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eduardo chillida 1924 - 2002 - collage and architecture

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1952<br />

1954<br />

1955<br />

1956<br />

Realiza los primeros <strong>collage</strong>s.<br />

Sigue hacienda<br />

visitas frecuentes a Paris.<br />

Primera exposicion individual<br />

en Espana, en Ia<br />

Galeria Clan de Madrid.<br />

Realiza las cuatro puertas<br />

para Ia Basilica de<br />

Aranzazu.<br />

Diploma de Honor en Ia X<br />

Trienal de Milan.<br />

Realiza Hierros de temblor<br />

I, donde por primera vez<br />

corta Ia lamina de hierro:<br />

el corte como dibujo espacial<br />

que sera clave en<br />

Ia obra de los anos sesenta.<br />

Primera exposicion con<br />

27 esculturasen Ia Galeria<br />

Maeght de Paris. Gaston<br />

Bachelard (1884-1962)<br />

escribe en Derriere le<br />

miroir un ensayo, “Le cosmos<br />

du fer” sobre estas<br />

primeras piezas de hierro<br />

forjado.<br />

Makes first <strong>collage</strong>s. Keep<br />

making frequent visits to<br />

Paris.<br />

First solo exhibition in<br />

Spain at the Clan Gallery<br />

of Madrid. Makes the four<br />

doors to the Basilica of<br />

Aranzazu.<br />

Receives Diploma of<br />

Honor in the X Triennale<br />

Milan.<br />

Make Trembling I, where I<br />

first cut the sheet of iron:<br />

the cutting <strong>and</strong> drawing<br />

space that will be key to<br />

works of the sixties.<br />

First exhibition of 27<br />

sculptures at Maeght<br />

Gallery in Paris. Gaston<br />

Bachelard (1884-1962)<br />

writes in an essay Derriere<br />

Le Miroir, “Le cosmos du<br />

fer” on these first pieces of<br />

wrought iron.

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