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Cindy Sherman - Retrospective (Art Photo Ebook)

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I

racing the Subject

with

c

ukK Sherman

figure n

Cindy Sherman

Untitled #2T$, 1989

Collection of The Birmingham

Museum of Art, Birmingham,

Alabama; Museum purchase

with funds provided by

the Acquisitions Fund and

43

Rena Hill

Selfe

figure 11

The Hole Eye: The Dissolution and Particularization of the Body/ Self

The History Pictures seem to me to mark in interesting ways the transition

from a projective eye to a

"hole eye," from a perspectival rendering

of (female) bodies in architecturally conceived spaces (two-dimensional

renderings of three-dimensional containers), to a free-fall explosion

of dissolved bodies in non-perspectival, metaphorically open space. The

History Pictures are still, in fact, "pictures" as this is generally

understood (two-dimensional, rectangular in shape, vertical in emphasis

like the standard portrait) but, even lodged within the frame with

their deployment of obviously fake body parts, they begin to suggest what

has been called a kind of formlessness: the pictures elaborate a

slippage of body parts downward, which has been said to suggest "the

field of a desublimatory, horizontal axis that erodes the facade of the vertical,

bearing witness to the fact that behind that facade there lies

transparency of Truth, of meaning, but the opacity of the bod) *s

not the

matter,

which is to say the formless."' 8 But this "formlessness" of the bod)

is not vague or abstract but always ahead) experienced in its particularity,

as I interpret Sherman's exacerbatedl) artificial personae (clearly

marked in terms of gender and class m the Histor) Pictures) .is suggesting.

Further, Sherman's practice seems to me to put the lie

to the idea

th.it the body, its representations, or its orientation are facades hiding the

opacit) <>r formlessness of the bod) (themselves offered as a kind ol

"truth" m the above

>.

laim).

Rather, \\ hile the f //<///<•/ / ilm Stills seem to

enact the female) subject as an effeci of a projective vision (a "subject"

paradoxicall) defined through objecthood via an external I

Raze), undei

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