Choral Highlights 2019 Album Sampler

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7 63 cresc. ° & b œ œ œ ˙˙ œ œ œ j œ œœ œ # œ œ œ j œ ˙œ J J œ œ of - f’rings di - vine, Gems of the moun - tain, and pearls of the o - cean, ? n ¢ b œ œœ œ œ˙ œ œ œ j œ œ œ J œ œ œ œ œ j œ œ œ J ˙˙ œ cresc. 69 f mp ° &b n n n œ œ œ j J œ œ œ œ œ œ œ j ˙ œ œ J œ œ œ œ œ Myrrh from the fo - rest, and gold from the mine, myrrh from the fo - rest, and œ œ ? ¢ b œ œ j œ œ œ œ œ œ # ˙ œ j # J œ œ nœ œ œœ œ œ ˙ J œ œ œ œ f mp Œ œ˙ œ Œ œ˙ œ mp p ? b ∑ ∑ ∑ H œ œ œ # œ œ œ # ˙ œ ˙ nœ (Man.) (Ped.) 75 ° &b ∑ ∑ ∑ â œ œœ ˙ œ ä ˙ gold from the mine? ? œ œ œ ¢ b œ ∑ ∑ ∑ â œ ˙ ˙ ˙ ä œ ‰ ˙ œ œ œ œ œ œ œ œ œ œ œ œ˙ œ œ J ˙˙ œ mf ? b œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ H œ œ œ œ œ œ (Ped.) &b ∑ ∑ ∑ ∑ { & b { 172 for online perusal only
173 80 ° & b S. ∑ ∑ ∑ ∑ & b A. ∑ ∑ ∑ ∑ T. B. 8 & ‹ b ? ¢ b mp *4. Vain mp *4. Vain - ly we of - fer each am - ple ob - la tion, f f mf Vain mf Vain mf - Vain ˙ œ œ mf - ly would his - ly would his œ œ j œ œ œ œ # œ nœœ œ ˙ œ œ œ œ j - œ œ œ - ly with gifts would his œ œ œ œ J œ œ œ œ œ ˙ œ œ œ œ j œ œ œ - - ly we of - fer each am - ple ob - la - tion, Vain - ly with gifts would his œ œ ˙ œ œ œ œ for online perusal only &b ∑ ∑ ∑ ∑ { mp f mf ? ˙˙ œ œ˙ œ œ b (Man.) # œ nœ œ œœœ ˙ ˙˙ ˙ œ ˙˙ ˙ œ˙ œœœ œ (Ped.) 86 ° &b &b & b ‹ ? ¢ b & b { ? b nœ œ œ œ nœ J fa fa fa fa # n œœ ˙ p - vour, his fa - vour se - cure: the heart’s a - do - ra - tion, œ œ j œ ˙ - vour se - cure: Rich mf - vour se - cure: Rich mf - vour se - cure: Rich # œ ˙ ˙ œ œ œ œ œ œ œ J f (melody) œ mp (Man.) œ j # œ œ # œ œ # œ œ j œ ˙ œ - er by far is the heart’s a - do - ra - tion, œ œ œ ˙ œ œ œ œ œ œ œ œ bœ ˙ œ J J nœ # œ œ ˙ n˙ ˙ œ˙ nœ œ œ ˙ ˙ # œ - er by far is the heart’s a - do - ra - tion, # œ œ œ œ œ œ œ œ œ ˙ œ J J ˙ ˙ - er by far is the heart’s a - do - ra - tion, ˙˙ # œ œ # œ œ J œ œ # œ œ ˙ ˙ # œ œ b œ J œ œ ˙ œ œ œ œ * If there are not enough tenors and basses to divide, all men may sing the Tenor 1 melody in bars 80–7.
