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Titel Kino 1/2002 - German Cinema

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Antonio Exacoustos<br />

World Sales Portrait ARRI Media Worldsales<br />

The past year has seen three co-productions: Stefan<br />

Ruzowitzky’s comedy All The Queen’s Men, Hanns<br />

Christian Müller’s comedy <strong>German</strong>ikus and Robert<br />

Schwentke’s thriller Tattoo. And currently in production is<br />

the third part of Edgar Reitz’s epic family drama, Heimat.<br />

”We don’t want to become some huge store with so many films<br />

that we can’t handle them properly“, says Exacoustos. "Each<br />

film is different and demands its own treatment. That’s the way we<br />

want to stay. I think three productions a year will enable us to<br />

maintain this.“<br />

At the moment, ninety-five percent of the catalogue consists of<br />

<strong>German</strong> titles. Despite the co-production activities and the<br />

ongoing acquisition of rights, the core offerings will remain mostly<br />

<strong>German</strong>. Which is not to say there’s any lack of variety.<br />

<strong>Kino</strong> 1/<strong>2002</strong><br />

”We have a broad and varied program“,<br />

says Exacoustos, ”from<br />

Edgar Reitz’s Heimat films,<br />

which are arthouse, through to<br />

straightforward TV-series. We have<br />

everything possible. We don’t specialize<br />

in any particular genre. When<br />

it comes to theatrical features,<br />

because this is the way things are in<br />

<strong>German</strong>y, it will certainly be the case<br />

that what lends itself to world-wide<br />

sales is arthouse. That’s my personal<br />

strength because I know the<br />

customers very well.“<br />

Early days yet, but ”the market has<br />

reacted very well to us. There aren’t<br />

so many <strong>German</strong> world sales<br />

companies, and when you have a<br />

dynamic company which can react<br />

quickly and through its technical services<br />

support the producers, that’s<br />

certainly of interest for producers.“<br />

As regards the internet and new<br />

media, Exacoustos is waiting and<br />

watching. He cites rights issues, legal<br />

confusion and general uncertainty as<br />

the main stumbling blocks. But with<br />

more and more TV channels starting<br />

up, he’s got no reason to worry.<br />

”Every film will find its viewer“, he<br />

says. ”New technology will make<br />

the procedure easier and we might<br />

one day watch films on our mobile<br />

phones but you will still need quality<br />

product.“<br />

ARRI Media Worldsales, and<br />

Antonio Exacoustos, has it.<br />

Simon Kingsley spoke<br />

with Antonio Exacoustos<br />

19

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