<br />

In my films, speculation, opinion, ideas and anecdotes<br />

are <strong>of</strong>ten interwoven with intimate<br />

experiences <strong>of</strong> empirical, known information.<br />

Visual abstraction, within a moving image<br />

context, is something that I have been increas-<br />

ingly interested in trying to manufacture.<br />

In addition, I have been hand-processing colour<br />

16mm film, using buckets in a simple but<br />

totally blacked-out space, in order to encourage<br />

visual breakdown, fragmentation and distor-<br />

tion, and to really push the unpredictable nature<br />

<strong>of</strong> the materiality <strong>of</strong> film itself at its most<br />

fundamental level. This direction in my practice<br />

reflects my interest in relinquishing the<br />

boundaries <strong>of</strong> control within a process <strong>of</strong> imagemaking:<br />

celebrating the collision <strong>of</strong> representation<br />

and abstraction through process.<br />

rECENt rELEVANt OUtPUtS In the past few<br />

years, Jordan Baseman has presented solo exhibitions<br />

at Matt’s Gallery, London; The Photographers’<br />

Gallery, London; ArtSway, Hampshire;<br />

Baltic Centre for Contemporary Art, Gateshead;<br />

Monash University, Melbourne; Wellcome<br />

Collection, London; Aberdeen Art Gallery; and<br />

Collective Gallery, Edinburgh.<br />

His films have recently featured in exhibitions<br />

and film festivals including 53rd Venice Biennale;<br />

Los Angeles Animation Festival (where he<br />

won Best Film in the Dangerous Experiments<br />

category); San Francisco Short Film Festival;<br />

Melbourne Underground Film Festival (where he<br />

won Best International Short Film); Tatton<br />

Park Biennial; Gstaad Film Festival; and London<br />

Short Film Festival.<br />

Jordan Baseman has received grants from <strong>Arts</strong><br />

Council England; The <strong>Arts</strong> & Humanities<br />

Research Council; The British Council; The Henry<br />

Moore Foundation; The Wellcome Trust; and<br />

London <strong>Arts</strong> Board. He has exhibited and screened<br />

his work internationally in many countries<br />

including Australia, USA, Austria, Germany, Japan,<br />

Portugal, France and Italy.<br />

Jordan Baseman, 1973, 16mm film production still, <strong>2011</strong><br />

97

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