graduate school directory 2011/12 - Camberwell College of Arts ...
graduate school directory 2011/12 - Camberwell College of Arts ...
graduate school directory 2011/12 - Camberwell College of Arts ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
118<br />
TULLOCH Carol<br />
READER<br />
BiOgrAPhY Carol Tulloch is Reader in Dress and<br />
the African Diaspora. She is a member <strong>of</strong> the<br />
Transnational Art, Identity and Nation research<br />
centre (TrAIN) and the TrAIN/V&A Fellow in<br />
the Research Department <strong>of</strong> the V&A. She was<br />
principal investigator <strong>of</strong> the Dress and the African<br />
Diaspora Net work (2006–07).<br />
Carol has written about and curated exhibitions<br />
on dress and black identities, style narratives<br />
– the telling <strong>of</strong> self – cross-cultural and transnational<br />
relations and cultural heritage. Additionally,<br />
her research has reviewed historical<br />
‘truths’ to present alternative perspectives<br />
on the black body, dress and place. Currently,<br />
Carol’s practice has developed to consider<br />
how individuals negotiate their sense <strong>of</strong> self<br />
within diverse contexts – locally, nationally<br />
or internationally. Her work now includes other<br />
groups with similar experi ence and/or cultural<br />
collaboration with people <strong>of</strong> the African diaspora<br />
in order to develop a dialogue in the telling<br />
and place <strong>of</strong> individuals and groups. These issues<br />
were considered in publications such as: Out <strong>of</strong><br />
Many, One People?; The Relativ ity <strong>of</strong> Dress, Race and<br />
ethnicity to Jamaica, 1880–1907 (1998); My<br />
Man, Let Me Pull Your Coat to Something: Malcolm X<br />
(2001); and Strawberries and Cream: Dress,<br />
Migration and the Quintessence <strong>of</strong> englishness (2002);<br />
Black Style (editor, 2004); Interconnecting Routes:<br />
Networks, Dress and Critical-Creative Narra tives<br />
(2007); Resounding Power <strong>of</strong> the Afro Comb (2008);<br />
and the exhibitions Nails, Weaves and Naturals:<br />
Hair styles and Nail Art <strong>of</strong> the African Diaspora,<br />
A Day <strong>of</strong> Record (2001), Tools <strong>of</strong> the Trade: Memories<br />
<strong>of</strong> Black British Hairdressing (2001), Black British<br />
Style (2004–05), and A Riot <strong>of</strong> Our Own (2008).<br />
CUrrENt rESEArCh The monograph The Birth<br />
<strong>of</strong> Cool: Style Narratives <strong>of</strong> the African Diaspora;<br />
the exhibition A Riot <strong>of</strong> Our Own, Galerija Makina,<br />
Pula, Croatia; ‘Kicking Back: Style Connections<br />
through Activism’ in Critical Perspectives on Double-<br />
Consciousness within Modern and Contemporary<br />
Art, Michael Asbury and Paul Goodwin (eds); the<br />
symposium Dress as Autobiography to be held at<br />
the V&A.<br />
SELECtED OUtPUtS AND AChiEVEMENtS<br />
SELECTED EXHIBITIONS<br />
2010 A Riot <strong>of</strong> Our Own, Vibe Bar, London (feature exhibition<br />
<strong>of</strong> the East End film festival).<br />
2010–11 Handmade Tales: Women and Domestic Crafts,<br />
Women’s Library, London.<br />
SELECTED PUBLICATIONS<br />
2010 ‘Buffalo: Style with Intent’, in: Pavitt, J. & Adamson G.<br />
(eds), Postmodernism: Style and Subversion 1970–90.<br />
2010 ‘Dress and the African Diaspora’, in: special issue <strong>of</strong><br />
fashion Theory: The Journal <strong>of</strong> Dress, the body and<br />
Culture.<br />
2009 ‘familial Dress Relations and the West Indian front<br />
Room’, in: McMillan, M., The front Room: Migrant<br />
Aesthetics in the Home.<br />
TULLOCH Carol<br />
A Riot Of Our Own, exhibition, Chelsea Space, London, 2008<br />
119