Cindy Sherman - Retrospective (Art Photo Ebook)

5
l Susan J.
Douglas, Where the
York: Times Books, 1994), 13. (July/August 1995): 6.
Girls Are: Crowing up Female George Howell, "Anatomy of
with the Mass Media (New
an Artist," Art Papers 19, no. 4
2 Cindy Sherman, interview by
15 Cindy Sherman, in Cindy
Noriko Fuku in
"Interview with
Sherman, exhibition catalogue
Cindy Sherman." Cindy
Sherman, exhibition catalogue
(Shiga, Japan: Museum of
Modern Art, 1996), 163.
16
(Shiga, Japan: Museum of
Modern Art, 1996), 161.
3 Sherman, interview by
George Howell, "Anatomy of
an Artist," Art Papers 19, no. 4
(July/August 1995): 7.
4 Cindy Sherman, in a May 6,
1997 conversation with the
16 The series titles so commonly
associated with Cindy
Sherman's work were not
assigned by the artist herself;
rather, they originated with art
critics and others following
individual exhibitions. The only
series title assigned by Cindy
Sherman to a group of her
author.
works is
Untitled Film Stills.
5 Phyllis Rosenzweig,
Directions— Cindy Sherman:
17 Barbara Kruger,
"Incorrect," in
Remote Control:
Film Stills
(Washington, DC:
Power, Culture, and the World of
Hirshhorn Museum and
Sculpture Garden, Smithsonian
Institution, 1995), unpaginated
Appearances (Cambridge and
London: The MIT Press, 1993),
220.
brochure.
18 Cindy Sherman, in Cindy
6 Sherman, interview by
George Howell, "Anatomy of
an Artist," Art Papers 19, no. 4
Sherman (Shiga, Japan:
Museum of Modern Art, 1996),
163.
(July/August 1995): 7.
19 Susan J.
Douglas, Where
7 Stuart and Elizabeth Ewen,
Channels of Desire: Mass Images
and the Shaping of American
Consciousness (Minneapolis:
the Girls Are: Growing up
Female with the Mass Media
(New York: Times Books,
1994), 204-206.
University of Minnesota Press,
1992), 70.
20 Craig Owens, "The
Discourse of Others: Feminists
8 Ibid.
and Postmodernism," in
Anti Aesthetic: Essays of
The
9 Susan J.
Douglas, Where the
Postmodern Culture,
Hal Foster,
Girls Are: Growing up Female
with the Mass Media (New
ed. (Seattle: Bay Press, 1983),
75-
York: Times Books, 1994),
46-48.
21 Cindy Sherman, in Cindy
Sherman, exhibition catalogue
10 Judith Williamson,
Consuming Passions (London
(Shiga, Japan: Museum of
Modern Art, 1996), 165.
and New York: Marion Boyars
Publishers, 1986), 91.
22 Amelia Jones,
"Postfeminism, Feminist
11 Ibid., 92.
Pleasures, and Embodied
Theories of Art," in New
12 Arthur Danto, Cindy
Sherman: Untitled Film Stills
Feminist Criticism: Art,
Action, Joanna Frueh,
Identity,
(New York: Rizzoli, 1990), 9.
Cassandra L.
Langer, and
Arlene Raven, eds. (New York:
13 Ibid., 11.
HarperCollins Publishers, Inc.,
!994). 34-