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KATU TV-2's Melica Johnson Covers Salem - Salem Business Journal

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april 2008 <strong>Salem</strong> <strong>Business</strong> <strong>Journal</strong> page 13<br />

MEDia guaRD...Continued from page 1<br />

guy and I couldn’t stand being stuck<br />

behind a desk.”<br />

Mills, who has been involved in the<br />

<strong>Salem</strong> and Keizer business community<br />

for several years, has recognized a<br />

need for small businesses.<br />

“Although advertising is one of the<br />

most important things to do for a<br />

business, I realized that I just didn’t<br />

have the time to do it properly.”<br />

Essentially taking time away from his<br />

eleven year old daughter, Reyna, at the<br />

end of the day.<br />

Mills realized that small businesses<br />

don’t just need help with their<br />

advertising, they need to save time.<br />

He was originally going to start up<br />

a business marketing, Consultancy<br />

Company, but discovered that the<br />

small business don’t have the budget<br />

for that type of service.<br />

“The majority of my services are free.<br />

It is similar to buying a cruise at a<br />

travel agency which is the same price<br />

whether you buy through the agency<br />

or direct.”<br />

Mills expressed how businesses were<br />

quite receptive to his services and he<br />

wished that they were available to<br />

him when he was running Northern<br />

Lights.<br />

Live From the Elsinore:<br />

Break Time!<br />

human Resources:<br />

Employers expect employees to put in a fair<br />

day’s work in return for their wages—at the<br />

very least. Actually, most employers admire<br />

those who exert “110%” for the good of the<br />

organization. What does this mean for the<br />

average worker? Suppose Betty is an office<br />

worker, performing general clerical duties.<br />

Her work day starts at 8:00 a.m. and ends<br />

at 4:30 p.m. Most days find her very busy at<br />

work. Sometimes she becomes so engrossed<br />

Films, Films & More Films<br />

April is the month for FILMS … and<br />

there will be lots and lots of films<br />

shown.<br />

Coming up April 18-20 the Elsinore<br />

Theatre will be a host (along with<br />

<strong>Salem</strong> Cinema and the Grand Theater)<br />

to nearly 50 films over three days at the<br />

3rd Annual <strong>Salem</strong> Film Festival.<br />

If you enjoy seeing great films before<br />

they hit the Cineplex or seeing films<br />

that might not make it to the Cineplex<br />

then you definitely do not want to miss<br />

this Film Festival.<br />

The best way to experience a film<br />

festival is to purchase a festival pass that<br />

allows you to come and go all you want<br />

to all the films. You can also purchase<br />

a day pass to see all the films you can in<br />

that one day. Single tickets are usually<br />

available at each of the venues just prior<br />

to each screening, but you take your<br />

chances of not getting in the theatre if<br />

the film is full of pass holders.<br />

Another intriguing film will be “This<br />

is War; Memories of Iraq” on April<br />

13. This documentary film follows the<br />

deployment of the Oregon 2/162 to<br />

Iraq and their eventual return home.<br />

This film is FREE to the public. “This<br />

is War; Memories of Iraq” premiered<br />

during the summer at the Theatre and<br />

the filmmaker wanted to bring it back<br />

for the community.<br />

The Spring Wednesday Evening Film<br />

“If you want to do advertising<br />

efficiently, you need to know the ins<br />

and outs of all the publications and<br />

media channels you’re dealing with<br />

and that all takes time.”<br />

He jokes that with his accent people<br />

thought he was saying “Media God.”<br />

“I don’t rate myself that high, but I can<br />

definitely help businesses with their<br />

advertising needs.”<br />

If you would like more informationabout<br />

Media Guard, Scott Mills can be reached<br />

at 503-881-1282 or e-mail him at scott@<br />

media-guard.com<br />

Stephen Martin, Executive Director<br />

Series will also return. Beginning with<br />

the delightfully “scandalous,” romantic<br />

comedy, “Design For Living” on April<br />

2nd, our spring Classic Series of seven<br />

movies is entitled “Images of Desire: Sin,<br />

Censorship, and Pre-Code Hollywood.”<br />

For nearly 35 years, until the current<br />

movie rating system replaced it in 1968,<br />

the Production Code Administration<br />

governed not only behavior on movie<br />

screens––sex, nudity, violence––but<br />

also what was permissible speech<br />

and thought. It wasn’t always so.<br />

Hollywood movies made during the few<br />

years just after sound was installed in<br />

theaters––but before the censorship<br />

Code was strictly enforced––comprise<br />

a brief, daring, celebrated period in<br />

American filmmaking. This “pre-Code<br />

period,” 1929 to 1934, when movies had<br />

