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Contos do Norte, de João Marques de Carvalho

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Da 2.ª parte—Objectivismo, commoveram-nos principalmente as duas narrativas Mater<br />

<strong>do</strong>lorosa e A filha <strong>do</strong> Pagé, a historia entristece<strong>do</strong>ra <strong>de</strong> uma mãe que vê o filho enguli<strong>do</strong><br />

pelo gigante rio <strong>do</strong> <strong>Norte</strong> e a <strong>de</strong> um velho indio que chora a filha <strong>de</strong>shonrada. Estes <strong>do</strong>is<br />

contos confirmam-nos na crença <strong>de</strong> que é, quan<strong>do</strong> menos, inutil para a arte a distincção<br />

entre subjectivismo e objectivismo. Se o auctor logra transmittir a quem o lê a emoção<br />

espontanea ou reflexa <strong>de</strong> que se acha possui<strong>do</strong> (e é o caso <strong>do</strong> sr. <strong>Marques</strong> <strong>de</strong> <strong>Carvalho</strong>),<br />

a obra é verda<strong>de</strong>ira; se não logra, a obra é falsa, porque, em to<strong>do</strong> caso, é sempre o<br />

objectivismo <strong>do</strong> leitor que julga em ultima instancia.—S. R.<br />

End of Project Gutenberg's <strong>Contos</strong> <strong>do</strong> <strong>Norte</strong>, by <strong>João</strong> <strong>Marques</strong> <strong>de</strong><br />

<strong>Carvalho</strong><br />

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