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Red Wheelbarrow 2008 text FINAL REVISED.indd - De Anza College

Red Wheelbarrow 2008 text FINAL REVISED.indd - De Anza College

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me. Humans have common ground and it’s a normal thing. But vets don’t<br />

really want to hear that, because they feel that what they’ve done is very<br />

different; this is what I’m hearing from them. They need somebody they<br />

can talk to. So if we can do that for them that might be helpful if they<br />

really want to.<br />

Joann Andrushko: So is that something that needs to happen, where<br />

soldiers can have a chance to tell their stories?<br />

BT: I think so, the ones that can. Some of them will go out and build a boat<br />

and that’s like what they need to do. Most of them, unfortunately, won’t<br />

find something productive like that—like talking about it or building a<br />

boat. Most of them will try and bury it.<br />

Joann Andrushko: So have you found people coming forth that have read<br />

your book that relate to what you went through?<br />

BT: Yeah, yeah. They’ll say, “Hey man, this is, wow, brought back a lot<br />

of stuff.” One guy sent me a book he wrote about tactics or something in<br />

a different war, this colonel, and he was there the same time I was, and I<br />

just got it in the mail a couple of days ago. I opened it up, and there was<br />

this interesting book, and it looked like he’d already signed it. And it<br />

said “To Brian Turner, Ghost One Three Alpha.” That was my code sign.<br />

He recognized in that poem, he knows how low I am on the food chain<br />

basically. He’s cool, and then he put “To the son of a bitch who talks with<br />

ghosts, and reminds me of my own.” I hear stuff like that.<br />

Jay Donde: One of my favorite poems in the book is “Observation Post<br />

71,” and I just thought that that was unique, because a lot of people will<br />

pick up a book, whether it’s poetry or prose about war, and they’ll expect<br />

to see bullets and violence and only that, and I thought that this was really<br />

representative of the fact that there’s a lot of just boredom, a lot of hurry<br />

up and wait, just endless periods that are kind of interrupted by these few<br />

minutes of extreme violence, and then you go back to the boredom. Was<br />

that intentional?<br />

BT: That’s interesting because that’s almost exactly how I say it sometimes.<br />

I said that one time the way you said that, endless boredom. I’ll say<br />

sometimes there was a sort of mind numbing, teeth melting boredom, and<br />

I’ll punctuate exactly how you said it, punctuate where there’s extreme<br />

moments that are really hard to sort of comprehend. And at the moment<br />

you don’t even try to comprehend them, you’re just in the moment, and<br />

<strong>Red</strong> <strong>Wheelbarrow</strong> | 117

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