just learned to talk, exhibited a lively<br />

expression of adult concerns, sensuality,<br />

and a broader comprehension of<br />

relationships and sexuality. While<br />

never explicit––certainly not by today’s<br />

standards––movies during this period<br />

were allowed a degree of frankness that<br />

was quite popular with audiences. But<br />

voices of protest demanded censorship.<br />

After 1934, the Code was strictly<br />

enforced to “family fare” standards, and<br />

movies would not be the same.<br />

Six famous pre-Code movies will be<br />

presented in their original or restored<br />

Alice Berntson, SPHR<br />

in her work that the hours fly by. It’s only<br />

her growling stomach that reminds her that<br />

maybe it’s time to stop and take a break.<br />

Her supervisor admires her dedication and<br />

determination.<br />

So what’s wrong with this picture? Betty,<br />

and thousands of workers like her, is a nonexempt<br />

employee. That means she’s subject<br />

to wage and hour laws that require specified<br />

rest and meal breaks. Almost all Oregon<br />

employees must receive rest breaks and<br />

meal periods, though specified government<br />

workers and workers exempt from minimum<br />

wage and overtime laws are excluded from<br />

the requirements for rest breaks and meal<br />

periods.<br />

Employers—supervisors and managers—<br />

are responsible for ensuring that employees<br />

take their required breaks. A rest break is<br />

required as close as possible to the middle of<br />

a work shift if an employee works any time<br />

over two hours, which is the major portion<br />

of a four-hour period. Under only limited<br />

circumstances could an employee forego<br />

these prescribed breaks. Each rest break<br />

is to be a paid 10 minute period during<br />

versions––a sampling of great films<br />

that played a part in provoking the<br />

arrival of censorship and/or were later<br />

cut––or banned outright––by the<br />

Code Administration. Additionally,<br />

we’re presenting an example of how a<br />

clever director during the Code era was<br />

able to slip forbidden subjects past the<br />

censors––Preston Sturges’ madcap<br />

screwball comedy The Miracle of<br />

Morgan’s Creek.<br />

Parallel to the Classic Series is our<br />

Silent Series of four movie evenings,<br />

beginning April 9 with Fritz Lang’s<br />

landmark thriller, “Spies.” Included are<br />

a silent-era pre-Code jewel, featuring<br />

famous lovers Greta Garbo and John<br />

Gilbert, “Flesh and the Devil”; a John<br />

Ford western, “3 Bad Men”; and a<br />

Harold Lloyd comedy, “Speedy.” The<br />

silent film presentations will feature<br />

live accompaniment by Rick Parks at<br />

the “Mighty Wurlitzer Organ.”<br />

As always there will be plenty of<br />

live performances that will round out<br />

this month at the Theatre. Visit our<br />

webpage at ww.elsinoretheatre.com for<br />

a complete listing of events. See you at<br />

the Theatre!<br />

which the employee is relieved of all duties.<br />

Employees may not choose to forego their<br />

rest breaks to have a longer lunch or leave<br />

early.<br />

A meal break period is required if the work<br />

shift is six hours or longer, and is to be timed<br />

to be taken during specified middle hours of<br />

the work shift. There are some circumstances<br />

under which employees can forego meal<br />

breaks, but generally this is not permissible.<br />

Meal break periods are unpaid, and must be<br />

at least 30 minutes of uninterrupted time.<br />

If an employee performs any work duties<br />

during a specified meal break period, then<br />

the employee must be paid for the period.<br />

Breaks—rest and meal periods—can’t be<br />

deducted from the beginning or end of a<br />

work shift. In Betty’s case, her supervisor<br />

needs to make sure that Betty is taking her<br />

breaks and lunch at the appropriate times.<br />

If Betty “forgets,” her supervisor can (and<br />

should) initiate disciplinary action, because<br />

the employer is liable for a potential wage<br />

and hour claim if Betty doesn’t take the<br />

required breaks.<br />

Such wage and hour violations could result<br />

in thousands of dollars of fines, which could<br />

seriously impact an employer’s bottom<br />

line! It is important to make sure that all<br />

employees subject to the laws on breaks and<br />

meal periods take their prescribed breaks.<br />

Alice Berntson is the owner of Spectrum Human<br />

Resources consulting firm, providing clients<br />

with a full spectrum of human resources services<br />

and solutions She has more than 20 years of<br />

results-oriented experience in all areas of human<br />

resources and is a certified Senior Professional<br />

in Human Resources. Contact Alice at 503-428-<br />

8633 or by email at alice@spectrum-hr.com.<br />

Visit the firm’s website at www.spectrumhr.com,<br />

for additional information.

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