Choral Highlights 2019 Album Sampler

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316 9 57 # & # & # V p w on p œ. j œ œ œ Pulse a -way in si - lence, In e - ter - nal si - p œ. J œ œ œ ˙ œ ˙. œ ˙. ˙ and on œ ˙. on œ. œ. j œ œ J œ œ œ œ œ and œ ˙ ˙ ˙ œ ˙ ˙ and ˙ lence, ˙ ? # Pulse a -way in si - lence, In e - ter - nal si - p œ. J œ œ œ œ ˙. Pulse a -way in si - lence, In e - ter - nal œ . œ J œ œ ˙ si - lence. ˙ lence. & ? # # w œ . p . œ. œ œ œ J œ œ œ J ˙œ œ œ ˙. ˙ œ. œ . ˙ J œ œ œ œ J œ œ œ ˙˙ ˙ ˙˙ œ ˙ ˙ poco rit. # & 61 w ˙˙ ˙ œ œ œ œ œ œ œ œ # # # # on. Yet this will re - # & w on. # P V œ œ œ œ for online perusal only w œ œ œ œ ˙ Yet ˙ ˙ this ˙ ˙ will ˙ ˙ re - # # # # # # # # Let the world all fade and break and pass a - way. ? # Let the world all œ œ œ œ w fade and break and œ œ œ w œ pass ˙ a ˙ - way. ˙ œ œ # # # # On, pass a - way. & ? # # w P œ œ œ œ w ˙ ˙ ˙œ œ œ œ œ œ œ w poco rit. œ˙ œ œ œ ˙ ˙ œ œ œ œ ˙ ˙œ œ # # # # # # # #
10 317 65 # & # # # # & # # # # V # # # ? # # # # a tempo q = 72 π w main, π w main, p œ. J œ œ œ Deep be-yond all sing - ing, Deep be-yond all sing - ing, ∑ ˙ ˙ œ ˙. ˙ re ˙ re π ˙ - - ww main, w main, œ. ww œ œ J œ ˙ ˙ re ˙ œ œ œ ˙. ww re - - & ? # # # # # # # # a tempo q = 72 w π œ. J œ œ œ œ ˙œ œ re ˙ ˙ - main, w w ww œ. j œ œ œ ˙ wœ ˙. ˙œ œ # & # # # # & # # # 69 P 3 ˙˙ œ œ œœ ˙ main, Beau-ti - ful past, beau -ti - ful P ˙ œ œ œ ˙ 3 3 œ œ œ 3 œ œ œ V for online perusal only ˙ sing - ˙ ing. œ˙ œ œ œ rit. w œ œ ˙œ œ main, Beau -ti - ful past, beau -ti - ful P # # # # 3 œ œ œ ˙ 3 œ œ œ ˙ sing w - ing, on ˙ and ˙ Beau-ti - ful past, beau -ti - ful past, P 3 ? # # # œ œ œ ˙ # 3 œ œ œ ˙ sing sing w - - ing. ing. And ˙ œ œ w Beau-ti - ful past, beau -ti - ful past, sing - ing. & # # # # ˙ ˙ 3 œœ œ œ œ ˙œ œ œ 3 œ œ œ œ ˙ ˙œ œ œ œ rit. œ˙ œ œ˙ œ ? # # # # œ 3 œ œ œ ˙ 3 3 œ œ œ ˙ w w ˙ œ œ w
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Choral Highlights 2019 Album Sample
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Secular Bob Chilcott - We are Alan
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5 Marcus Tomalin after Dante’s Pa
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7 4 ° & ¢ 12 & & ‹ ? f mf œ œ
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6 ° 3 & 4 ¢ 22 3 & 4 & ‹ ? & {
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11 8 40 ° 3 & 2 w œ b œ 7 4 œ
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13 ° & 4 ¢ 10 53 & 4 & ‹ ? 4 4
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15 S. A. T. B. 12 73 ° & ? ¢ & {
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17 Commissioned by the Hopkins fami
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4 19 25 mp ° &b ∑ ∑ ∑ Ó Œ
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6 49 ° & b ∑ ∑ < ‹ > ¢ & b
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8 73 ° & b < ‹ > ¢ & b < ‹ >
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25 Commissioned by Wells Cathedral
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27 4 S. 1 15 ° 3 & # # # 4 œ œ
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6 34 ° & # # # Ä mp f œ œ œ œ
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T. SOLO S. 1 S. 2 A. T. 8 54 & ‹
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33 A Prayer to St John the Baptist
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4 12 & # # { & # # { mp 35 ° & # #
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37 6 S. 32 ° & # # ∑ ∑ ∑ ∑
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8 52 ° & # # œ. œ # œ J Œ. ‰
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10 72 ° & # # ∑ ∑ 41 mp Œ. œ
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43 12 91 ° & # # & # # œ œ œ œ
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14 112 ° & # # œ œ j bœ œ Œ.
