Choral Highlights 2019 Album Sampler

More documents

Recommendations

Info

56 10 55 ° & # # # & # # # & # # # & ‹ # # # œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ ˙ snow it waits, Un - til what was lost can re - turn. œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ walk comes walk - ing, walk - ing, when spring comes walk - ing, ˙ ˙ œ j ‰ - ing, when spring comes walk - ing, p ∑ œ ˙ œ œ œ œ œ ?# ¢ # # ∑ ∑ ∑ ∑ Ó Œ œ Comes ä â for online perusal only & # # # { ( ) & # # # œœ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œœ œ œ œ œ ˙ ˙ œ œ œ œ œ œ S. 1/ S. 2 A. 1 A. 2 T. 1/ T. 2 58 ° & # # # & # # # & ‹ # # # ?# ¢ # # ˙ ˙ walk ˙ walk ˙˙ B. 1 ∑ B. 2 My mp - ing, spi ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ - ing, spi spi - rit will be green a - gain, my unis. mp œ œ œ œ œ # œ ˙ mp Spi mp - rit will be green a - - œ œ œ œ ˙ œ œ - rit will be green a - - - rit will œ œ œ œ˙ be green œ # œ œ # œ ˙˙ a - - Spi & # # # # { & # # # ? ˙˙ ˙˙ mp - rit green ˙ ˙ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ˙ œ œ œ ˙ œ #œ œ a œ œ - gain, œ # ˙˙ Œ œ œ
57 11 61 ° & # # # & # # # & ‹ # # # œ œ œ œ œ 3 2 œ œ œ ˙ spi œ - rit will be green a - gain, be green a - - gain, my spi - rit green a - gain, green a - - gain, my spi - rit green a - gain, be green a - - my spi rit ?# 3 ¢ # # gain, - green a - gain, œ˙ œ œ nœ 2# œ œ # w 4 n˙ w ˙ green a - gain, green a - & # # # # { œ 4 ˙ œ œ 3 œ 2 œ # œ w 4 œ nœ œ œ œ œ œ 3 2 œ œ ˙ œ œ 4 œ œ ˙ œ œ œ œ œ œ œ œ œ 3 2 œ œ œ ˙ 4 œ œ ˙ œ œ ˙œ nœ ˙ œ œ ? # # # œ œ œ œ œ n 3 2 # œ œ # w 4 n œ˙ œ ˙˙ œ w ˙ â ä â ä for online perusal only S. 1 S. 2 A. 1/ A. 2 T. 1 T. 2 B. 1 B. 2 p ° & # # # w ˙ œ j ‰ Œ - gain. ?# ¢ # # { 64 poco rit. p a little slower - gain. Re - joice! Re - joice! Em - p * - gain. Re - joice! Re - joice! Em - - gain. Re - joice! Re - joice! Em - poco rit. p Re a little slower - joice! Re - joice! Em & # # # w ˙ œ j ‰ œ ˙ œ ˙ œ - gain. & # # & ‹ # # # & ‹ # # # & # # # ? # # # p - gain. p p Re - joice! Re - joice! Em - unis. # œ œ ˙ œ œ œ œ w ˙ œ j ‰ Œ œ œ ˙ œ œ œ œ Re - joice! Re - joice! Em - w ˙ œ j ‰ Œ ˙ ˙ ˙ œ œ w ˙ œ j ‰ œ ˙ œ ˙ œ ˙ w w w ˙ w ˙ ˙ ˙ œ j ‰ Œ ˙ ˙ ˙˙ œ ˙ œ J ˙ ˙ ˙ œ j ‰ œ œ œ j ‰ Œ œ # œœœ œ œ ˙˙ œ ˙ ˙ ˙ œ œ˙ œ ˙ ˙˙ œ œ œ œ œ œ œ - ä â * A group of first basses may join the second tenors to the end, as necessary.
