Huidige selectiecriteria en de online documentaire HOOFDSTUK 4 ...

LITERATUUR
Aarseth, Espen. Cybertext: Perspectives on Ergodic Literature. Baltimore: John Hopkins
University Press, 1997.
Baker, Drew and David Anderson. “Laying a Trail of Breadcrumbs – Preparing the Path for
Preservation.” The Preservation of Complex Objects. Volume 1: Visualisations and Simulation.
Eds. Janet Delve, David Anderson, Milena Dobreva, Drew Baker, Clive Billenness, Leo
Konstantelos. 15-23 (2012).
Bazin, Andre. “The Ontology of the Photographic Image.” (1945) Film Quarterly, 13:4 (1960),
4-9.
Eitzen, Dirk. “When Is a Documentary?: Documentary as a Mode of Reception.” Cinema Journal
35, no. 1 (1995)
Gaudenzi, Sandra. “Interactive Documentary: towards an aesthetic of the multiple” werktitel
van een ongepubliceerd promotie onderzoek. Geraadpleegd op 29/3/2012 op www.
interactivedocumentary.net
Jenkins, Henry. Convergence culture: where old and new media collide. New York University:
New York, 2006.
Lenoir, Tim. “Haptic Vision: Computation, Media, and Embodiment in Mark Hansen’s New
Phenomenology.” In New Philosophy for New Media. Mark Hansen. London: MIT Press, 2006.
xiii-xxviii
Lister, Martin, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly. New Media: A Critical
Introduction. New York: Routledge, 2009.
Mackenzie Owen, John. “Preserving the digital heritage: roles and responsibilities for heritage
repositories.” in: Preserving the digital heritage Red: Yola de Lusenet, Vincent Wintermans.
2007 Netherlands National Commission for UNESCO, Amsterdam.
Malssen, Kara Van. Planning Beyond Digitization: Digital Preservation of Audiovisuel Collections.
In Zorgen Voor Onzichtbare Assets, red. Annemieke de Jong. Instituut voor Beeld en Geluid,
2011. 70-91
Meerbeeck, Phillipe van. “De toekomst van de documentaire: Don’t Look Back.” In: 609 cultuur
en media, november 2011, 4-6.
Nichols, Bill. “Getting to Know You...”: Knowledge, Power, and the Body” In Theorizing
47 | 48