Cindy Sherman - Retrospective (Art Photo Ebook)

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Acknowledgments218 \\ c would like to thank numerous people on the staffs of la moca andmca, Chicago, who worked together to produce this exhibition.Foremost among these were moca Director Richard Koshalek and mcaDirector Kevin E. Consey, who provided support and guidance fromthe inception of this project.At moca, we thank Robert Hollister, Registrar, for his skillfuland patienthandling of logistics relative to the exhibition's transportation and carethroughout the tour. Assistant Curator Alma Ruiz and Assistant DirectorKathleen S.Bartels provided crucial guidance and help with matterssurrounding the tour. Exhibition Production Manager John Bowsherand the moca preparators installed the works with their usual care andexpertise. Dawn Setzer, Assistant Director of Communications,Media Relations, expertly coordinated publicity for the exhibition, as didDirector of Education Kim Kanatani and her staff with regard toeducational programming. Erica Clark, Director of Development; EdPatuto, Associate Director of Development; Jody Rassell, CorporateGifts Manager; Chris McCabe, Grants Manager; and Kathleen Johnson,Grants /Associate all contributed to the generation of funding for theexhibition. Additional thanks are extended to Paul Schimmel,Chief Curator, for his encouragement and support. Curatorial AssociateColette Dartnall deserves foremost thanks for her role in overseeingloans and coordinating numerous matters pertaining to research andorganization of this project.At the mca, Associate Director and Chief Operating Officer JaneanneUpp and Chief Financial Officer Janet Alberti gave crucial financialadvice. Director of Development Carolyn Stolper Friedman and DeputyDirector of Development Christopher Jabin and their staff vigorouslypursued funding sources. Lori Kleinerman, Director of Marketing;Maureen King, Director of Public Relations; and Michael Thomas,Assistant Director of Public Relations promoted the exhibition. Directorof Education Wendy Woon and her staff produced imaginativepublic programs. The Collections and Exhibition Divisions under LelaHersh, Director, Collections and Exhibitions, and Chandra King,Registrar, Exhibitions deserve thanks for handling the registrarial detailsof the exhibition.
Manager of Exhibition Installation Don MeckleratorMykl Ruffino, and their crew installed the show with thei ial skill, andMuseum Technical Specialist Dennis O'Shea lir it beautiful!Curator Dominic Molon proved invaluable. .1- alvs irkon countless details. Curatorial Interns Joshua Hirsch and Rebecca Kuninprovided research assistance.For their excellent editorial and design efforts on this publication,we are grateful to Donald Bergh, Director of Design and Publications;219Amy Teschner, Associate Director of Publications; Jennifer Boeder,Editorial Coordinator; Kari Dahlgren, Editorial Assistant; MeredithBergman, Editorial Intern; and Margaret Kujawa, Design Intern.Our special thanks go to Janelle Reiring, Helene Winer, Tom Heman,and Jeff Gauntt of Metro Pictures for their assistance on so many fronts.Michael Scalisi deserves our gratitude for his help.Our warmest thanks go to Cindy Sherman, whose generosity, humor,and thoughtfulness made working on this exhibition an absolute joy andwhose work it is an honor to present.AM ADA CRUZManilow Curator of ExhibitionsMuseum of Contemporary Art, ChicagoELIZABETH A. T. SMITHCuratorThe Museum of Contemporary Art, Los Angeles
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Retrospecti
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Exhibition TourThe Museum of Contem
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Cindy Sherman: Retrospective waspub
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ForewordIt is with pleasure that ou
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Lenders to the ExhibitionThe Birmin
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figure i 2I.
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aprophetic 1975 series of five phot
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esire mixed with nostalgia fuels th
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Centerfolds or Horizontals, 1981Whi
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rashion, 1983, 1984, 1993, 1994>maj
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sters, 1986-89; the Middle Ages, We
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jges, however, in her portrayals of
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Sex Pictures have been compared wit
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5l Susan J.Douglas, Where theYork:
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figure 1
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20figure 2- ',.,/,'., /^r \,i // t/
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980s and again in the mid-1990s. Ma
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ore recent works of the mid-1990s i
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urrogates confounding rhe distincti
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didcould;idtheir common fascination
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i3Q1 The inscription on the1995), x
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figure 1
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] this essay, I want to offer an hi
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>le:"[ojmnivoyance, Western Europe'
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out upon the world and places me in
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amson and Doane noted between "imag
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figure 9Barbara KrugerUntitled (You
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and Sherman's History Picture proje
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figure 14Lynda BenglisParenthesis,
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figure 17Cindy ShermanUntitled #^4F
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iAs Abigail Solomon-GodeauCindy She
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Page 220 and 221: Jurgen Klauke— Cindy Sherman,Rega
Page 222 and 223: Selected Bibliography!208 978Four A
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Page 226 and 227: Guiliano, Charles. "CindySherman."
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Page 230 and 231: Felix, Zdenek et al. CindyLobacheff
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