Choral Highlights 2019 Album Sampler

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386 47 ° & # ˙ ‰ œ j œ œ œ bœ œ œ œ œ œ nœ I am ne - ver with - out it a - ny - where I go, and œ œ j œ ‰ œ j 13 & # Œ œ œ ‰ œ j œ j ‰ n˙ œ # œ Œ œ œ ‰ œ j œ j ‰ ba dup ba dup oo ba dup ba dup for online perusal only & # Œ œ œ œ œ j ‰ œ w doo doo doo doo oo ba dup ba dup Œ œ œ ‰ œ j œ j ‰ & ‹ # Œ œ œ ‰ œ œ J J ‰ œ b˙ œ Œ œ œ ‰ nœ œ ‰ J J ba dup ba dup oo ba dup ba dup ?# œ œ œ œ œ ‰ J J ‰ nœ ˙ œ œ œ œ ‰ œ œ J J ‰ dm ba dup ba dup oo dm ba dup ba dup ?# ¢ œ œ œ ‰ œ œ J J ‰ b˙ œ œ œ œ œ ‰ œ œ ‰ J J dm ba dup ba dup oo dm ba dup ba dup œ œ œœ œœ œ œ œ ẇ œ bœ œ œ œ œ œ nœ œ Œ œ œ j ‰ ‰ œ œ J œJ œ j ‰ & # n # { ? # n b n œ œ œ ‰ œ œ J J ‰ œ˙ b˙ œ œ n œ œ œ ‰ œ J œ J ‰
387 14 1. 50 (non dim.) ° & # 3 œ œ œ œ œ œ œ œ w Œ œ œ œ œ where I go you go, my dear, I car - ry your f & # 3 œ œ œ œ œ œ œ œ w Œ œ œ œ œ where I go you go, my dear, I car - ry your for online perusal only f & # 3 ˙ # ˙ ˙ ˙ œ œ œ œ œ where I doo doo doo I car - ry your & ‹ # f ˙ ˙ ˙ ˙ w where I go you go. ?# f ˙ ˙ ˙ ˙ w where I doo doo doo ?# ¢ f ˙ ˙ ˙ ˙ ˙ ˙ where I doo doo doo & # # { ? # f 1. 3 œ œ œ ˙ œ ˙œ œ œ œ ẇ n˙ œ w œ œ œœ œ ˙ ˙ ˙˙ ˙ ˙˙ ˙ ˙
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Choral Highlights 2019 Album Sample
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Secular Bob Chilcott - We are Alan
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5 Marcus Tomalin after Dante’s Pa
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7 4 ° & ¢ 12 & & ‹ ? f mf œ œ
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6 ° 3 & 4 ¢ 22 3 & 4 & ‹ ? & {
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11 8 40 ° 3 & 2 w œ b œ 7 4 œ
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13 ° & 4 ¢ 10 53 & 4 & ‹ ? 4 4
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15 S. A. T. B. 12 73 ° & ? ¢ & {
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17 Commissioned by the Hopkins fami
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4 19 25 mp ° &b ∑ ∑ ∑ Ó Œ
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6 49 ° & b ∑ ∑ < ‹ > ¢ & b
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8 73 ° & b < ‹ > ¢ & b < ‹ >
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25 Commissioned by Wells Cathedral
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27 4 S. 1 15 ° 3 & # # # 4 œ œ
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6 34 ° & # # # Ä mp f œ œ œ œ
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T. SOLO S. 1 S. 2 A. T. 8 54 & ‹
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33 A Prayer to St John the Baptist
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4 12 & # # { & # # { mp 35 ° & # #
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37 6 S. 32 ° & # # ∑ ∑ ∑ ∑
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8 52 ° & # # œ. œ # œ J Œ. ‰
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10 72 ° & # # ∑ ∑ 41 mp Œ. œ
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43 12 91 ° & # # & # # œ œ œ œ
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14 112 ° & # # œ œ j bœ œ Œ.
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47 16 130 & # # 2 ?# ¢ # œ. œ œ
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49 Commissioned in loving memory of
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51 11 ° 3 & # # # 2 3 & # # # 2 3
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53 7 S. 1/ S. 2 A. 1/ A. 2 T. 1 T.