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47 16 130 & # # 2 ?# ¢ # œ. œ œ
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49 Commissioned in loving memory of
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51 11 ° 3 & # # # 2 3 & # # # 2 3
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53 7 S. 1/ S. 2 A. 1/ A. 2 T. 1 T.
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55 S. 1/ S. 2 46 ° & # # # ?# ¢ #
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57 11 61 ° & # # # & # # # & ‹ #
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SACRED SATB unaccompanied 59 2 for
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61 27 , , ° & # # 3 2 œ œ 4 ˙
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63 from Sacred Choruses 39 39 Words
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65 Boulanger: Pie Jesu 41 17 B
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67 Boulanger: Pie Jesu 43 h = h. 37
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SACRED SATB unaccompanied 69 2 for
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23 ° & # n˙ ˙ ˙ nœ œ ˙ ˙ ˙
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73 Commissioned by Associazione Mus
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75 10 ° 5 3 4 5 & # 4 ∑ 2 ∑
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77 18 ° 3 & # 4 ˙ Œ 3 w 5 3 2 4
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79 26 ° & # 2 q = 132 ∑ 5 4 œ
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11 37 poco accel. ° 3 & # 2 œ 2 2
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47 ° 5 & # 4 q = 116 mp ˙ ˙ # ˙
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85 56 ° 3 & # 4 5 3 œ œ œ 4 œ
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87 17 65 ° 3 & # 2 œ œ œ œ œ
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89 Tempo I molto rit. 74 ° & # 3 U
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this is not the final published pro
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22 ° 6 & # # 4 ˙˙ ho - mo re - u
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95 34 ° & # # Œ œ nœ œ # œ n
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97 7 Œ œ 46 nœ # œ nœ J Œ œ
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99 S. A. ° & # # ?# ¢ # { 63 & #
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101 74 ° & # # & ‹ # # ?# ¢ #
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103 Commissioned by Chorale Acadien
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4 18 # & # ? # # œ . œ . œ . œ
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6 107 38 # & # # # ‰ œ œ œ œ
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8 58 & b b b b b ? b b b b b & b b
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111 10 76 & b b 2 # œ . œ œ œ .
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12 94 # & ˙ . œ . œœ . 113 ˙
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115 Henry Vaughan (1621-95) adap. T
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117 4 16 ° & bb 2 & bb 2 p œ ‰
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119 6 31 ° & bb b b b & bb b b b &
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121 8 50 ° & bb & bb & b b ‹ ?
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123 Originally commissioned and pre
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4 26 & b w w w 125 w ! - lu - ia! V
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S. A. 6 57 # & # ! ! 127 Ó P ˙ ˙
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8 86 & b ? b Œ w œ œ œ Re - spl
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10 107 & & & V ! w ! w ! w F Œ ˙
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12 127 & & & V ? Œ ˙ œ ˙ - lu -
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135 14 152 & w w ˙ Œ œ ˙ ˙ ww
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137 2 The Morning Trumpet Mack Wilb
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139 19 mount a bo
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65 morn morn -
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voiceJunction 143 2 SATB, piano, an
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145 S. A. T. B. 2 5 / ° & b & b &
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147 4 Tambourine- - - - 21 Œ / ¿
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6 29 Œ / ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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8 41 / Œ ¿ Œ ¿ Œ ¿ Œ ¿ Œ
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153 10 49 / . . . - . . . - Œ ¿
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155 12 57 / ° & bb b b b b & bb b
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14 . > . > 65 / ¿ ¿ ¿ ¿ ° & bb
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NEW HORIZONS 159 2 Christmas SATB u
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161 9 ° & & > - œ œ œ - ˙ œ
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163 ° & ¢ 28 & & ‹ ? poco rall.
