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Red Wheelbarrow 2008 text FINAL REVISED.indd - De Anza College

Red Wheelbarrow 2008 text FINAL REVISED.indd - De Anza College

Red Wheelbarrow 2008 text FINAL REVISED.indd - De Anza College

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Beat Fremont | Tamika Hayes<br />

On a morning like any other, this is you---approaching the<br />

corner of 40th Street and MLK Avenue; passing the chain link fence<br />

draped with abandoned clothes; quickening your step near the taxi<br />

stand, where a cat lay decomposing for a week last spring; entering<br />

the cave-like space created by the monstrous cement overpass; secretly<br />

admiring the graffiti on the walls; swaying on your patent leather<br />

heels to dodge the cyclist barreling toward you; sharply turning<br />

at the corner where a young dreadlocked man hawks essential oils<br />

and incense; nodding and smiling at the newspaper vendor and two<br />

Jehovah’s Witnesses; blinking under the merciless fluorescent lights<br />

that flood the BART station, jostling for space at the orange plastic<br />

fare gates with other harried commuters, and finally booking it up<br />

the stairs to await your San Francisco/Daly City train.<br />

Short of breath, you walk to your usual spot at the platform’s<br />

midpoint while your eyes scan the digital screens above you. SF/Daly<br />

City train in four minutes; Fremont train in three. It is essential that<br />

you position yourself well so that you can maximize the likelihood<br />

of getting a seat on the rush-hour train. Even if there are multiple<br />

seats among which you can choose, there will still be important<br />

split-second decisions to make about your potential seatmates (a<br />

businessman encroaching on your personal space with his open<br />

newspaper beats a hooded high-schooler with a blaring iPod, and<br />

both are far preferable to any woman with strong perfume). There is<br />

also the matter of the seats themselves---better to sit in a frayed and<br />

comfortless bucket than on a good cushion with mysterious stains.<br />

Two minutes to go. You toe up to the bright yellow safety<br />

zone, a good two feet away from the platform’s edge. You plant your<br />

feet a little wider than shoulder width apart. It’s an unladylike stance,<br />

but you’re determined to own the space. The Fremonters will pour off<br />

their approaching train at any moment now, eager to transfer to the<br />

SF/Daly City train. Inevitably one of them will break the unspoken<br />

rules by sidling up to your left or right, ignoring the line of peeved<br />

people stretching behind you, edging in front with nonchalance to<br />

take the last open seat---a seat that rightfully belongs to you.<br />

The Fremont train arrives on the opposite side of your<br />

platform. The sound of its pneumatic doors feels like a sigh as its<br />

human burden is discharged onto the landing. The crowd sorts itself<br />

swiftly and almost silently along the length of the platform, moving<br />

with certainty and purpose. A river of bodies surges at your back.<br />

The SF/Daly City train is just now pulling into view a hundred<br />

feet down the track. A few travelers are grimly determined to snag<br />

a coveted seat. You can feel their nervous, hopeful energy; it only<br />

22 | <strong>Red</strong> <strong>Wheelbarrow</strong>

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