Choral Highlights 2019 Album Sampler

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NEW HORIZONS 356 2 Secular SATB double choir unaccompanied for online perusal only PHILIP LAWSON Lightly come or lightly go
357 Lightly come or lightly go James Joyce (1882–1941) PHILIP LAWSON SOPRANO Tripping along q = 116 ° & 4 ∑ ∑ ALTO & 4 for online perusal only ∑ ∑ CHOIR 1 TENOR & 4 ∑ ∑ ‹ BASS ? ¢ 4 ∑ ∑ SOPRANO ° & 4 Ó p Light 3 œ œ œ Œ Ó Œ œ - ly, light - ly 3 œ œ CHOIR 2 ALTO TENOR & 4 p 3 3 3 œ œ œ Œ Œ œ œ œ œ j ‰ Œ Light - ly, light - ly come, light - ly go, p 3 3 3 & 4 Ó œ œ œ Œ Œ œ œ œ œ œ œ œ ‹ Light œ œ œ œ - ly, light - ly, light - ly go, BASS ? ¢ 4 p œ œ œ Œ Œ œ œ œ œ ‰ œ œ œ J bœ œ œ œ 3 3 3 3 Light - ly, light - ly come, light - ly go, light - ly, Duration: 2 mins © Oxford University Press 2018 Printed in Great Britain OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
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Choral Highlights 2019 Album Sample
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Secular Bob Chilcott - We are Alan
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5 Marcus Tomalin after Dante’s Pa
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7 4 ° & ¢ 12 & & ‹ ? f mf œ œ
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6 ° 3 & 4 ¢ 22 3 & 4 & ‹ ? & {
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11 8 40 ° 3 & 2 w œ b œ 7 4 œ
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13 ° & 4 ¢ 10 53 & 4 & ‹ ? 4 4
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15 S. A. T. B. 12 73 ° & ? ¢ & {
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17 Commissioned by the Hopkins fami
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4 19 25 mp ° &b ∑ ∑ ∑ Ó Œ
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6 49 ° & b ∑ ∑ < ‹ > ¢ & b
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8 73 ° & b < ‹ > ¢ & b < ‹ >
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25 Commissioned by Wells Cathedral
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27 4 S. 1 15 ° 3 & # # # 4 œ œ
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6 34 ° & # # # Ä mp f œ œ œ œ
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T. SOLO S. 1 S. 2 A. T. 8 54 & ‹
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33 A Prayer to St John the Baptist
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4 12 & # # { & # # { mp 35 ° & # #
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37 6 S. 32 ° & # # ∑ ∑ ∑ ∑
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8 52 ° & # # œ. œ # œ J Œ. ‰
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10 72 ° & # # ∑ ∑ 41 mp Œ. œ
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43 12 91 ° & # # & # # œ œ œ œ
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14 112 ° & # # œ œ j bœ œ Œ.
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47 16 130 & # # 2 ?# ¢ # œ. œ œ
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49 Commissioned in loving memory of
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51 11 ° 3 & # # # 2 3 & # # # 2 3
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53 7 S. 1/ S. 2 A. 1/ A. 2 T. 1 T.
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55 S. 1/ S. 2 46 ° & # # # ?# ¢ #
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57 11 61 ° & # # # & # # # & ‹ #
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SACRED SATB unaccompanied 59 2 for
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61 27 , , ° & # # 3 2 œ œ 4 ˙
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63 from Sacred Choruses 39 39 Words
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65 Boulanger: Pie Jesu 41 17 B
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67 Boulanger: Pie Jesu 43 h = h. 37
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SACRED SATB unaccompanied 69 2 for
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23 ° & # n˙ ˙ ˙ nœ œ ˙ ˙ ˙
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73 Commissioned by Associazione Mus
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75 10 ° 5 3 4 5 & # 4 ∑ 2 ∑
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77 18 ° 3 & # 4 ˙ Œ 3 w 5 3 2 4
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79 26 ° & # 2 q = 132 ∑ 5 4 œ
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11 37 poco accel. ° 3 & # 2 œ 2 2
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47 ° 5 & # 4 q = 116 mp ˙ ˙ # ˙
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85 56 ° 3 & # 4 5 3 œ œ œ 4 œ
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87 17 65 ° 3 & # 2 œ œ œ œ œ
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89 Tempo I molto rit. 74 ° & # 3 U
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this is not the final published pro
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22 ° 6 & # # 4 ˙˙ ho - mo re - u
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95 34 ° & # # Œ œ nœ œ # œ n
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97 7 Œ œ 46 nœ # œ nœ J Œ œ
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99 S. A. ° & # # ?# ¢ # { 63 & #
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101 74 ° & # # & ‹ # # ?# ¢ #
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103 Commissioned by Chorale Acadien
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4 18 # & # ? # # œ . œ . œ . œ
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6 107 38 # & # # # ‰ œ œ œ œ
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8 58 & b b b b b ? b b b b b & b b
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111 10 76 & b b 2 # œ . œ œ œ .