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Choral Highlights 2019 Album Sample
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Secular Bob Chilcott - We are Alan
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5 Marcus Tomalin after Dante’s Pa
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7 4 ° & ¢ 12 & & ‹ ? f mf œ œ
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6 ° 3 & 4 ¢ 22 3 & 4 & ‹ ? & {
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11 8 40 ° 3 & 2 w œ b œ 7 4 œ
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13 ° & 4 ¢ 10 53 & 4 & ‹ ? 4 4
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15 S. A. T. B. 12 73 ° & ? ¢ & {
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17 Commissioned by the Hopkins fami
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4 19 25 mp ° &b ∑ ∑ ∑ Ó Œ
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6 49 ° & b ∑ ∑ < ‹ > ¢ & b
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8 73 ° & b < ‹ > ¢ & b < ‹ >
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25 Commissioned by Wells Cathedral
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27 4 S. 1 15 ° 3 & # # # 4 œ œ
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6 34 ° & # # # Ä mp f œ œ œ œ
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T. SOLO S. 1 S. 2 A. T. 8 54 & ‹
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33 A Prayer to St John the Baptist
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4 12 & # # { & # # { mp 35 ° & # #
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37 6 S. 32 ° & # # ∑ ∑ ∑ ∑
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8 52 ° & # # œ. œ # œ J Œ. ‰
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10 72 ° & # # ∑ ∑ 41 mp Œ. œ
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43 12 91 ° & # # & # # œ œ œ œ
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14 112 ° & # # œ œ j bœ œ Œ.
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47 16 130 & # # 2 ?# ¢ # œ. œ œ
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49 Commissioned in loving memory of
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51 11 ° 3 & # # # 2 3 & # # # 2 3
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53 7 S. 1/ S. 2 A. 1/ A. 2 T. 1 T.
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55 S. 1/ S. 2 46 ° & # # # ?# ¢ #
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57 11 61 ° & # # # & # # # & ‹ #
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SACRED SATB unaccompanied 59 2 for
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61 27 , , ° & # # 3 2 œ œ 4 ˙
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63 from Sacred Choruses 39 39 Words
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65 Boulanger: Pie Jesu 41 17 B
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67 Boulanger: Pie Jesu 43 h = h. 37
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SACRED SATB unaccompanied 69 2 for
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23 ° & # n˙ ˙ ˙ nœ œ ˙ ˙ ˙
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73 Commissioned by Associazione Mus
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75 10 ° 5 3 4 5 & # 4 ∑ 2 ∑
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77 18 ° 3 & # 4 ˙ Œ 3 w 5 3 2 4
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79 26 ° & # 2 q = 132 ∑ 5 4 œ
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11 37 poco accel. ° 3 & # 2 œ 2 2
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47 ° 5 & # 4 q = 116 mp ˙ ˙ # ˙
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85 56 ° 3 & # 4 5 3 œ œ œ 4 œ
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87 17 65 ° 3 & # 2 œ œ œ œ œ
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89 Tempo I molto rit. 74 ° & # 3 U
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this is not the final published pro
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22 ° 6 & # # 4 ˙˙ ho - mo re - u
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95 34 ° & # # Œ œ nœ œ # œ n
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97 7 Œ œ 46 nœ # œ nœ J Œ œ
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99 S. A. ° & # # ?# ¢ # { 63 & #
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101 74 ° & # # & ‹ # # ?# ¢ #
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103 Commissioned by Chorale Acadien
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4 18 # & # ? # # œ . œ . œ . œ
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6 107 38 # & # # # ‰ œ œ œ œ
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8 58 & b b b b b ? b b b b b & b b
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111 10 76 & b b 2 # œ . œ œ œ .
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12 94 # & ˙ . œ . œœ . 113 ˙
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115 Henry Vaughan (1621-95) adap. T
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117 4 16 ° & bb 2 & bb 2 p œ ‰
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119 6 31 ° & bb b b b & bb b b b &
Page 121 and 122: 121 8 50 ° & bb & bb & b b ‹ ?
