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BURAKA SOM SISTEMA - Câmara Municipal de Oeiras

BURAKA SOM SISTEMA - Câmara Municipal de Oeiras

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E<br />

entrevista<br />

interview<br />

Se <strong>de</strong>terminada música vai mais<br />

para o house, o tecno ou o kuduro,<br />

bem, isso não é importante para<br />

nós. Gerimos a musicalida<strong>de</strong> <strong>de</strong><br />

canção para canção.<br />

If a certain song is more house,<br />

techno or kuduro, well, that’s not<br />

important to us. We manage the<br />

musicality of each song.<br />

10 { 30 Dias em <strong>Oeiras</strong> Jul. Agt’12<br />

society and thus it was easy to communicate with the world<br />

and to receive direct feedback. At one stage we had our town,<br />

the world waiting for our news, to see what we had to give.<br />

And we’ve chosen, at the time, making our first CD with 700<br />

copies. From that moment on started our concern to make<br />

records with i<strong>de</strong>ntity, with aesthetics…<br />

And didn’t you look at each other and before such appropriation<br />

of your music you thought: this is for real!<br />

J-Wow: No, we weren’t so surprised. In fact, when music is<br />

ma<strong>de</strong> for real, with all the feeling and we place it our experience,<br />

I believe that it turns out to work. When you live in<br />

Amadora, but what we like exactly is Jamaica and we want<br />

to do reggae maybe may be not work so well. That makes<br />

no sense to us, because it only makes sense if we manage to<br />

i<strong>de</strong>ntify closely with what we do. And going back to your<br />

question, I was not surprised with the success and I was not<br />

surprised when we went to London and it was a success<br />

because I think there is in the world a search for everything<br />

that is different. I felt we had something new in hands.<br />

For your last work you’ve been closed in Monchique during<br />

four weeks, how was this process? After these four<br />

weeks are you still good with each other?<br />

Kalaf: (laughter) Well… after six years we know each other<br />

pretty well. We know how to <strong>de</strong>al with each other. We are<br />

not the kind of band that seeks to do everything together.<br />

There are points of contact, we must work together, take the<br />

plane, driving on the road together, but when we are at home<br />

each one follows his life, with friends and family. We get<br />

together well, but we don’t live always together.<br />

But who is more difficult to put up with? Who has the<br />

worst temper?<br />

Kalaf: It <strong>de</strong>pends. If we have a task there is always one that<br />

goes up to the last consequences and the other who won’t<br />

until the last consequences. And the one that goes up to the<br />

last consequences can bring up any intransigence, some<br />

stubbornness that cannot be un<strong>de</strong>rstood as `good temper’.<br />

But we know how to cope well with because we know each<br />

other long enough.<br />

J-Wow: Honestly, I guess it’s me the most grumbler.<br />

Your songs are quite sensual and even have a sexual connotation.<br />

Is it something purposeful or it’s very connected<br />

to kuduro, which is a type of music/dance sexy in itself?<br />

(Laughter of both followed by a pause)<br />

Kalaf: I don’t agree, I mean, I want to pick up on what you said<br />

about kuduro: when we make music we do not have kuduro<br />

in mind.<br />

What do you have in mind?<br />

Kalaf: Dance music. It’s here where we are. But, if a certain

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