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12 94 # & ˙ . œ . œœ . 113 ˙
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115 Henry Vaughan (1621-95) adap. T
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117 4 16 ° & bb 2 & bb 2 p œ ‰
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119 6 31 ° & bb b b b & bb b b b &
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121 8 50 ° & bb & bb & b b ‹ ?
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123 Originally commissioned and pre
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4 26 & b w w w 125 w ! - lu - ia! V
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S. A. 6 57 # & # ! ! 127 Ó P ˙ ˙
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8 86 & b ? b Œ w œ œ œ Re - spl
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10 107 & & & V ! w ! w ! w F Œ ˙
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12 127 & & & V ? Œ ˙ œ ˙ - lu -
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135 14 152 & w w ˙ Œ œ ˙ ˙ ww
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137 2 The Morning Trumpet Mack Wilb
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139 19 mount a bo
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65 morn morn -
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voiceJunction 143 2 SATB, piano, an
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145 S. A. T. B. 2 5 / ° & b & b &
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147 4 Tambourine- - - - 21 Œ / ¿
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6 29 Œ / ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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8 41 / Œ ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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153 10 49 / . . . - . . . - Œ ¿
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155 12 57 / ° & bb b b b b & bb b
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14 . > . > 65 / ¿ ¿ ¿ ¿ ° & bb
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NEW HORIZONS 159 2 Christmas SATB u
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161 9 ° & & > - œ œ œ - ˙ œ
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163 ° & ¢ 28 & & ‹ ? poco rall.
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47 ° & & poco rall. œ œ œ œ he
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167 for Bjørn Moe and the Nidaros
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169 4 Guide where our 26 f mp ° &
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171 6 51 ° & b œ nœ j # œ ˙
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173 80 ° & b S. ∑ ∑ ∑ ∑ &
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175 10 104 allargando molto rit. °
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177 ° & b ? ¢ b { 12 128 & b - de
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M. K. Dean (b. 1950) 179 Commission
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4 broadly 32 Na - tus est
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183 Isaac Watts (1674-1748) SOPRANO
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185 Adam lay ybounden 15th century
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187 5 17 ° & bb b b cresc. œ œ
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189 33 ° & bb b b & bb b b Œ œ
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191 for Matthew Owens and Wells Cat
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193 4 > Vbbbb 2 ff appass. > r b
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195 Words:16th century English for
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4 197 53 ALTOS mf f
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6 199 90 mf hoy
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8 201 127
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10 203 168 ass
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12 205 216 I mf
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14 207 259 Chri
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CHRISTMAS SATB unaccompanied 209 2
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211 9 ° & bb > œ œ j œ œ J œ
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27 f ° & bb > œ œ j œ œ J œ
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44 ° & bb & bb & ‹ b b ? ¢ b b
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217 9 61 ° & bb & bb & b b ‹ ?
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219 11 79 ° & bb œ œ > J œ œ
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221 Commissioned by Women of Note (
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223 34 ° & # # ¢ & # # will mp n
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225 65 ° & # # S. 1 S. 2 n n n n n
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227 The Wise Men and the Star Lucia
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229 4 30 ° & # # # # œ œ j œ J
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CHRISTMAS SATB and organ 231 2 for
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T. B. S. A. T. B. ° ?# ¢ { 13 & 1
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235 ° 6 7 & # ∑ ∑ b b b b 8
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56 ° 6 7 & bb b b # 8 8 # # œ œ
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2 239 Secular BC222 SATTBB and SA o
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241 3 A. 2 5 ° & # # mp œ œ j
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243 5 17 ° & # # œ nœ œ Œ Œ
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245 7 26 ° & # # œ œ œ œ œ œ
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247 9 32 ° & # # ˙ œ ‰ œ j œ
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249 11 38 ° & # # œ œ œ ˙ œ
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251 13 44 ° & # # œ œ ˙ œ ‰
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253 50 ° & # # œ œ œ œ œ œ
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255 17 55 ° & bb œ œ œ œ œ œ
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257 59 ° & bb # Œ ‰ # œ j œ
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259 21 65 ff ° & # # ˙ ∑ ∑ ar
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261 SOLOISTS 74 ° & # # A. 1 ∑
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263 80 ° & # # ˙ œ Œ œ œ are,
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265 86 ° & # # ˙ Œ Œ œ œ ˙ f
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SECULAR Unison voices, with optiona
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∏∏∏∏∏∏∏∏∏∏∏
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271 29 ° ¢ & bb b 2 ff Ó œ œ
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273 œ w œ 45 opt. DESCANT f ° 3
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secular SATB and piano 275 4 john r
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277 4 10 things e ven mp
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279 T. 6 29 B a tempo TENORS p cant
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281 8 47 D pp dolce S.