Page 123 and 124: 123 Originally commissioned and pre
Page 125 and 126: 4 26 & b w w w 125 w ! - lu - ia! V
Page 127 and 128: S. A. 6 57 # & # ! ! 127 Ó P ˙ ˙
Page 129 and 130: 8 86 & b ? b Œ w œ œ œ Re - spl
Page 131 and 132: 10 107 & & & V ! w ! w ! w F Œ ˙
Page 133 and 134: 12 127 & & & V ? Œ ˙ œ ˙ - lu -
Page 135 and 136: 135 14 152 & w w ˙ Œ œ ˙ ˙ ww
Page 137 and 138: 137 2 The Morning Trumpet Mack Wilb
Page 139 and 140: 139 19 mount a bo
Page 141 and 142: 65 morn morn -
Page 143 and 144: voiceJunction 143 2 SATB, piano, an
Page 145 and 146: 145 S. A. T. B. 2 5 / ° & b & b &
Page 147 and 148: 147 4 Tambourine- - - - 21 Œ / ¿
Page 149 and 150: 6 29 Œ / ¿ Œ ¿ Œ ¿ Œ ¿ Œ
Page 151 and 152: 8 41 / Œ ¿ Œ ¿ Œ ¿ Œ ¿ Œ
Page 153 and 154: 153 10 49 / . . . - . . . - Œ ¿
Page 155 and 156: 155 12 57 / ° & bb b b b b & bb b
Page 157 and 158: 14 . > . > 65 / ¿ ¿ ¿ ¿ ° & bb
Page 159 and 160: NEW HORIZONS 159 2 Christmas SATB u
Page 161 and 162: 161 9 ° & & > - œ œ œ - ˙ œ
Page 163 and 164: 163 ° & ¢ 28 & & ‹ ? poco rall.
Page 165 and 166: 47 ° & & poco rall. œ œ œ œ he
Page 167 and 168: 167 for Bjørn Moe and the Nidaros
Page 169 and 170: 169 4 Guide where our 26 f mp ° &
Page 171: 171 6 51 ° & b œ nœ j # œ ˙
Page 175 and 176: 175 10 104 allargando molto rit. °
Page 177 and 178: 177 ° & b ? ¢ b { 12 128 & b - de
Page 179 and 180: M. K. Dean (b. 1950) 179 Commission
Page 181 and 182: 4 broadly 32 Na - tus est
Page 183 and 184: 183 Isaac Watts (1674-1748) SOPRANO
Page 185 and 186: 185 Adam lay ybounden 15th century
Page 187 and 188: 187 5 17 ° & bb b b cresc. œ œ
Page 189 and 190: 189 33 ° & bb b b & bb b b Œ œ
Page 191 and 192: 191 for Matthew Owens and Wells Cat
Page 193 and 194: 193 4 > Vbbbb 2 ff appass. > r b
Page 195 and 196: 195 Words:16th century English for
Page 197 and 198: 4 197 53 ALTOS mf f
Page 199 and 200: 6 199 90 mf hoy
Page 201 and 202: 8 201 127
Page 203 and 204: 10 203 168 ass
Page 205 and 206: 12 205 216 I mf
Page 207 and 208: 14 207 259 Chri
Page 209 and 210: CHRISTMAS SATB unaccompanied 209 2
Page 211 and 212: 211 9 ° & bb > œ œ j œ œ J œ
Page 213 and 214: 27 f ° & bb > œ œ j œ œ J œ
Page 215 and 216: 44 ° & bb & bb & ‹ b b ? ¢ b b
Page 217 and 218: 217 9 61 ° & bb & bb & b b ‹ ?
Page 219 and 220: 219 11 79 ° & bb œ œ > J œ œ
Page 221 and 222: 221 Commissioned by Women of Note (
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223 34 ° & # # ¢ & # # will mp n
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225 65 ° & # # S. 1 S. 2 n n n n n
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227 The Wise Men and the Star Lucia
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229 4 30 ° & # # # # œ œ j œ J
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CHRISTMAS SATB and organ 231 2 for
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T. B. S. A. T. B. ° ?# ¢ { 13 & 1
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235 ° 6 7 & # ∑ ∑ b b b b 8
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56 ° 6 7 & bb b b # 8 8 # # œ œ
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2 239 Secular BC222 SATTBB and SA o
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241 3 A. 2 5 ° & # # mp œ œ j
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243 5 17 ° & # # œ nœ œ Œ Œ
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245 7 26 ° & # # œ œ œ œ œ œ
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247 9 32 ° & # # ˙ œ ‰ œ j œ
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249 11 38 ° & # # œ œ œ ˙ œ
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251 13 44 ° & # # œ œ ˙ œ ‰
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253 50 ° & # # œ œ œ œ œ œ
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255 17 55 ° & bb œ œ œ œ œ œ
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257 59 ° & bb # Œ ‰ # œ j œ
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259 21 65 ff ° & # # ˙ ∑ ∑ ar
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261 SOLOISTS 74 ° & # # A. 1 ∑
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263 80 ° & # # ˙ œ Œ œ œ are,
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265 86 ° & # # ˙ Œ Œ œ œ ˙ f
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SECULAR Unison voices, with optiona
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∏∏∏∏∏∏∏∏∏∏∏
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271 29 ° ¢ & bb b 2 ff Ó œ œ
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273 œ w œ 45 opt. DESCANT f ° 3
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secular SATB and piano 275 4 john r
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277 4 10 things e ven mp
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279 T. 6 29 B a tempo TENORS p cant
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281 8 47 D pp dolce S.
