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IF ONLY WALLS COULD SPEAK - Blancpain

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Manually calibrating<br />

the balance spring<br />

of the tourbillon.<br />

This traditional<br />

hand-craft method<br />

is still practiced<br />

by <strong>Blancpain</strong><br />

Waters. This stereotype also trespasses on<br />

her turf. This woman chef not only is one of<br />

the most celebrated in the world, but she<br />

transformed restaurant cooking in the<br />

United States. More than that, she completely<br />

revolutionized food production and<br />

food markets. Remember spam in the US<br />

actually is a food made up of meat parts of<br />

je ne sais quoi. Thanks to Alice, markets now<br />

brim with artisanal, organic, sparkling fresh<br />

ingredients.<br />

Had enough? So far our stereotypes seem<br />

not to be holding up very well. Maybe there<br />

is a reason these things should never be<br />

spoken. It’s because—to put a fine point on<br />

it—they are so often wrong. But living<br />

dangerously, let’s spin another one.<br />

4. Watchmakers who work on the most<br />

complicated watches are grizzled gray old<br />

men.<br />

Well, we seem to have put a false foot down<br />

again. And to demonstrate that point, enter<br />

<strong>Blancpain</strong>’s 22 year old prodigy. In a little<br />

over two years of working at <strong>Blancpain</strong>, his<br />

first and only employer since graduating<br />

from the Ecole Technique du Vallée de Joux<br />

(Switzerland’s most prestigious watchmaking<br />

school), he has sprinted up the ladder<br />

of his profession to work in Le Brassus<br />

on <strong>Blancpain</strong>’s complicated watches. I first<br />

met him during a visit to the atelier to learn<br />

about the plans for the renovation (now<br />

completed) of the farmhouse. Accustomed<br />

as I was to seeing if not grizzled, at least<br />

senior watchmakers working at the<br />

benches in Le Brassus, I gazed in<br />

and saw this unmistakably young,<br />

(could this even be a teenager?), hunched<br />

over a bench (or if you are building your<br />

French watchmaking vocabulary “etabli”)<br />

upon which was perched a tourbillon. Freely<br />

confessing to age prejudice, I lurched to halt,<br />

mouth gaping with the same disbelief as if I<br />

had seen Paris Hilton sliding into the captain’s<br />

seat of a 747. Summoning my most<br />

diplomatic French, I muttered something<br />

sotto voce to the senior watchmakers squiring<br />

me around about le jeune homme in<br />

the atelier with a tourbillon! “Of course!”<br />

they replied he is one of our most talented<br />

young watchmakers. Two days later, attending<br />

the <strong>Blancpain</strong> summer picnic in<br />

Lausanne, along the shores of Lac Léman I<br />

struck up a conversation with him. After<br />

amiably chatting the usual cocktail party<br />

… AND OF THOSE THREE GRADUATES FROM<br />

WATCHMAKING SCHOOL TWO CHOSE BLANCPAIN<br />

TO BEGIN THEIR CAREERS.<br />

fluff, I mentioned that I had seen him the<br />

other day up in Le Brassus working on a<br />

tourbillon. I might as well have thrown a<br />

switch. Immediately his eyes sparkled and<br />

his demeanor became all business. Indeed,<br />

that was the first tourbillon upon which he<br />

had worked and making that unmistakably<br />

Gaullic gesture of thumb and forefinger<br />

brought to the lips, it was working “sweetly”.<br />

At once, I concluded I must write a story<br />

of how this 22 year old has achieved so<br />

much in his profession.<br />

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