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283 10 59 mf mp E song mf
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SONGBIRD 285 In time of silver rain
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° ¢ & # # & # # { ° ¢ & # # {
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SECULAR SATB unaccompanied 289 2 fo
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° ¢ { 4 V # # V # # V ‹ ## B##
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° ¢ { V # # 12 V # # V ‹ ## B##
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° ¢ { V # # 21 V # # V ## ‹ B##
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SONGBIRD 297 Over hill, over dale f
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9 ° ¢ Vbb 299 3 ‰ Œ t œ œ
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S. A. ° ¢ { Vbb 29 Vbb Vbb Bbb 12
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° ¢ { { Vbb 48 Vbb Vbb Bbb Vbb 4
Page 305 and 306: S./A. ° ¢ { rit. molto rit. 70 un
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Page 309 and 310: 309 Commissioned in memory of David
Page 311 and 312: 4 311 17 # & # # F # œ. # & # # #
Page 313 and 314: 6 33 # & # # P # œ œ œ. P # & #
Page 315 and 316: 8 315 49 # & # V ? # & ? # # Più m
Page 317 and 318: 10 317 65 # & # # # # & # # # # V #
Page 319 and 320: 12 319 81 # & # # # # & # # # # V #
Page 321 and 322: 321 TENOR 1 TENOR 2 BASS 1 BASS 2
Page 323 and 324: 323 5 T. 1 T. 2 B. 1 23 ° # & # #
Page 325 and 326: 325 41 ° # & # # 2 4 ‹ 3 œ œ
Page 327 and 328: SECULAR 327 Unison voices, with opt
Page 329 and 330: 329 3 13 ° ¢ & # (TUTTI) (VOICE 1
Page 331 and 332: ∏∏∏∏∏∏∏∏∏∏∏
Page 333 and 334: 333 74 ° ¢ & # Dramatically q = c
Page 335 and 336: 335 for the birthday of my dear fri
Page 337 and 338: 337 5 ° & ¢ 14 & & ‹ ? œ œ ˙
Page 339 and 340: 339 24 ° & œ œ ˙ Œ ‰ peb œ
Page 341 and 342: 341 32 ° & & œ œ œ œ œ œ j
Page 343 and 344: 343 11 42 ° & bb b Ó ‰ œ j œ
Page 345 and 346: 345 50 ° 3 & bb b 2 œ poco rit.
Page 347 and 348: 347 65 ° & bœœ œ bœ œ w ˙ b
Page 349 and 350: 349 to Benjamin Nicholas and Georgi
Page 351 and 352: 351 4 27 ° & mp f mp p mp œ œ œ
Page 353 and 354: 353 6 54 ° & œ œ bœ ˙ nœ mf a
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Page 359 and 360: 5 6 ° & œ ∑ J ‰ œ j ‰ ˙ w
Page 361 and 362: 361 7 12 ° & wast mf cresc. œ œ
Page 363 and 364: 363 9 18 ° & w Œ mf ˙ œ œ 3 œ
Page 365 and 366: 25 ° & & ? ¢ ∑ ∑ ° & ? ¢ co
Page 367 and 368: 367 13 31 ° & œ ∑ ˙ œ w vales
Page 369 and 370: 369 15 39 ° & pp œ œ œ œ bœ
Page 371 and 372: 371 17 46 ° & 3 p œ œ œ œ œ j
Page 373 and 374: 373 19 52 ° & mp œ j ‰ œ J ‰
Page 375 and 376: 375 for my beautiful Kate I carry y
Page 377 and 378: 377 4 13 mf leggiero ° & # SOLO Œ
Page 379 and 380: 379 6 20 ° & # TUTTI Your f cantab
Page 381 and 382: 381 8 27 ° & # p come sopra ˙ œ
Page 383 and 384: 383 10 35 ° & # mp p percussively
Page 385 and 386: 385 12 43 ° & # œ œ œ œ œ œ
Page 387 and 388: 387 14 1. 50 (non dim.) ° & # 3 œ
Page 389 and 390: 389 16 55 poco a poco dim. ° & # 3
Page 391 and 392: 391 18 64 ° & # w poco rall. ∑
Page 393: For more information about any of t
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