Page 1 and 2:
Choral Highlights 2019 Album Sample
Page 3 and 4:
Secular Bob Chilcott - We are Alan
Page 5 and 6: 5 Marcus Tomalin after Dante’s Pa
Page 7 and 8: 7 4 ° & ¢ 12 & & ‹ ? f mf œ œ
Page 9 and 10: 6 ° 3 & 4 ¢ 22 3 & 4 & ‹ ? & {
Page 11 and 12: 11 8 40 ° 3 & 2 w œ b œ 7 4 œ
Page 13 and 14: 13 ° & 4 ¢ 10 53 & 4 & ‹ ? 4 4
Page 15 and 16: 15 S. A. T. B. 12 73 ° & ? ¢ & {
Page 17 and 18: 17 Commissioned by the Hopkins fami
Page 19 and 20: 4 19 25 mp ° &b ∑ ∑ ∑ Ó Œ
Page 21 and 22: 6 49 ° & b ∑ ∑ < ‹ > ¢ & b
Page 23 and 24: 8 73 ° & b < ‹ > ¢ & b < ‹ >
Page 25 and 26: 25 Commissioned by Wells Cathedral
Page 27 and 28: 27 4 S. 1 15 ° 3 & # # # 4 œ œ
Page 29 and 30: 6 34 ° & # # # Ä mp f œ œ œ œ
Page 31 and 32: T. SOLO S. 1 S. 2 A. T. 8 54 & ‹
Page 33 and 34: 33 A Prayer to St John the Baptist
Page 35 and 36: 4 12 & # # { & # # { mp 35 ° & # #
Page 37 and 38: 37 6 S. 32 ° & # # ∑ ∑ ∑ ∑
Page 39 and 40: 8 52 ° & # # œ. œ # œ J Œ. ‰
Page 41 and 42: 10 72 ° & # # ∑ ∑ 41 mp Œ. œ
Page 43 and 44: 43 12 91 ° & # # & # # œ œ œ œ
Page 45 and 46: 14 112 ° & # # œ œ j bœ œ Œ.
Page 47 and 48: 47 16 130 & # # 2 ?# ¢ # œ. œ œ
Page 49 and 50: 49 Commissioned in loving memory of
Page 51 and 52: 51 11 ° 3 & # # # 2 3 & # # # 2 3
Page 53 and 54: 53 7 S. 1/ S. 2 A. 1/ A. 2 T. 1 T.
Page 55: 55 S. 1/ S. 2 46 ° & # # # ?# ¢ #
Page 59 and 60: SACRED SATB unaccompanied 59 2 for
Page 61 and 62: 61 27 , , ° & # # 3 2 œ œ 4 ˙
Page 63 and 64: 63 from Sacred Choruses 39 39 Words
Page 65 and 66: 65 Boulanger: Pie Jesu 41 17 B
Page 67 and 68: 67 Boulanger: Pie Jesu 43 h = h. 37
Page 69 and 70: SACRED SATB unaccompanied 69 2 for
Page 71 and 72: 23 ° & # n˙ ˙ ˙ nœ œ ˙ ˙ ˙
Page 73 and 74: 73 Commissioned by Associazione Mus
Page 75 and 76: 75 10 ° 5 3 4 5 & # 4 ∑ 2 ∑
Page 77 and 78: 77 18 ° 3 & # 4 ˙ Œ 3 w 5 3 2 4
Page 79 and 80: 79 26 ° & # 2 q = 132 ∑ 5 4 œ
Page 81 and 82: 11 37 poco accel. ° 3 & # 2 œ 2 2
Page 83 and 84: 47 ° 5 & # 4 q = 116 mp ˙ ˙ # ˙
Page 85 and 86: 85 56 ° 3 & # 4 5 3 œ œ œ 4 œ
Page 87 and 88: 87 17 65 ° 3 & # 2 œ œ œ œ œ
Page 89 and 90: 89 Tempo I molto rit. 74 ° & # 3 U
Page 91 and 92: this is not the final published pro
Page 93 and 94: 22 ° 6 & # # 4 ˙˙ ho - mo re - u
Page 95 and 96: 95 34 ° & # # Œ œ nœ œ # œ n
Page 97 and 98: 97 7 Œ œ 46 nœ # œ nœ J Œ œ
Page 99 and 100: 99 S. A. ° & # # ?# ¢ # { 63 & #
Page 101 and 102: 101 74 ° & # # & ‹ # # ?# ¢ #
Page 103 and 104: 103 Commissioned by Chorale Acadien
Page 105 and 106: 4 18 # & # ? # # œ . œ . œ . œ
Page 107 and 108:
6 107 38 # & # # # ‰ œ œ œ œ
Page 109 and 110:
8 58 & b b b b b ? b b b b b & b b
Page 111 and 112:
111 10 76 & b b 2 # œ . œ œ œ .
