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La aportación educativa de Los museos a La ... - Fundación Typa

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the educative contribution of museums to society<br />

because at least in the U.S., for reasons only partially known, not all families<br />

use museums to meet their free-choice learning needs. Fortunately, my recent<br />

and on-going research suggests that once families who have not traditionally<br />

used such settings have the opportunity to participate in and feel comfortable<br />

with museum-based programs, they begin to see such settings as a prime<br />

resource for free-choice learning.<br />

As museums increasingly attempt to attract families from new audiences<br />

though, it is also important not to make assumptions about whether or not<br />

these families attend museums or are/are not involved in other aspects of freechoice<br />

learning. Data collected for Tripod—a collaboration between the Miami<br />

Museum of Science and Big Brothers/Big Sisters of Greater Miami, <strong>de</strong>signed<br />

to nurture adult involvement in children’s science, math, and technology<br />

education—indicated that many children and adults had visited the museum<br />

previously; and a few were frequent users. 12 Many families also visited the<br />

library regularly or had ways, not necessarily at home, to access the Internet.<br />

The adults knew their children were interested in learning and were looking<br />

for innovative ways to support that interest. Similarly in another program, we<br />

found that many families were museum-goers and perceived that the museum<br />

offered them a resource for learning together.<br />

The greatest challenge is helping families from new audiences to recognize<br />

that these programs (and the museums associated with them) can provi<strong>de</strong> a<br />

fun and comfortable way to share quality time together. The most effective<br />

recruitment strategies for many of these efforts involve tapping into the community<br />

early on and using an existing communication infrastructure —such<br />

as a parent involvement committee or an existing family program at a community-based<br />

organization—to get the word out. 13 Project staff also have found<br />

it useful to i<strong>de</strong>ntify key members of the target community who could serve as<br />

spokespeople for the program.<br />

Increasingly, many museum programs are focusing on building long-term<br />

relationships with families, particularly those from new communities since<br />

research suggests that repeat, sustained participation in museum programs<br />

significantly enhances the learning potential and positive influences of these<br />

experiences on peoples’ lives. 14 However, the fact that such participation is<br />

even possible, needs to be clearly communicated to families. For example, initially<br />

girls and significant adults were not making repeat visits to a program<br />

called Girls at the Center (G.A.C.). Interviews and observations indicated that<br />

participants did not realize it was a year-long program, rather than a series of<br />

one-day sessions like many others they had atten<strong>de</strong>d. Staff worked to create a<br />

12 Luke, J., and L. Dierking, Interim Year One Report: Tripod Formative Evaluation, Miami Museum<br />

of Science and Big Brothers Big Sisters of Greater Miami, Miami, FL, technical report (Annapolis,<br />

Md.: Institute for Learning Innovation, 1999). Tripod Preliminary Summative Evaluation<br />

Findings, Year Two, Miami Museum of Science and Big Brothers Big Sisters of Greater Miami,<br />

Miami, FL, technical report (Annapolis, Md.: Institute for Learning Innovation, 2000).<br />

13 A<strong>de</strong>lman, Dierking, & Adams.<br />

14 A<strong>de</strong>lman, Dierking, & Adams; Luke & Dierking, Girls at the Center, 2000.<br />

105

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