graduate school directory 2011/12 - Camberwell College of Arts ...
graduate school directory 2011/12 - Camberwell College of Arts ...
graduate school directory 2011/12 - Camberwell College of Arts ...
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110<br />
KIKUCHI Yuko<br />
READER<br />
BiOgrAPhY Dr Yuko Kikuchi was born in Tokyo<br />
and educated in Japan, the USA and UK.<br />
After completing a BA in English and American<br />
Litera ture and an MA in American Studies,<br />
she worked at the School <strong>of</strong> East Asian Studies,<br />
Uni versity <strong>of</strong> Sheffield as a Modern Japanese<br />
Studies specialist. She joined University <strong>of</strong> the <strong>Arts</strong><br />
London in 1994 to complete a PhD on the<br />
Mingei movement and is currently teaching MA<br />
courses, supervising research students and<br />
conducting research as a core member <strong>of</strong> TrAIN<br />
(Transnational Art Identity and Nation) in<br />
her capacity as a specialist in design histories and<br />
design studies.<br />
rESEArCh StAtEMENt My research is on modernities<br />
in art and design in East Asia, with<br />
particular interest in how phenomena informed<br />
by local specificities could engage with aca-<br />
demia in Euroamerica. My key publications have<br />
been on the Japanese and transnational<br />
Mingei movement (Japanese Modernisation and<br />
Mingei Theory: Cultural Nationalism and Oriental<br />
Orientalism, 2004), and on modernities in<br />
colonial Taiwan (Refracted Modernity: Visual Culture<br />
and Identity in Colonial Taiwan, 2007). The<br />
latter developed through the international design<br />
history project, ‘“Oriental” Modernity: Modern<br />
Design Development in East Asia, 1920–90’,<br />
which investigated the regional and inter-regional<br />
development <strong>of</strong> modern design in Japan, Korea,<br />
and China/Taiwan/Hong Kong. As an editorial<br />
board member <strong>of</strong> the Journal <strong>of</strong> Design History,<br />
I am passionate about creating a transnational<br />
frame work for design histories and studies.<br />
Recently, I have expanded my scope to South-<br />
East Asia (Vietnam, Cambodia and Thailand)<br />
through my investigation into American design<br />
inter vention in Asia during the Cold War<br />
period, looking particularly at the case <strong>of</strong> Russel<br />
Wright. This research examines the continuity<br />
from the European colonial construc tion <strong>of</strong><br />
‘vernacular/national’ handicrafts in the pre-WWII<br />
period, to the post-war American intervention<br />
which eventually developed into the contemporary<br />
subjectivity <strong>of</strong> the locals.<br />
SELECtED OUtPUtS AND AChiEVEMENtS<br />
<strong>2011</strong> ‘Visualising Oriental Crafts: Contested Notion <strong>of</strong><br />
“Japaneseness” and the Crafts <strong>of</strong> the Japanese Empire’,<br />
in: Inaga, S. (ed.), Question <strong>of</strong> Oriental Aesthetics and<br />
Thinking, Kyoto: The International Research Center for<br />
Japanese Studies.<br />
<strong>2011</strong> ‘American Consumption <strong>of</strong> Japanese Design and<br />
Development <strong>of</strong> “Japanese Modern” during the<br />
Occupation and Cold War’, in: Omuka, T. (ed.), Studies<br />
on Audience and Reception <strong>of</strong> Art in Japan, Tokyo:<br />
The Japanese Ministry <strong>of</strong> Education, Science, Sports,<br />
Science & Technology KAKEN.<br />
2010 ‘The Question <strong>of</strong> “Japaneseness” and the Creation <strong>of</strong><br />
the “Greater Oriental Design” for Crafts <strong>of</strong> the Japanese<br />
Empire’, in: Archív Orientální (‘Oriental Archive’), special<br />
issue <strong>of</strong> Literature, History and Culture <strong>of</strong> Taiwan: Past<br />
and Present.<br />
2008 ‘Russel Wright and Japan: Bridging Japonisme<br />
and Good Design through Craft Design’, in: Journal <strong>of</strong><br />
Modern Craft.<br />
KIKUCHI Yuko<br />
Silverware made in Kompong Luong, Cambodia<br />
111