Page 113 and 114:
12 94 # & ˙ . œ . œœ . 113 ˙
Page 115 and 116:
115 Henry Vaughan (1621-95) adap. T
Page 117 and 118:
117 4 16 ° & bb 2 & bb 2 p œ ‰
Page 119 and 120:
119 6 31 ° & bb b b b & bb b b b &
Page 121 and 122:
121 8 50 ° & bb & bb & b b ‹ ?
Page 123 and 124:
123 Originally commissioned and pre
Page 125 and 126:
4 26 & b w w w 125 w ! - lu - ia! V
Page 127 and 128:
S. A. 6 57 # & # ! ! 127 Ó P ˙ ˙
Page 129 and 130:
8 86 & b ? b Œ w œ œ œ Re - spl
Page 131 and 132:
10 107 & & & V ! w ! w ! w F Œ ˙
Page 133 and 134:
12 127 & & & V ? Œ ˙ œ ˙ - lu -
Page 135 and 136:
135 14 152 & w w ˙ Œ œ ˙ ˙ ww
Page 137 and 138:
137 2 The Morning Trumpet Mack Wilb
Page 139 and 140:
139 19 mount a bo
Page 141 and 142:
65 morn morn -
Page 143 and 144:
voiceJunction 143 2 SATB, piano, an
Page 145 and 146:
145 S. A. T. B. 2 5 / ° & b & b &
Page 147 and 148:
147 4 Tambourine- - - - 21 Œ / ¿
Page 149 and 150:
6 29 Œ / ¿ Œ ¿ Œ ¿ Œ ¿ Œ
Page 151 and 152:
8 41 / Œ ¿ Œ ¿ Œ ¿ Œ ¿ Œ
Page 153 and 154:
153 10 49 / . . . - . . . - Œ ¿
Page 155 and 156:
155 12 57 / ° & bb b b b b & bb b
Page 157 and 158:
14 . > . > 65 / ¿ ¿ ¿ ¿ ° & bb
Page 159 and 160:
NEW HORIZONS 159 2 Christmas SATB u
Page 161 and 162:
161 9 ° & & > - œ œ œ - ˙ œ
Page 163 and 164:
163 ° & ¢ 28 & & ‹ ? poco rall.
Page 165 and 166:
47 ° & & poco rall. œ œ œ œ he
Page 167 and 168:
167 for Bjørn Moe and the Nidaros
Page 169 and 170:
169 4 Guide where our 26 f mp ° &
Page 171 and 172:
171 6 51 ° & b œ nœ j # œ ˙
Page 173 and 174:
173 80 ° & b S. ∑ ∑ ∑ ∑ &
Page 175 and 176:
175 10 104 allargando molto rit. °
Page 177 and 178:
177 ° & b ? ¢ b { 12 128 & b - de
Page 179 and 180:
M. K. Dean (b. 1950) 179 Commission
Page 181 and 182:
4 broadly 32 Na - tus est
Page 183 and 184:
183 Isaac Watts (1674-1748) SOPRANO
Page 185 and 186:
185 Adam lay ybounden 15th century
Page 187 and 188:
187 5 17 ° & bb b b cresc. œ œ
Page 189 and 190:
189 33 ° & bb b b & bb b b Œ œ
Page 191 and 192:
191 for Matthew Owens and Wells Cat
Page 193 and 194:
193 4 > Vbbbb 2 ff appass. > r b
Page 195 and 196:
195 Words:16th century English for
Page 197 and 198:
4 197 53 ALTOS mf f
Page 199 and 200:
6 199 90 mf hoy
Page 201 and 202:
8 201 127
Page 203 and 204:
10 203 168 ass
Page 205 and 206:
12 205 216 I mf
Page 207 and 208:
14 207 259 Chri
Page 209 and 210:
CHRISTMAS SATB unaccompanied 209 2
Page 211 and 212:
211 9 ° & bb > œ œ j œ œ J œ
Page 213 and 214:
27 f ° & bb > œ œ j œ œ J œ
Page 215 and 216:
44 ° & bb & bb & ‹ b b ? ¢ b b
Page 217 and 218:
217 9 61 ° & bb & bb & b b ‹ ?
