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digital aptitudes - Association of Collegiate Schools of Architecture

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FRIDAY, MARCH 2, 2012 - 11:00AM - 12:30PM<br />

Open: Disaster Recovery<br />

Charles Setchell, USAID Office <strong>of</strong> US Foreign Disaster Assistance<br />

Digital and Analog Aptitudes in Emergency Shelter<br />

Design and Fabrication<br />

Bruce Johnson, University <strong>of</strong> Kansas<br />

The Article discusses the flux between the Digital and Analog<br />

realms in the design, fabrication and outcome <strong>of</strong> a Prototype Emergency<br />

Shelter as conceived in a third year “hands-on” architectural<br />

design studio. The article examines the studio design process with<br />

relationship to both the physical needs <strong>of</strong> victims and refugees<br />

and with regard to fabrication and design development within the<br />

architectural studio itself. Currently and in the recent past there<br />

has been much emphasis on Crisis <strong>Architecture</strong> as it pertains to<br />

the need for large quantities <strong>of</strong> housing for victims and refuges <strong>of</strong><br />

Hurricanes, Floods, War, Tsunamis, Earthquakes, etc. and humanmade<br />

disasters, this article illustrates the need for such housing<br />

projects to examine the cultural requirements <strong>of</strong> privacy, family<br />

function, and enclave or neighborhood development in temporary<br />

housing communities such as to facilitate a sense <strong>of</strong> ownership and<br />

personal/family pride. For both Pr<strong>of</strong>essionals and Students, Crisis<br />

architecture requires the study <strong>of</strong> not only the specific needs for<br />

family and community housing during a Crisis, but also <strong>of</strong> the ability<br />

<strong>of</strong> various government agencies, volunteers, and even victims,<br />

to be able to organize, construct, and to maintain society during<br />

conditions that <strong>of</strong>ten manifest power outages and a complete lack<br />

<strong>of</strong> communication interface. Increasingly Pr<strong>of</strong>essionals and Design<br />

students flaunt advanced Digital interfaces for the study and<br />

manufacture <strong>of</strong> buildings, components and models – the article illustrates<br />

that design is a hybrid <strong>of</strong> whatever means are available<br />

and that Crisis architecture must adapt in the field in order to best<br />

serve society in a time <strong>of</strong> need.<br />

Bruce A. Johnson is an Assistant Pr<strong>of</strong>essor at the University <strong>of</strong><br />

Kansas. He graduated with honors from Kansas State University<br />

in 1991 where he was awarded the American Institute <strong>of</strong> Architects<br />

Certificate <strong>of</strong> Merit. In 1995 he received a scholarship to attend<br />

Columbia University where he was a recipient <strong>of</strong> the Lowenfisch<br />

Memorial Prize for best thesis (The Split-Level Sod House). He has<br />

practiced in Kansas City for firms such as Populous, Shaughnessy,<br />

Fickel and Scott, PGAV, and International Architects Atelier, and<br />

in Chicago for Stanley Tigerman and Margaret McCurry. In 1991 he<br />

was awarded the prestigious Skidmore, Owings & Merrill Bachelor<br />

<strong>of</strong> <strong>Architecture</strong> Traveling Fellowship, which afforded research and<br />

travel to study sacred architecture in the Middle East, North Africa<br />

and Europe. His current research interests include Alternate Architectural<br />

Practice and Direct Fabrication as it pertains to the radical<br />

integration <strong>of</strong> Structure, Systems and Emergent Materials.<br />

Haitian Rebuilding Initiative: Technological Solutions<br />

That Hinge on Empowerment<br />

Juintow Lin, California State Polytechnic University, Pomona<br />

Michael Fox, California State Polytechnic University, Pomona<br />

This paper outlines a series <strong>of</strong> studios and seminars focused on<br />

permanent housing solutions in the aftermath <strong>of</strong> the 2010 earthquake<br />

in Haiti. The project hinges on enabling Haitians through<br />

a housing project that that is built entirely with local labor and a<br />

minimum <strong>of</strong> imported materials. An entire house is constructed<br />

almost solely with a unique resin-coated corrugated paper core<br />

sandwiched between magnesium board panels which are manufactured<br />

locally. The combination <strong>of</strong> local initiative and a uniquetechnology<br />

applied to the construction process enables the house<br />

to be constructed within a very short time and at a very low cost.<br />

The work has resulted in an initial prototype section <strong>of</strong> a house<br />

constructed at the University campus in the United States and<br />

the first full house completed in Haiti. From a project standpoint,<br />

students learned to design schematic buildings within real material<br />

and budgetary constraints. They also were asked understand<br />

real strategies for fabrication, delivery and assembly related to the<br />

unique construction details that they developed. Students also had<br />

to reconcile the global and ethical impacts <strong>of</strong> their design decisions<br />

and confront real world political situations related to disaster relief<br />

housing. In addition, students learned to apply their discipline-specific<br />

construction and materials skills to an interdisciplinary problem<br />

where cost and simplicity are primary constraints.<br />

Learning from Disaster: Lessons from Community-<br />

Based Design in Haiti<br />

John Comazzi, University <strong>of</strong> Minnesota<br />

Jim Lutz, University <strong>of</strong> Minnesota<br />

This paper will chronicle a unique disaster assistance/learning<br />

abroad program developed in the wake <strong>of</strong> the catastrophic 2010<br />

earthquake in Haiti, and the pedagogical lessons gleaned from this<br />

extraordinary community-based design experience.<br />

The program began in the early spring <strong>of</strong> 2010 with two “factfinding”<br />

visits to Haiti by five faculty members from the School <strong>of</strong><br />

<strong>Architecture</strong> at the University <strong>of</strong> Minnesota in collaboration with<br />

two international NGOs providing relief services there. Following<br />

these site visits, a group <strong>of</strong> faculty, administrators, and research<br />

fellows worked to develop a coordinated, long-term plan for a new<br />

curricular model focused on public interest design associated with<br />

post-disaster reconstruction efforts.<br />

LEARNING in the CLASSROOM<br />

Recognizing the complex circumstances <strong>of</strong> working in a community<br />

recovering from disaster, we used the first half <strong>of</strong> the spring<br />

2011 term to pilot a seven-week, graduate-level seminar organized<br />

to build capacity among a group <strong>of</strong> students and faculty preparing<br />

for the program abroad. The first portion <strong>of</strong> the seminar was spent<br />

contextualizing the larger historical, cultural, social, and natural<br />

systems in Haiti through the creation <strong>of</strong> a Research Manual and<br />

course website that became an online repository for the research<br />

and analysis created by the students. Following the production<br />

<strong>of</strong> the Research Manual, the focus <strong>of</strong> the seminar shifted to the<br />

production <strong>of</strong> a 277-page Field Guide that concentrated more directly<br />

on the information and data most important for supporting<br />

the community-based design work by those students and faculty<br />

traveling to Haiti.<br />

Digital Apptitutes + Other Openings - Boston, MA - 15

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