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283 10 59 mf mp E song mf
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SONGBIRD 285 In time of silver rain
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° ¢ & # # & # # { ° ¢ & # # {
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SECULAR SATB unaccompanied 289 2 fo
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° ¢ { 4 V # # V # # V ‹ ## B##
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° ¢ { V # # 12 V # # V ‹ ## B##
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° ¢ { V # # 21 V # # V ## ‹ B##
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SONGBIRD 297 Over hill, over dale f
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9 ° ¢ Vbb 299 3 ‰ Œ t œ œ
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S. A. ° ¢ { Vbb 29 Vbb Vbb Bbb 12
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° ¢ { { Vbb 48 Vbb Vbb Bbb Vbb 4
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S./A. ° ¢ { rit. molto rit. 70 un
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S./A. ° ¢ { ° ¢ { ° ¢ { ° ¢
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309 Commissioned in memory of David
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4 311 17 # & # # F # œ. # & # # #
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6 33 # & # # P # œ œ œ. P # & #
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8 315 49 # & # V ? # & ? # # Più m
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10 317 65 # & # # # # & # # # # V #
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12 319 81 # & # # # # & # # # # V #
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321 TENOR 1 TENOR 2 BASS 1 BASS 2
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323 5 T. 1 T. 2 B. 1 23 ° # & # #
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325 41 ° # & # # 2 4 ‹ 3 œ œ
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SECULAR 327 Unison voices, with opt
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329 3 13 ° ¢ & # (TUTTI) (VOICE 1
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∏∏∏∏∏∏∏∏∏∏∏
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333 74 ° ¢ & # Dramatically q = c
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335 for the birthday of my dear fri
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337 5 ° & ¢ 14 & & ‹ ? œ œ ˙
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339 24 ° & œ œ ˙ Œ ‰ peb œ
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341 32 ° & & œ œ œ œ œ œ j
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343 11 42 ° & bb b Ó ‰ œ j œ
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345 50 ° 3 & bb b 2 œ poco rit.
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347 65 ° & bœœ œ bœ œ w ˙ b
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349 to Benjamin Nicholas and Georgi
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351 4 27 ° & mp f mp p mp œ œ œ
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353 6 54 ° & œ œ bœ ˙ nœ mf a
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355 8 78 ° & & œ œ b˙ but but p
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357 Lightly come or lightly go Jame
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5 6 ° & œ ∑ J ‰ œ j ‰ ˙ w
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361 7 12 ° & wast mf cresc. œ œ
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363 9 18 ° & w Œ mf ˙ œ œ 3 œ
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25 ° & & ? ¢ ∑ ∑ ° & ? ¢ co
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367 13 31 ° & œ ∑ ˙ œ w vales
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369 15 39 ° & pp œ œ œ œ bœ
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371 17 46 ° & 3 p œ œ œ œ œ j
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373 19 52 ° & mp œ j ‰ œ J ‰
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375 for my beautiful Kate I carry y
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377 4 13 mf leggiero ° & # SOLO Œ
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379 6 20 ° & # TUTTI Your f cantab
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381 8 27 ° & # p come sopra ˙ œ
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383 10 35 ° & # mp p percussively
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385 12 43 ° & # œ œ œ œ œ œ
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387 14 1. 50 (non dim.) ° & # 3 œ
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389 16 55 poco a poco dim. ° & # 3
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391 18 64 ° & # w poco rall. ∑
Page 393:
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