Page 219 and 220:
219 11 79 ° & bb œ œ > J œ œ
Page 221 and 222:
221 Commissioned by Women of Note (
Page 223 and 224:
223 34 ° & # # ¢ & # # will mp n
Page 225 and 226:
225 65 ° & # # S. 1 S. 2 n n n n n
Page 227 and 228:
227 The Wise Men and the Star Lucia
Page 229 and 230:
229 4 30 ° & # # # # œ œ j œ J
Page 231 and 232:
CHRISTMAS SATB and organ 231 2 for
Page 233 and 234:
T. B. S. A. T. B. ° ?# ¢ { 13 & 1
Page 235 and 236:
235 ° 6 7 & # ∑ ∑ b b b b 8
Page 237 and 238:
56 ° 6 7 & bb b b # 8 8 # # œ œ
Page 239 and 240:
2 239 Secular BC222 SATTBB and SA o
Page 241 and 242:
241 3 A. 2 5 ° & # # mp œ œ j
Page 243 and 244:
243 5 17 ° & # # œ nœ œ Œ Œ
Page 245 and 246:
245 7 26 ° & # # œ œ œ œ œ œ
Page 247 and 248:
247 9 32 ° & # # ˙ œ ‰ œ j œ
Page 249 and 250:
249 11 38 ° & # # œ œ œ ˙ œ
Page 251 and 252:
251 13 44 ° & # # œ œ ˙ œ ‰
Page 253 and 254:
253 50 ° & # # œ œ œ œ œ œ
Page 255 and 256:
255 17 55 ° & bb œ œ œ œ œ œ
Page 257 and 258:
257 59 ° & bb # Œ ‰ # œ j œ
Page 259 and 260:
259 21 65 ff ° & # # ˙ ∑ ∑ ar
Page 261 and 262:
261 SOLOISTS 74 ° & # # A. 1 ∑
Page 263 and 264:
263 80 ° & # # ˙ œ Œ œ œ are,
Page 265 and 266:
265 86 ° & # # ˙ Œ Œ œ œ ˙ f
Page 267 and 268:
SECULAR Unison voices, with optiona
Page 269 and 270:
∏∏∏∏∏∏∏∏∏∏∏
Page 271 and 272:
271 29 ° ¢ & bb b 2 ff Ó œ œ
Page 273 and 274:
273 œ w œ 45 opt. DESCANT f ° 3
Page 275 and 276:
secular SATB and piano 275 4 john r
Page 277 and 278:
277 4 10 things e ven mp
Page 279 and 280:
279 T. 6 29 B a tempo TENORS p cant
Page 281 and 282:
281 8 47 D pp dolce S.
