eduardo chillida 1924 - 2002 - collage and architecture

“The limit is the true protagonist of space at present,
another limit, is the true protagonist of time”
1992
No precisa de Ia incorporacion de tinta porque los bardes del papel son los propios limites, marcan los diferentes espacios.
Los diferentes contornos interrelacionan entre si facilitando un juego de formas. El artista juega con las diferentes texturas, de
apariencia rugosa, y con Ia creacion de formas sencillas y puras. Se trata de un collage mas proximo al concepto escultorico
que al dibujo bidimensional. En el resto de collages, mas cercanos a sus dibujos, los trazos de tinta dialogan con los bordes recortados
consiguiendo asi un interesante juego de limites. Si al principia de su carrera artistica tuvo que comenzar a dibujar con
Ia mano izquierda para que esta no fuera mas rapido que su mente, en las ultimas decadas las manos parecen haber adquirido
Ia sabiduria necesaria para no adelantarse a su cabeza. Las lineas son trazadas conclenzudamente, con lentitud, no surgen de
forma espontanea como cabria imaginar, ya no tiene que controlar Ia mano pues a mente Ia ha adiestrado.
It does not require the incorporation of ink because the edges of the paper are those limits, mark the different spaces. The different
contours interrelated with each providing a set of forms. The artist plays with different textures, rough appearance, and
the creating simple and pure forms. This is a collage sculptural closer to the concept than two-dimensional drawing. In the rest
of collages, closest to his drawings, ink strokes dialogue with jagged edges so getting an interesting set of limits. If at the beginning
of his artistic career he had to start drawing with left hand so that it is not faster than your mind, in recent decades he seems
to have acquired hands of wisdom that do not get ahead of his head. The lines are drawn consciencelessly, slowly, do not arise
spontaneously as one would imagine, and not have the hand controlling the mind has we have been trained.
Sin titulo, 1992