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Titel Kino 1/2002 - German Cinema

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Die Nibelungen: Siegfried (Teil 1)<br />

SIEGFRIED (PART 1)<br />

Scene from "Siegfried" (photo © Filmmuseum Berlin/Deutsche Kinemathek)<br />

Siegfried, son of King Siegmund of the Nibelungen, is apprenticed to a blacksmith, who helps him forge a<br />

special sword. He then sets off to the court of King Gunther of Worms, seeking the hand of Gunther’s<br />

beautiful young sister, Princess Kriemhild. On the way to Worms, Siegfried encounters and slays a dragon<br />

and bathes in its blood. He also defeats Alberich, the dwarf Lord Treasurer to the Nibelungen dynasty, and<br />

captures the Nibelungen treasure.<br />

Upon arrival at the castle of King Gunther, Siegfried is opposed by Gunther’s half-brother Hagan, who is<br />

jealous of the young and handsome Siegfried. In order to win Kriemhild’s hand in marriage, Siegfried must<br />

help Gunther in likewise winning the hand of Brunhild. Later, during an encounter with Kriemhild,<br />

Brunhild learns how Siegfried and Gunther had deceived her and orders for Siegfried to be killed. Hagan<br />

kills the young hero and Kriemhild vows revenge …<br />

Genre Drama, Fantasy Category Feature Film <strong>Cinema</strong><br />

Year of Production 1922-24 Director Fritz Lang<br />

Screenplay Thea von Harbou Directors of<br />

Photography Carl Hoffmann, Günther Rittau Music<br />

by Gottfried Huppertz (1924), Konrad Elfers (1965)<br />

Production Design Otto Hunte, Erich Kettelhut, Karl<br />

Vollbrecht Producer Erich Pommer Production<br />

Company Decla-Bioscop, Berlin Principal Cast Paul<br />

Richter, Margarethe Schön, Hanna Ralph, Theodor Loos,<br />

Hans Adalbert Schlettow, Bernhard Goetzke, Erwin<br />

Biswanger, Georg John, Gertrud Arnold, Hans Carl<br />

Müller, Hardy von François, Frida Richard Special<br />

Effects Walther Ruttmann Studio Shooting Ufa<br />

Atelier, Neubabelsberg Length 143 min, 3210 m<br />

Format 35 mm, b&w, 1:1.37 Original Version silent<br />

with <strong>German</strong> intertitles Intertitled Version English<br />

<strong>German</strong> Distributor Friedrich-Wilhelm-Murnau-<br />

Foundation, Wiesbaden<br />

World Sales:<br />

Transit Film GmbH · Loy W. Arnold, Mark Grünthal<br />

Dachauer Str. 35 · D-80335 Munich<br />

phone +49-89-5 99 88 50 · fax +49-89-59 98 85 20<br />

email: transitfilm@compuserve.com<br />

<strong>Kino</strong> 1/<strong>2002</strong><br />

Fritz Lang, born in 1890 in Vienna, was more than just a<br />

great director. He was a man who staged himself and his life,<br />

who created the legend of his person, who wanted his private<br />

life to remain invisible in order to further launch his desired<br />

public image. He celebrated his first success during the<br />

Weimar Republic, reacting to the massive political and social<br />

changes of the time and integrating them into his work. He left<br />

<strong>German</strong>y in 1933, emigrating via France to the United States in<br />

1934, where he continued to tie political aspects into his work.<br />

His best known films from his work in <strong>German</strong>y include:<br />

Spiders (Die Spinnen, 1919), Plague in Florence<br />

(Die Pest in Florenz, 1919), Madame Butterfly<br />

(Harakiri, 1919), The Wandering Image (Das wandernde<br />

Bild, 1920), Kämpfende Herzen (1920/21),<br />

Destiny (Der müde Tod, 1921), The Indian Tomb<br />

(Das indische Grabmal, 1921), Dr. Mabuse, The<br />

Gambler (Dr. Mabuse, der Spieler, 1922), Metropolis<br />

(1925/26), Spies (Spione, 1927/28), Woman in<br />

the Moon (Frau im Mond, 1928/29) and many more.<br />

37<br />

THE 100 MOST SIGNIFICANT GERMAN FILMS – 19

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