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47 ° & & poco rall. œ œ œ œ he
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167 for Bjørn Moe and the Nidaros
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169 4 Guide where our 26 f mp ° &
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171 6 51 ° & b œ nœ j # œ ˙
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173 80 ° & b S. ∑ ∑ ∑ ∑ &
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175 10 104 allargando molto rit. °
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177 ° & b ? ¢ b { 12 128 & b - de
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M. K. Dean (b. 1950) 179 Commission
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4 broadly 32 Na - tus est
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183 Isaac Watts (1674-1748) SOPRANO
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185 Adam lay ybounden 15th century
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187 5 17 ° & bb b b cresc. œ œ
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189 33 ° & bb b b & bb b b Œ œ
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191 for Matthew Owens and Wells Cat
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193 4 > Vbbbb 2 ff appass. > r b
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195 Words:16th century English for
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4 197 53 ALTOS mf f
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6 199 90 mf hoy
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8 201 127
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10 203 168 ass
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12 205 216 I mf
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14 207 259 Chri
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CHRISTMAS SATB unaccompanied 209 2
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211 9 ° & bb > œ œ j œ œ J œ
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27 f ° & bb > œ œ j œ œ J œ
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44 ° & bb & bb & ‹ b b ? ¢ b b
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217 9 61 ° & bb & bb & b b ‹ ?
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219 11 79 ° & bb œ œ > J œ œ
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221 Commissioned by Women of Note (
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223 34 ° & # # ¢ & # # will mp n
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225 65 ° & # # S. 1 S. 2 n n n n n
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227 The Wise Men and the Star Lucia
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229 4 30 ° & # # # # œ œ j œ J
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CHRISTMAS SATB and organ 231 2 for
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T. B. S. A. T. B. ° ?# ¢ { 13 & 1
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235 ° 6 7 & # ∑ ∑ b b b b 8
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56 ° 6 7 & bb b b # 8 8 # # œ œ
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2 239 Secular BC222 SATTBB and SA o
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241 3 A. 2 5 ° & # # mp œ œ j
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243 5 17 ° & # # œ nœ œ Œ Œ
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245 7 26 ° & # # œ œ œ œ œ œ
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247 9 32 ° & # # ˙ œ ‰ œ j œ
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249 11 38 ° & # # œ œ œ ˙ œ
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251 13 44 ° & # # œ œ ˙ œ ‰
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253 50 ° & # # œ œ œ œ œ œ
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255 17 55 ° & bb œ œ œ œ œ œ
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257 59 ° & bb # Œ ‰ # œ j œ
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259 21 65 ff ° & # # ˙ ∑ ∑ ar
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261 SOLOISTS 74 ° & # # A. 1 ∑
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263 80 ° & # # ˙ œ Œ œ œ are,
Page 265 and 266: 265 86 ° & # # ˙ Œ Œ œ œ ˙ f
Page 267 and 268: SECULAR Unison voices, with optiona
Page 269 and 270: ∏∏∏∏∏∏∏∏∏∏∏
Page 271 and 272: 271 29 ° ¢ & bb b 2 ff Ó œ œ
Page 273 and 274: 273 œ w œ 45 opt. DESCANT f ° 3
Page 275 and 276: secular SATB and piano 275 4 john r
Page 277 and 278: 277 4 10 things e ven mp
Page 279 and 280: 279 T. 6 29 B a tempo TENORS p cant
Page 281 and 282: 281 8 47 D pp dolce S.
