- arc ise xSirad, rogorc sxvebs. iciT, me erTi banaluri ramgavakeTe: davTvale ferebi..- ara, ara amas stilistika hqvia. es iswavleba. me mgoni, TqvenyviTels ufro SeniSnavdiT.- magram wiTelic xSiria, moZravi feria, romelic xSiradvardisferi xdeba.- marTla? ar vicodi.- es imas hgavs, dRevandli samyaros ferfli guSindeli cecxlisarom iyos. am metaforas Tqven ambobT. magaliTad, saubrobT `wiTeladamze”- iciT, sityva adami ivriTze `wiTel miwas” niSnavs. amas garda, “RojoAdán” kargad JRers araa?- diax namdvilad. magram es is araa, risi demonstrirebac TqvengindaT: samyaros degeneracia naCvenebi ferebis metaforuli gamoyenebiT,ara?- me arafris demonstrirebas ar vcdilob. [icinis] arnairi miznebiar maqvs.- ubralod aRwerT?- me aRvwer. me vwer. axla rac Seexeba yviTel fers. amas Tavisifizikuri axsna moepoveba, rodesac TvalisCini damaklda, ukanskneliferi, rac vixile, an ukanskneli feri rac gavarCie, es iyo yviTeli.yviTeli ferTa Soris yvelaze xalasia, amitomac gaqvT amerikisSeerTebul StatebSi yviTeli taqsebis kompania. Tavidan igegmebodamewamuli manqanebi, mere viRacam aRmoaCina, rom RamiT, an roca nisli iyo,yviTeli feris garCeva ufro advili iyo, amitomac gaqvT yviTelitaqsebi, nebismierma rom gaarCios. axla, roca TvalisCinma dakargvadaiwyo, samyarom ki gafermkrTaleba, megobrebma xumroba damiwyes,radganac vatarebdi yviTel halstuxebs. maT marTla egonaT, rom esmomwonda, arada isini namdvilad metismetad naTeli iyo.. mec vuTxarimaT: `diax, es kaSkaSa feria TqvenTvis, magram ara CemTvis, radganac espraqtikulad erTaderTi ramaa, rasac vxedav!” me nacrisfer samyaroSivcxovrob, vercxlisfrad dafarul samyaroSi, romelSic yviTeligamoirCeva.”126
(“-Would you say that it is the same reason—superstition—that causes you to use the samecolors—red, yellow, green—again and again?-But do I use green?-Not as often as the others. But you see I did a rather trivial thing, I counted the colors in . .-No, no. That is called estilística; here it is studied. No, I think you'll find yellow.-But red, too, often moving, fading into rose.-Really? Well, I never knew that.-It's as if the world today were a cinder of yesterday's fire—that's a metaphor you use. Youspeak of “Red Adam,” for example.-Well, the word Adam, I think, in the Hebrew means “red earth.” Besides it sounds well, no?“Rojo Adán.”-Yes it does. But that's not something you intend to show: the degeneration of the world bythe metaphorical use of color?-I don't intend to show anything. [Laughter.] I have no intentions.-Just to describe?-I describe. I write. Now as for the color yellow, there is a physical explanation of that. WhenI began to lose my sight, the last color I saw, or the last color to stand out was yellow because itis the most vivid of colors. That's why you have the Yellow Cab Company in the United States. Atfirst they thought of making the cars scarlet. Then somebody found out that at night or whenthere was a fog that yellow stood out in a more vivid way than scarlet. So you have yellow cabsbecause anybody can pick them out. Now when I began to lose my eyesight, when the worldbegan to fade away from me, there was a time among my friends . . . well they made, they pokedfun at me because I was always wearing yellow neckties. Then they thought I really liked yellow,although it really was too glaring. I said, “Yes, to you, but not to me, because it is the only colorI can see, practically!” I live in a gray world, rather like the silver-screen world. But yellowstands out…”) 1rogorc vxedavT, mwerlis mier ferebis aRqmis procesi mWidrodaris dakavSirebuli mis pirad tragediasTan, romelmac misSemoqmedebasac daatyo kvali. Tuki gaviTvaliswinebT imas, rom mwerals1 “The Paris Review “, ronald kristis interviu, romlic man mwerals 1966 wlis ivlisSiCamoarTva, xelmisawvdomia veb-gverdze: http://www.theparisreview.org/interviews/4331/the-art-offiction-no-39-jorge-luis-borges;Tavad statia daibeWda Jurnalis 40-e nomerSi 1967 wels;127
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in Buenos Aires: A Memoir, Universi
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