26.11.2012 Views

La aportación educativa de Los museos a La ... - Fundación Typa

La aportación educativa de Los museos a La ... - Fundación Typa

La aportación educativa de Los museos a La ... - Fundación Typa

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

the educative contribution of museums to society<br />

Object lessons<br />

LEARNING ABouT LEARNING<br />

fRoM MuSEuM STuDy CENTERS 1<br />

Shari Tishman<br />

Project Zero, Harvard Graduate School of Education<br />

The Harvard Art Museums are home to two well-known study centers.<br />

The Agnes Mongan Center for the Study of Prints, Drawings,<br />

and Photographs specializes in works on paper from the collection of<br />

the Fogg Museum. The Study Room of the Busch-Reisinger Museum<br />

brings together works on paper as well as small-scale sculpture, <strong>de</strong>corative<br />

arts, and research materials on mo<strong>de</strong>rn art and <strong>de</strong>sign. Like the study rooms<br />

in many museums, the Harvard study centers were <strong>de</strong>signed with a methodology<br />

of connoisseurship in mind: They offer scholars and collectors quiet, welllit<br />

spaces for the intimate study of works of art and artifacts, and make accessible<br />

a far greater variety of objects than appear on display in the galleries.<br />

Though <strong>de</strong>signed with specialists in mind, the Harvard Art Museums’ study<br />

centers have always been open to the public, and they are viewed by many as<br />

a jewel in the crown of the Museums.<br />

Most obviously, they are portals to<br />

an exceptional collection. But beyond<br />

that, they are also exceptional learning<br />

environments—rare places where visitors<br />

can immerse themselves in prolonged,<br />

intimate, and often profound<br />

experiences with objects.<br />

In 2006, though the museums<br />

wouldn’t close their doors for another<br />

two years, the The Fogg and Busch<br />

Reisinger began preparing for a longplanned<br />

renovation. Director Tom<br />

Lentz took the upcoming renovation<br />

as an opportunity to reflect on the museums’ educational mission, and he<br />

used the study centers as a point of <strong>de</strong>parture. Lentz un<strong>de</strong>rstood how powerful<br />

study-center learning experiences could be, and he wanted to make these<br />

The Agnes Mongan Center for the Study of Prints,<br />

Drawings, and Photographs, the fogg art museum.<br />

1 Many of the i<strong>de</strong>as discussed in this article were <strong>de</strong>veloped in discussions with Alythea<br />

McKinney and Celka Straughn, fellow researchers and co-authors of the final report on the<br />

Project Zero / Harvard Art Museum Study Center research. I gratefully acknowledge their contribution.<br />

This work is based on a presentation at: Symposium on Education: The Contribution of<br />

Museums to Society Through Education, San Juan, Puerto Rico, May, 13-14, 2009.<br />

81

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!