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graduate school directory 2011/12 - Camberwell College of Arts ...

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118<br />

TULLOCH Carol<br />

READER<br />

BiOgrAPhY Carol Tulloch is Reader in Dress and<br />

the African Diaspora. She is a member <strong>of</strong> the<br />

Transnational Art, Identity and Nation research<br />

centre (TrAIN) and the TrAIN/V&A Fellow in<br />

the Research Department <strong>of</strong> the V&A. She was<br />

principal investigator <strong>of</strong> the Dress and the African<br />

Diaspora Net work (2006–07).<br />

Carol has written about and curated exhibitions<br />

on dress and black identities, style narratives<br />

– the telling <strong>of</strong> self – cross-cultural and transnational<br />

relations and cultural heritage. Additionally,<br />

her research has reviewed historical<br />

‘truths’ to present alternative perspectives<br />

on the black body, dress and place. Currently,<br />

Carol’s practice has developed to consider<br />

how individuals negotiate their sense <strong>of</strong> self<br />

within diverse contexts – locally, nationally<br />

or internationally. Her work now includes other<br />

groups with similar experi ence and/or cultural<br />

collaboration with people <strong>of</strong> the African diaspora<br />

in order to develop a dialogue in the telling<br />

and place <strong>of</strong> individuals and groups. These issues<br />

were considered in publications such as: Out <strong>of</strong><br />

Many, One People?; The Relativ ity <strong>of</strong> Dress, Race and<br />

ethnicity to Jamaica, 1880–1907 (1998); My<br />

Man, Let Me Pull Your Coat to Something: Malcolm X<br />

(2001); and Strawberries and Cream: Dress,<br />

Migration and the Quintessence <strong>of</strong> englishness (2002);<br />

Black Style (editor, 2004); Interconnecting Routes:<br />

Networks, Dress and Critical-Creative Narra tives<br />

(2007); Resounding Power <strong>of</strong> the Afro Comb (2008);<br />

and the exhibitions Nails, Weaves and Naturals:<br />

Hair styles and Nail Art <strong>of</strong> the African Diaspora,<br />

A Day <strong>of</strong> Record (2001), Tools <strong>of</strong> the Trade: Memories<br />

<strong>of</strong> Black British Hairdressing (2001), Black British<br />

Style (2004–05), and A Riot <strong>of</strong> Our Own (2008).<br />

CUrrENt rESEArCh The monograph The Birth<br />

<strong>of</strong> Cool: Style Narratives <strong>of</strong> the African Diaspora;<br />

the exhibition A Riot <strong>of</strong> Our Own, Galerija Makina,<br />

Pula, Croatia; ‘Kicking Back: Style Connections<br />

through Activism’ in Critical Perspectives on Double-<br />

Consciousness within Modern and Contemporary<br />

Art, Michael Asbury and Paul Goodwin (eds); the<br />

symposium Dress as Autobiography to be held at<br />

the V&A.<br />

SELECtED OUtPUtS AND AChiEVEMENtS<br />

SELECTED EXHIBITIONS<br />

2010 A Riot <strong>of</strong> Our Own, Vibe Bar, London (feature exhibition<br />

<strong>of</strong> the East End film festival).<br />

2010–11 Handmade Tales: Women and Domestic Crafts,<br />

Women’s Library, London.<br />

SELECTED PUBLICATIONS<br />

2010 ‘Buffalo: Style with Intent’, in: Pavitt, J. & Adamson G.<br />

(eds), Postmodernism: Style and Subversion 1970–90.<br />

2010 ‘Dress and the African Diaspora’, in: special issue <strong>of</strong><br />

fashion Theory: The Journal <strong>of</strong> Dress, the body and<br />

Culture.<br />

2009 ‘familial Dress Relations and the West Indian front<br />

Room’, in: McMillan, M., The front Room: Migrant<br />

Aesthetics in the Home.<br />

TULLOCH Carol<br />

A Riot Of Our Own, exhibition, Chelsea Space, London, 2008<br />

119

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