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Set Menjadors - Mariona Moncunill

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— 24 —<br />

MIXTURE OF STYLES<br />

Historicist elements and<br />

functional design coexist in<br />

the same room.<br />

areas and the kitchen are in the<br />

subspace without natural light,<br />

whilst the larger, more spacious<br />

space is used as a dining room.<br />

The furniture and other artefacts<br />

are distributed along the side<br />

walls of the kitchen and in the<br />

vending machine area, which are<br />

in elongated and narrow spaces,<br />

thus leaving a corridor in the<br />

middle. In the upper part of the<br />

dining room, the tables and chairs<br />

are placed on the sides with a<br />

corridor in the middle, although<br />

the users may adapt the layout of<br />

the furniture according to their<br />

needs. On the terraces, or on the<br />

lower levels, there are banisters<br />

made of stone aggregates with<br />

holes in them, like lace curtains,<br />

in order to allow the light to pass<br />

through and create a sense of in<br />

timacy. The tables and chairs are<br />

distributed along the wall, leaving<br />

room for a side corridor.<br />

looking onto this hall is used<br />

<br />

as a staircase, giving continuity out about the choice of fur<br />

to the outside steps. In this niture is the relationship they<br />

<br />

establish with existing historical<br />

which can be accessed through elements in the space. In the<br />

<br />

dining room, the chairs are<br />

curved outline in the peripheral made of red and black plastic<br />

form. The intention of these de on aluminium legs, of a similar,<br />

This dining room is located <br />

though not identical, design.<br />

in the building that hosts the the dining room, which can be <br />

Museu Nacional d’Art de seen from the public access area. signs, some have wooden sides,<br />

Catalunya, the Palau Nacional In the architecture of <br />

built for the 1929 International the space, elements from the and cylindrical aluminium legs;<br />

Exhibition that is an emblematic historical past and from the others have thinner layers of<br />

building for, among other things, refurbishment of the building melamine and square aluminium<br />

its grandeur.<br />

where the Museu Nacional d’Art legs. The kitchen is built with<br />

The space occupies a de Catalunya is currently located a counter and industrialstyle<br />

surface of 200 m coexist. The renovation was artefacts that would seem more<br />

<br />

appropriate in a beat up, every<br />

<br />

day restaurant than in a dining<br />

conclusion in 2004.<br />

room of this kind. The toilet is<br />

Upon deciding on the inte <br />

rior design of the dining room, <br />

a determining factor were the lighting consists of modular wall<br />

French windows looking onto the <br />

Oval Hall. The vending machine entire space.<br />

2 View on a<br />

Historicist<br />

Past<br />

Museu Nacional d’Art<br />

de Catalunya<br />

, and is split<br />

into two subspaces by its main<br />

corridor, one of which has glass<br />

dividers and two windows that<br />

let sunlight into the interior of<br />

the building, while the other<br />

space has no natural light. The<br />

dining room is subject to that of<br />

the Oval Hall. The glass façade<br />

— 25 —

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