Page 283 and 284:
283 10 59 mf mp E song mf
Page 285 and 286:
SONGBIRD 285 In time of silver rain
Page 287 and 288:
° ¢ & # # & # # { ° ¢ & # # {
Page 289 and 290:
SECULAR SATB unaccompanied 289 2 fo
Page 291 and 292:
° ¢ { 4 V # # V # # V ‹ ## B##
Page 293 and 294:
° ¢ { V # # 12 V # # V ‹ ## B##
Page 295 and 296:
° ¢ { V # # 21 V # # V ## ‹ B##
Page 297 and 298:
SONGBIRD 297 Over hill, over dale f
Page 299 and 300:
9 ° ¢ Vbb 299 3 ‰ Œ t œ œ
Page 301 and 302:
S. A. ° ¢ { Vbb 29 Vbb Vbb Bbb 12
Page 303 and 304:
° ¢ { { Vbb 48 Vbb Vbb Bbb Vbb 4
Page 305 and 306:
S./A. ° ¢ { rit. molto rit. 70 un
Page 307 and 308:
S./A. ° ¢ { ° ¢ { ° ¢ { ° ¢
Page 309 and 310:
309 Commissioned in memory of David
Page 311 and 312:
4 311 17 # & # # F # œ. # & # # #
Page 313 and 314:
6 33 # & # # P # œ œ œ. P # & #
Page 315 and 316:
8 315 49 # & # V ? # & ? # # Più m
Page 317 and 318:
10 317 65 # & # # # # & # # # # V #
Page 319 and 320:
12 319 81 # & # # # # & # # # # V #
Page 321 and 322:
321 TENOR 1 TENOR 2 BASS 1 BASS 2
Page 323 and 324:
323 5 T. 1 T. 2 B. 1 23 ° # & # #
Page 325 and 326:
325 41 ° # & # # 2 4 ‹ 3 œ œ
Page 327 and 328:
SECULAR 327 Unison voices, with opt
Page 329 and 330:
329 3 13 ° ¢ & # (TUTTI) (VOICE 1
Page 331 and 332:
∏∏∏∏∏∏∏∏∏∏∏
Page 333 and 334:
333 74 ° ¢ & # Dramatically q = c
Page 335 and 336:
335 for the birthday of my dear fri
Page 337 and 338:
337 5 ° & ¢ 14 & & ‹ ? œ œ ˙
Page 339 and 340:
339 24 ° & œ œ ˙ Œ ‰ peb œ
Page 341 and 342:
341 32 ° & & œ œ œ œ œ œ j
Page 343 and 344:
343 11 42 ° & bb b Ó ‰ œ j œ
Page 345 and 346:
345 50 ° 3 & bb b 2 œ poco rit.
Page 347 and 348:
347 65 ° & bœœ œ bœ œ w ˙ b
Page 349 and 350:
349 to Benjamin Nicholas and Georgi
Page 351 and 352:
351 4 27 ° & mp f mp p mp œ œ œ
Page 353 and 354:
353 6 54 ° & œ œ bœ ˙ nœ mf a
Page 355 and 356:
355 8 78 ° & & œ œ b˙ but but p
Page 357 and 358:
357 Lightly come or lightly go Jame
Page 359 and 360:
5 6 ° & œ ∑ J ‰ œ j ‰ ˙ w
Page 361 and 362:
361 7 12 ° & wast mf cresc. œ œ
Page 363 and 364:
363 9 18 ° & w Œ mf ˙ œ œ 3 œ
Page 365 and 366:
25 ° & & ? ¢ ∑ ∑ ° & ? ¢ co
Page 367 and 368:
367 13 31 ° & œ ∑ ˙ œ w vales
Page 369 and 370:
369 15 39 ° & pp œ œ œ œ bœ
Page 371 and 372:
371 17 46 ° & 3 p œ œ œ œ œ j
Page 373 and 374:
373 19 52 ° & mp œ j ‰ œ J ‰
Page 375 and 376:
375 for my beautiful Kate I carry y
Page 377 and 378:
377 4 13 mf leggiero ° & # SOLO Œ
Page 379 and 380:
379 6 20 ° & # TUTTI Your f cantab
Page 381 and 382:
381 8 27 ° & # p come sopra ˙ œ
Page 383 and 384:
383 10 35 ° & # mp p percussively
Page 385 and 386:
385 12 43 ° & # œ œ œ œ œ œ
Page 387 and 388:
387 14 1. 50 (non dim.) ° & # 3 œ
Page 389 and 390:
389 16 55 poco a poco dim. ° & # 3
Page 391 and 392:
391 18 64 ° & # w poco rall. ∑
Page 393:
For more information about any of t
show all

Choral Highlights 2019 Album Sampler

Create successful ePaper yourself

Delete template?

Save as template?