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Cindy Sherman - Retrospective (Art Photo Ebook)

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[racing the Subjeci visible unless he is possessed by it, unless he is of it . . .

" i8

Fully

( i.kK Sherman

technologized through photography, we must recognize our participation

in

the effects of such seeing.

This rumination offers itself as a provisional and suggestive formulation.

It revels in its failure to cohere into a convincing new picture of

Sherman, just as it

reads her work as strategically failing to cohere the

(female) subject and, in so doing, assisting in the production of a new eye:

one that embraces rather than penetrates, one that sucks and gleams 49

rather than projecting, one that offers the possibility of new subjects of

vision who mold themselves into the intersubjective mask of blackness

(for example) rather than attempting to master blackness as other. 59

At the

same time, I take Sherman's work as a challenge to acknowledge the

contingency of my readings on my very pointed (feminist) investments

and desires.

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