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55 S. 1/ S. 2 46 ° & # # # ?# ¢ #
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57 11 61 ° & # # # & # # # & ‹ #
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SACRED SATB unaccompanied 59 2 for
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61 27 , , ° & # # 3 2 œ œ 4 ˙
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63 from Sacred Choruses 39 39 Words
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65 Boulanger: Pie Jesu 41 17 B
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67 Boulanger: Pie Jesu 43 h = h. 37
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SACRED SATB unaccompanied 69 2 for
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23 ° & # n˙ ˙ ˙ nœ œ ˙ ˙ ˙
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73 Commissioned by Associazione Mus
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75 10 ° 5 3 4 5 & # 4 ∑ 2 ∑
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77 18 ° 3 & # 4 ˙ Œ 3 w 5 3 2 4
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79 26 ° & # 2 q = 132 ∑ 5 4 œ
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11 37 poco accel. ° 3 & # 2 œ 2 2
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47 ° 5 & # 4 q = 116 mp ˙ ˙ # ˙
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85 56 ° 3 & # 4 5 3 œ œ œ 4 œ
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87 17 65 ° 3 & # 2 œ œ œ œ œ
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89 Tempo I molto rit. 74 ° & # 3 U
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this is not the final published pro
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22 ° 6 & # # 4 ˙˙ ho - mo re - u
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95 34 ° & # # Œ œ nœ œ # œ n
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97 7 Œ œ 46 nœ # œ nœ J Œ œ
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99 S. A. ° & # # ?# ¢ # { 63 & #
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101 74 ° & # # & ‹ # # ?# ¢ #
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103 Commissioned by Chorale Acadien
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4 18 # & # ? # # œ . œ . œ . œ
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6 107 38 # & # # # ‰ œ œ œ œ
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8 58 & b b b b b ? b b b b b & b b
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111 10 76 & b b 2 # œ . œ œ œ .
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12 94 # & ˙ . œ . œœ . 113 ˙
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115 Henry Vaughan (1621-95) adap. T
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117 4 16 ° & bb 2 & bb 2 p œ ‰
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119 6 31 ° & bb b b b & bb b b b &
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121 8 50 ° & bb & bb & b b ‹ ?
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123 Originally commissioned and pre
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4 26 & b w w w 125 w ! - lu - ia! V
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S. A. 6 57 # & # ! ! 127 Ó P ˙ ˙
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8 86 & b ? b Œ w œ œ œ Re - spl
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10 107 & & & V ! w ! w ! w F Œ ˙
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12 127 & & & V ? Œ ˙ œ ˙ - lu -
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135 14 152 & w w ˙ Œ œ ˙ ˙ ww
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137 2 The Morning Trumpet Mack Wilb
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139 19 mount a bo
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65 morn morn -
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voiceJunction 143 2 SATB, piano, an
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145 S. A. T. B. 2 5 / ° & b & b &
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147 4 Tambourine- - - - 21 Œ / ¿
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6 29 Œ / ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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8 41 / Œ ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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153 10 49 / . . . - . . . - Œ ¿
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155 12 57 / ° & bb b b b b & bb b
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14 . > . > 65 / ¿ ¿ ¿ ¿ ° & bb
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NEW HORIZONS 159 2 Christmas SATB u
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161 9 ° & & > - œ œ œ - ˙ œ
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163 ° & ¢ 28 & & ‹ ? poco rall.
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47 ° & & poco rall. œ œ œ œ he
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167 for Bjørn Moe and the Nidaros
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169 4 Guide where our 26 f mp ° &
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171 6 51 ° & b œ nœ j # œ ˙
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173 80 ° & b S. ∑ ∑ ∑ ∑ &
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175 10 104 allargando molto rit. °
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177 ° & b ? ¢ b { 12 128 & b - de
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M. K. Dean (b. 1950) 179 Commission
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4 broadly 32 Na - tus est
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183 Isaac Watts (1674-1748) SOPRANO
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185 Adam lay ybounden 15th century
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187 5 17 ° & bb b b cresc. œ œ
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189 33 ° & bb b b & bb b b Œ œ
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191 for Matthew Owens and Wells Cat
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193 4 > Vbbbb 2 ff appass. > r b
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195 Words:16th century English for
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4 197 53 ALTOS mf f
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6 199 90 mf hoy
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8 201 127
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10 203 168 ass
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12 205 216 I mf
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14 207 259 Chri
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CHRISTMAS SATB unaccompanied 209 2
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211 9 ° & bb > œ œ j œ œ J œ
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27 f ° & bb > œ œ j œ œ J œ
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44 ° & bb & bb & ‹ b b ? ¢ b b
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217 9 61 ° & bb & bb & b b ‹ ?