Page 283 and 284: 283 10 59 mf mp E song mf
Page 285 and 286: SONGBIRD 285 In time of silver rain
Page 287 and 288: ° ¢ & # # & # # { ° ¢ & # # {
Page 289 and 290: SECULAR SATB unaccompanied 289 2 fo
Page 291 and 292: ° ¢ { 4 V # # V # # V ‹ ## B##
Page 293 and 294: ° ¢ { V # # 12 V # # V ‹ ## B##
Page 295 and 296: ° ¢ { V # # 21 V # # V ## ‹ B##
Page 297 and 298: SONGBIRD 297 Over hill, over dale f
Page 299 and 300: 9 ° ¢ Vbb 299 3 ‰ Œ t œ œ
Page 301 and 302: S. A. ° ¢ { Vbb 29 Vbb Vbb Bbb 12
Page 303 and 304: ° ¢ { { Vbb 48 Vbb Vbb Bbb Vbb 4
Page 305 and 306: S./A. ° ¢ { rit. molto rit. 70 un
Page 307 and 308: S./A. ° ¢ { ° ¢ { ° ¢ { ° ¢
Page 309 and 310: 309 Commissioned in memory of David
Page 311 and 312: 4 311 17 # & # # F # œ. # & # # #
Page 313 and 314: 6 33 # & # # P # œ œ œ. P # & #
Page 315: 8 315 49 # & # V ? # & ? # # Più m
Page 319 and 320: 12 319 81 # & # # # # & # # # # V #
Page 321 and 322: 321 TENOR 1 TENOR 2 BASS 1 BASS 2
Page 323 and 324: 323 5 T. 1 T. 2 B. 1 23 ° # & # #
Page 325 and 326: 325 41 ° # & # # 2 4 ‹ 3 œ œ
Page 327 and 328: SECULAR 327 Unison voices, with opt
Page 329 and 330: 329 3 13 ° ¢ & # (TUTTI) (VOICE 1
Page 331 and 332: ∏∏∏∏∏∏∏∏∏∏∏
Page 333 and 334: 333 74 ° ¢ & # Dramatically q = c
Page 335 and 336: 335 for the birthday of my dear fri
Page 337 and 338: 337 5 ° & ¢ 14 & & ‹ ? œ œ ˙
Page 339 and 340: 339 24 ° & œ œ ˙ Œ ‰ peb œ
Page 341 and 342: 341 32 ° & & œ œ œ œ œ œ j
Page 343 and 344: 343 11 42 ° & bb b Ó ‰ œ j œ
Page 345 and 346: 345 50 ° 3 & bb b 2 œ poco rit.
Page 347 and 348: 347 65 ° & bœœ œ bœ œ w ˙ b
Page 349 and 350: 349 to Benjamin Nicholas and Georgi
Page 351 and 352: 351 4 27 ° & mp f mp p mp œ œ œ
Page 353 and 354: 353 6 54 ° & œ œ bœ ˙ nœ mf a
Page 355 and 356: 355 8 78 ° & & œ œ b˙ but but p
Page 357 and 358: 357 Lightly come or lightly go Jame
Page 359 and 360: 5 6 ° & œ ∑ J ‰ œ j ‰ ˙ w
Page 361 and 362: 361 7 12 ° & wast mf cresc. œ œ
Page 363 and 364: 363 9 18 ° & w Œ mf ˙ œ œ 3 œ
Page 365 and 366: 25 ° & & ? ¢ ∑ ∑ ° & ? ¢ co
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367 13 31 ° & œ ∑ ˙ œ w vales
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369 15 39 ° & pp œ œ œ œ bœ
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371 17 46 ° & 3 p œ œ œ œ œ j
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373 19 52 ° & mp œ j ‰ œ J ‰
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375 for my beautiful Kate I carry y
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377 4 13 mf leggiero ° & # SOLO Œ
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379 6 20 ° & # TUTTI Your f cantab
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381 8 27 ° & # p come sopra ˙ œ
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383 10 35 ° & # mp p percussively
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385 12 43 ° & # œ œ œ œ œ œ
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387 14 1. 50 (non dim.) ° & # 3 œ
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389 16 55 poco a poco dim. ° & # 3
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391 18 64 ° & # w poco rall. ∑
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