07.02.2013 Views

Quarterly 4 · 2006 - German Cinema

Quarterly 4 · 2006 - German Cinema

Quarterly 4 · 2006 - German Cinema

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Hands on HD <strong>2006</strong> (photo courtesy of Nordmedia)<br />

NORDMEDIA SHOWS THE WAY INTO THE<br />

DIGITAL FILM WORLD<br />

With over 100 participants from the film and television industry, 40<br />

<strong>German</strong> and European experts and €40 million worth of technical<br />

equipment, the Hands on HD <strong>2006</strong> Workshop & Network, organized<br />

by Nordmedia in cooperation with Band Pro Munich, was a<br />

Europe-wide unique industry event. For seven days, presentations,<br />

seminars and practical exercises in the fields of cinematography, postproduction<br />

as well as direction and film production were on the program<br />

for the event’s participants. Through the support of some 40<br />

renowned companies, 39 HD cameras and 15 editing boards were<br />

also made available. Digital projections of feature and documentary<br />

films were also shown on the big screen. A highlight of the event was<br />

the use of a HD helicopter and a large HD transmission vehicle,<br />

making High Definition (HD/HDTV) a new production and broadcasting<br />

standard for the <strong>German</strong> film and television industries.<br />

“ROLL STREAM!“: NEW EVENT SERIES<br />

FOR DIGITAL FILM<br />

In cooperation with MEDIA Desk <strong>German</strong>y, the FilmFoerderung<br />

Hamburg is currently preparing a new series of workshops on the<br />

topic of digital film. The series, with the title “ROLL STREAM!” is geared<br />

toward the film industry and will cover different aspects of this<br />

complex subject. During first event, entitled “User Instead of Viewer?<br />

The Future of Film Between <strong>Cinema</strong>, TV, Internet and Mobile”, which<br />

took place within the framework of the Filmfest Hamburg, strategy<br />

consultant Dr. Ewald Lessing presented an overview of current media<br />

developments. Other topics in the series include a comparison of<br />

various recording formats, lectures on digital aesthetics, different<br />

aspects of post-production and digital distribution, as well as the legal<br />

aspects of utilization levels and reports on selected productions.<br />

Further information on dates, event locations and details on the<br />

ROLL STREAM! workshops are available at www.ffhh.de.<br />

“FOUR MINUTES“<br />

IN NEW YORK & LOS ANGELES<br />

Within the framework of the exclusive industry screenings <strong>German</strong><br />

Premieres for American buyers in August, <strong>German</strong> Films presented<br />

Four Minutes (Vier Minuten) by Chris Kraus, which had its world premiere<br />

at the Shanghai International Film Festival and won the festival’s<br />

Jin Jue Cup for Best Film. Director Chris Kraus, leading actress Hannah<br />

Herzsprung and sales agent Dirk Schuerhoff (Beta <strong>Cinema</strong>) were on<br />

hand to present this outstanding drama as a pre-Toronto event for<br />

American buyers in New York’s Tribeca <strong>Cinema</strong>s and in the screening<br />

rooms of the Director’s Guild of America in L.A.<br />

Four Minutes is the opening film of the <strong>German</strong> series<br />

KINO!<strong>2006</strong>:New Films from <strong>German</strong>y at the Museum of<br />

Modern Art (26 October – 3 November), organized by <strong>German</strong> Films<br />

with the support of the Goethe-Institut New York and the <strong>German</strong><br />

Consulate General New York. Four Minutes will also be screened at<br />

the AFI Fest in Los Angeles in November.<br />

YOUNG & THRIFTY IN THE EVENING<br />

Audiences in repertory theaters are getting younger. That is the conclusion<br />

found in the current FFA (<strong>German</strong> Federal Film<br />

Board) study about repertory cinemas recently presented at the 6th<br />

Filmkunstmesse in Leipzig: Programmkinos und ihr Publikum 2005.<br />

According to the report, 23.4% of repertory theater admissions were<br />

purchased by cinemagoers in the age group 20-29-years-old. In the<br />

previous year, 30-39-year-olds were the strongest group. But the programs<br />

on offer also pulled in older crowds: in 2005 almost double the<br />

amount (of the total average) of over-60s watched their films in<br />

repertory cinemas. The average arthouse fan was found to be around<br />

37 years of age, have less disposable income available for cinema visits<br />

and prefers to go to the cinema between 8 – 10 p.m. The statistics for<br />

the arthouse cinemas themselves remained unchanged: as in 2004,<br />

almost 12% of all screens in <strong>German</strong>y are in arthouse theaters, with<br />

more than a quarter of which being in metropolitan cities. In relation<br />

to the population of the individual states, Berlin proved to have the<br />

highest density of arthouse theaters in 2005. The study can be downloaded<br />

from www.ffa.de.<br />

german films quarterly news<br />

4 <strong>·</strong> <strong>2006</strong> 19<br />

Chris Kraus, Oliver Mahrdt (<strong>German</strong> Films), Hannah<br />

Herzsprung, Dirk Schuerhoff (photo © Karin Kohlberg)

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!