InternatIonal SIngIng ConteSt of ItalIan opera - Radio Swiss Classic

datum unterschrift
date · data signature · Firma
name · nome
name
die anmeldung ist verbindlich. Bei Verhinderung bitte absagen.
The registration is binding. Please notify in case of prevention.
Questa iscrizione e impegnativa. in caso di impedimento si è pregato di disdire.
mit meiner unterschrift erkläre ich mich mit den in der Broschüre abgedruckten Teilnahmebedingungen einverstanden.
With my signature i agree irreversibly with the conditions of participation.
Con la mia firma mi dichiaro d’accordo con le condizioni di partecipazione.
eine Kopie des reisepass/ Personalausweis ist der anmeldung als Kopie beizufügen.
a copy of your valid passport must be enclosed to the registration.
Vi pregiamo di aggiungere una copia del documento alla domanda.
The participation fee of eur 50 for the audition and another eur 50 for the participation in the contest from the semifinal on has to be paid cash in the organization office upon the opening day of each
audition. The fee can not be reimbursed in case of being prevented. The organizers are entitled to refuse any application without declaration of reason.
la tassa di partecipazione di eur 50 per il preliminario ed altri eur 50 per la partecipazione al concorso dal semifinale dev’essere pagata il primo giorno del concorso individuale rispettivo nell’uffico degli
organizzatori. la tassa non può essere restituita in caso di impedimento. Gli organizzatori sono autorizzati di rifiutare l’iscrizione senza dichiarazione dei motivi.
die Teilnahmegebühr 2010 beträgt eur 50 für die Vorrunde und weitere eur 50 für die Teilnahme am Wettbewerb ab dem semifinale und ist am Tag der jeweiligen
Vorrunde in bar im organisationsbüro zu entrichten. Bei nachträglicher Verhinderung eines Teilnehmenden kann die anmeldegebühr nicht rückerstattet
werden. die Veranstalter sind berechtigt, die anmeldung ohne angaben von Gründen abzulehnen.
die angegebenen arien sind mit der anmeldung verbindlich.
The arias submitted along with the registration form are binding.
le arie presentate qui sono impegnative con l’iscrizione.
Korrepetitor wird benötigt eigener Korrepetitor
répétiteur needed · ripetitore richiesto own répétiteur · ripetitore personale
28 Internationaler Gesangswettbewerb der italienischen Oper
29
6 arie nach freier Wahl
aria of own choice
aria a scelta libera
5 arie nach freier Wahl
aria of own choice
aria a scelta libera
4 Pflichtarie
Compulsory aria
aria obbligatoria
SPOKESMEN OF THE BOARD AND
COMMITTEE
Hans-Joachim Frey | General Director
Bremer Theater
Dr. Jürgen B. Mülder | Partner Board
Consultants International
FURTHER MEMBERS OF THE
BOARD
Dr. Stephan Kieselstein | KIESELSTEIN GmbH
Manfred Freimüller | SBS Bühnentechnik
Geert W. Mackenroth | Member of the State
Parliament, former Minister of the State
of Saxony
Dr. Wilhelm Zörgiebel | Grundbesitz
Hellerau GmbH
MANAGEMENT
Christian Illgen
Rica Wagner-Freudenberg
3 Pflichtarie
Compulsory aria
aria obbligatoria
2 Pflichtarie
Compulsory aria
aria obbligatoria
1 Pflichtarie
Compulsory aria
aria obbligatoria
Composer · Compositore
Opera · Opera
Beginning of the aria · L’inizio dell‘aria
Komponist
Oper
Arie
die sechs von mir gewählten arien sind my six prepared arias · le sei arie scelte de ma sono
Für den Wettbewerb hat jeder Teilnehmende sechs arien in italienischer sprache und originaltonart auswendig vorzubereiten:
vier Pflichtarien und zwei arien nach freier Wahl. Jede arie muss einer anderen oper entnommen sein.
For the contest every participant has to prepare six arias in italian and original key by heart: four compulsory arias and two free choice arias. every aria must be taken from a different opera.
Per il concorso ogni partecipante deve prepare sei arie in lingua italiana e in tonalità originale: quattro arie obbligatorie e due arie a scelta libera. ogni aria dev’essere presa da un’altra opera.
The FORUM TIBERIUS was founded in 2003 as the International Forum for Culture
and Business in order to begin a dialogue between culture and business.
An active network consisting of persons engaged in the cultural sector and
representatives from business and politics should give important impulses to
support innovative artist advancement and create modern synergetic effects
between culture and business. „What can culture do for business?“ is the provocative
leading question in the debate of the FORUM TIBERIUS. A quadriga of
culture, business, politics and science is giving answers.
By utilizing top-class lecture events, concerts, and creating opportunities for
the advancement of artists the FORUM TIBERIUS positions itself as a unique
institution in Germany.
EVENTS
Our events seek to connect the business of today with the culture of our time.
Top class speakers from business, politics, science and culture allow members
an insight to actual topics with social relevance. These speeches are annually
documented in a book to bring the dialogue to the public.
It is important for us to have a good communication between both the business
and the cultural communities. Therefore, the FORUM TIBERIUS creates a
unique atmosphere of speakers punctuated by musical performances in the
extraordinary ambiance of the “Kajo Schommer Lounge” directly at the Frauenkirche.
The dynamic of the projects, collaborations and events has exceeded
the frontiers of Saxony and Germany.
INTERNATIONAL COMPETITIONS
Advancement of young artists is future-oriented and one significant part of the
philosophy of the FORUM TIBERIUS. The Forum runs one of the world’s biggest
privately financed young artist programs. The principle of collective platforms
is used for a global advancement of the best young artists. In that way the
FORUM TIBERIUS provides an international stage for these young artists so
that they may have the opportunity to advance their careers.
The “Competizione dell’Opera” garnished a reputation as one of the most
famous competitions of classical belcanto. In addition to the singing contest
the Forum initiated the International Piano Competition “Anton G. Rubinstein”
in 2003 which draws every second year young piano virtuosos from all over the
world to Dresden.
The culture comes back where it took its beginning: in the society and in the
care of the mind and senses.