eduardo chillida 1924 - 2002 - collage and architecture

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1995 1997 2000 A finales de marzo recibe el Premia Libertad a Ia contribucion al humanismo de Ia Republica de Bosnia- Herzegovina, en Sarajevo. Es nombrado doctor honoris causa a propuesta de Ia Escuela de lngenieros Industriales de Ia Universidad del Pais Vasco. lnauguracion del Museo Chillida Leku en Hernani. Colocacion de Ia escultura Berlin ante Ia Cancillerfa alemana en Berlin. In late March receives the Freedom Award for his humanitarium contribution to the Republic of Bosnia- Herzegovina in Sarajevo Is awarded an Honorary doctorate from the Engineering School lngenieros at the Industrial University of the Basque Country. lnauguracion Chillida-Leku Museum in Hernani. Placement of a Ia Cancillerfa sculpture Berlin, Germany.
collages 1986 1987 Si bien a mediados de Ia decada de los ochenta, Eduardo Chillida parece rechazar y dejar de lado el collage al comenzar a realizar sus primeras Gravitaciones, de las cuales trataremos mas adelante, no abandona del todo esta tecnica que le permite seguir con sus interrogaciones al espacio. Entre los cinco collages presentes en Ia muestra podemos establecer una clara diferenciacion. Por un Ia do, destaca un collage caracterizado por Ia ausencia de tinta y Ia presencia de diferentes tipos de papel, y por otro, cuatro collages mas proximos a los dibujos debido a Ia incorporacion de trazos negros de tinta sabre el papel. Sin embargo, todos ellos tienen un tema comun, Ia delimitacion de espacios. Ese primer collage, fechado en 1986, esta compuesto por diferentes tipos de papel recortados encolados en el plano que, superpuestos, generan un dialogo entre las formas. 1991 1992 During the mid-eighties, Eduardo Chillida seems to reject and ignore the collage to start making their first gravitational, of which we will see later, not completely abandoned this technique that allows you to continue with their interrogation of space. Among the five collages present in the sample we can establish a clear differentiation. For a Ia do, features a collage characterized by the absence of ink and the presence of different types of paper, and on the other, four collages closer to the drawings because incorporacion of black sabre ink on paper. However, they all have a common theme, Ithe delimitation of spaces. That first collage, dated 1986, is composed of different types of cut paper glued on the plane, overlapping, create a dialogue between the shapes. Sin titulo, 1986 Sin titulo, 1987 Sin titulo, 1991 Sin titulo, 1992
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eduardo chillida 1924 - 2002 - collage and architecture

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