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219 11 79 ° & bb œ œ > J œ œ
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221 Commissioned by Women of Note (
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223 34 ° & # # ¢ & # # will mp n
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225 65 ° & # # S. 1 S. 2 n n n n n
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227 The Wise Men and the Star Lucia
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229 4 30 ° & # # # # œ œ j œ J
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CHRISTMAS SATB and organ 231 2 for
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T. B. S. A. T. B. ° ?# ¢ { 13 & 1
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235 ° 6 7 & # ∑ ∑ b b b b 8
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56 ° 6 7 & bb b b # 8 8 # # œ œ
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2 239 Secular BC222 SATTBB and SA o
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241 3 A. 2 5 ° & # # mp œ œ j
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243 5 17 ° & # # œ nœ œ Œ Œ
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245 7 26 ° & # # œ œ œ œ œ œ
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247 9 32 ° & # # ˙ œ ‰ œ j œ
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249 11 38 ° & # # œ œ œ ˙ œ
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251 13 44 ° & # # œ œ ˙ œ ‰
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253 50 ° & # # œ œ œ œ œ œ
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255 17 55 ° & bb œ œ œ œ œ œ
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257 59 ° & bb # Œ ‰ # œ j œ
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259 21 65 ff ° & # # ˙ ∑ ∑ ar
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261 SOLOISTS 74 ° & # # A. 1 ∑
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263 80 ° & # # ˙ œ Œ œ œ are,
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265 86 ° & # # ˙ Œ Œ œ œ ˙ f
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SECULAR Unison voices, with optiona
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∏∏∏∏∏∏∏∏∏∏∏
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271 29 ° ¢ & bb b 2 ff Ó œ œ
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273 œ w œ 45 opt. DESCANT f ° 3
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secular SATB and piano 275 4 john r
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277 4 10 things e ven mp
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279 T. 6 29 B a tempo TENORS p cant
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281 8 47 D pp dolce S.
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283 10 59 mf mp E song mf
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SONGBIRD 285 In time of silver rain
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° ¢ & # # & # # { ° ¢ & # # {
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SECULAR SATB unaccompanied 289 2 fo
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° ¢ { 4 V # # V # # V ‹ ## B##
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° ¢ { V # # 12 V # # V ‹ ## B##
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° ¢ { V # # 21 V # # V ## ‹ B##
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SONGBIRD 297 Over hill, over dale f
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9 ° ¢ Vbb 299 3 ‰ Œ t œ œ
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S. A. ° ¢ { Vbb 29 Vbb Vbb Bbb 12
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° ¢ { { Vbb 48 Vbb Vbb Bbb Vbb 4
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S./A. ° ¢ { rit. molto rit. 70 un
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S./A. ° ¢ { ° ¢ { ° ¢ { ° ¢
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309 Commissioned in memory of David
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4 311 17 # & # # F # œ. # & # # #
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6 33 # & # # P # œ œ œ. P # & #
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8 315 49 # & # V ? # & ? # # Più m
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10 317 65 # & # # # # & # # # # V #
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12 319 81 # & # # # # & # # # # V #
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321 TENOR 1 TENOR 2 BASS 1 BASS 2
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323 5 T. 1 T. 2 B. 1 23 ° # & # #
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325 41 ° # & # # 2 4 ‹ 3 œ œ
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SECULAR 327 Unison voices, with opt
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329 3 13 ° ¢ & # (TUTTI) (VOICE 1
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∏∏∏∏∏∏∏∏∏∏∏
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333 74 ° ¢ & # Dramatically q = c
Page 335 and 336: 335 for the birthday of my dear fri
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Page 339 and 340: 339 24 ° & œ œ ˙ Œ ‰ peb œ
Page 341 and 342: 341 32 ° & & œ œ œ œ œ œ j
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Page 345 and 346: 345 50 ° 3 & bb b 2 œ poco rit.
Page 347 and 348: 347 65 ° & bœœ œ bœ œ w ˙ b
Page 349 and 350: 349 to Benjamin Nicholas and Georgi
Page 351 and 352: 351 4 27 ° & mp f mp p mp œ œ œ
Page 353 and 354: 353 6 54 ° & œ œ bœ ˙ nœ mf a
Page 355 and 356: 355 8 78 ° & & œ œ b˙ but but p
Page 357 and 358: 357 Lightly come or lightly go Jame
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Page 361 and 362: 361 7 12 ° & wast mf cresc. œ œ
Page 363 and 364: 363 9 18 ° & w Œ mf ˙ œ œ 3 œ
Page 365 and 366: 25 ° & & ? ¢ ∑ ∑ ° & ? ¢ co
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Page 369 and 370: 369 15 39 ° & pp œ œ œ œ bœ
Page 371 and 372: 371 17 46 ° & 3 p œ œ œ œ œ j
Page 373 and 374: 373 19 52 ° & mp œ j ‰ œ J ‰
Page 375 and 376: 375 for my beautiful Kate I carry y
Page 377 and 378: 377 4 13 mf leggiero ° & # SOLO Œ
Page 379 and 380: 379 6 20 ° & # TUTTI Your f cantab
Page 381 and 382: 381 8 27 ° & # p come sopra ˙ œ
Page 383 and 384: 383 10 35 ° & # mp p percussively
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Page 389 and 390: 389 16 55 poco a poco dim. ° & # 3
Page 391 and 392: 391 18 64 ° & # w poco rall. ∑
Page 393: For more information about any of t
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