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110<br />

KIKUCHI Yuko<br />

READER<br />

BiOgrAPhY Dr Yuko Kikuchi was born in Tokyo<br />

and educated in Japan, the USA and UK.<br />

After completing a BA in English and American<br />

Litera ture and an MA in American Studies,<br />

she worked at the School <strong>of</strong> East Asian Studies,<br />

Uni versity <strong>of</strong> Sheffield as a Modern Japanese<br />

Studies specialist. She joined University <strong>of</strong> the <strong>Arts</strong><br />

London in 1994 to complete a PhD on the<br />

Mingei movement and is currently teaching MA<br />

courses, supervising research students and<br />

conducting research as a core member <strong>of</strong> TrAIN<br />

(Transnational Art Identity and Nation) in<br />

her capacity as a specialist in design histories and<br />

design studies.<br />

rESEArCh StAtEMENt My research is on modernities<br />

in art and design in East Asia, with<br />

particular interest in how phenomena informed<br />

by local specificities could engage with aca-<br />

demia in Euroamerica. My key publications have<br />

been on the Japanese and transnational<br />

Mingei movement (Japanese Modernisation and<br />

Mingei Theory: Cultural Nationalism and Oriental<br />

Orientalism, 2004), and on modernities in<br />

colonial Taiwan (Refracted Modernity: Visual Culture<br />

and Identity in Colonial Taiwan, 2007). The<br />

latter developed through the international design<br />

history project, ‘“Oriental” Modernity: Modern<br />

Design Development in East Asia, 1920–90’,<br />

which investigated the regional and inter-regional<br />

development <strong>of</strong> modern design in Japan, Korea,<br />

and China/Taiwan/Hong Kong. As an editorial<br />

board member <strong>of</strong> the Journal <strong>of</strong> Design History,<br />

I am passionate about creating a transnational<br />

frame work for design histories and studies.<br />

Recently, I have expanded my scope to South-<br />

East Asia (Vietnam, Cambodia and Thailand)<br />

through my investigation into American design<br />

inter vention in Asia during the Cold War<br />

period, looking particularly at the case <strong>of</strong> Russel<br />

Wright. This research examines the continuity<br />

from the European colonial construc tion <strong>of</strong><br />

‘vernacular/national’ handicrafts in the pre-WWII<br />

period, to the post-war American intervention<br />

which eventually developed into the contemporary<br />

subjectivity <strong>of</strong> the locals.<br />

SELECtED OUtPUtS AND AChiEVEMENtS<br />

<strong>2011</strong> ‘Visualising Oriental Crafts: Contested Notion <strong>of</strong><br />

“Japaneseness” and the Crafts <strong>of</strong> the Japanese Empire’,<br />

in: Inaga, S. (ed.), Question <strong>of</strong> Oriental Aesthetics and<br />

Thinking, Kyoto: The International Research Center for<br />

Japanese Studies.<br />

<strong>2011</strong> ‘American Consumption <strong>of</strong> Japanese Design and<br />

Development <strong>of</strong> “Japanese Modern” during the<br />

Occupation and Cold War’, in: Omuka, T. (ed.), Studies<br />

on Audience and Reception <strong>of</strong> Art in Japan, Tokyo:<br />

The Japanese Ministry <strong>of</strong> Education, Science, Sports,<br />

Science & Technology KAKEN.<br />

2010 ‘The Question <strong>of</strong> “Japaneseness” and the Creation <strong>of</strong><br />

the “Greater Oriental Design” for Crafts <strong>of</strong> the Japanese<br />

Empire’, in: Archív Orientální (‘Oriental Archive’), special<br />

issue <strong>of</strong> Literature, History and Culture <strong>of</strong> Taiwan: Past<br />

and Present.<br />

2008 ‘Russel Wright and Japan: Bridging Japonisme<br />

and Good Design through Craft Design’, in: Journal <strong>of</strong><br />

Modern Craft.<br />

KIKUCHI Yuko<br />

Silverware made in Kompong Luong, Cambodia<br />

111

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