speech: 21 community centre
ISBN 978-3-86859-848-3 https://www.jovis.de/de/buecher/product/speech-21.html
ISBN 978-3-86859-848-3
https://www.jovis.de/de/buecher/product/speech-21.html
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16–18 Центр музыки и танца<br />
в Ашкелоне, Израиль,<br />
в стадии строительства, 2012 /<br />
Music and Dance center in Ashkelon,<br />
Israel, in progress, 2012<br />
17<br />
© Manuelle Gautrand Architecture<br />
<strong>centre</strong> is intended equally for several different<br />
communities who will co-exist peacefully within a<br />
single building.<br />
A M Did this complex work take account of<br />
the desires of the communities themselves?<br />
M G Yes, of course, the project was intensively<br />
discussed with its future users. For instance,<br />
the local residents asked for more co-working<br />
spaces to be included in the complex. And<br />
restaurants too — in view of the fact that the<br />
project initially offered just one cafeteria. In<br />
Ashkelon in Israel, meanwhile, we are currently<br />
designing a philharmonic hall, and the hall’s<br />
future users have had a direct influence on its<br />
functional programme. You probably know<br />
that Ashkelon has a very large and influential<br />
Russian diaspora, and it is this diaspora that<br />
initiated the creation of a new philharmonic<br />
hall to accommodate all types of classical<br />
performing arts — ballet, music, opera, and<br />
theatre. And then they lobbied for a significant<br />
enlargement of the project: they wanted there<br />
to be room for everything, including sufficient<br />
spaces for activities with children. We looked<br />
for an adequate form for bringing together<br />
all genres and generations; so we rejected<br />
corridors and created a single large 35-metrehigh<br />
atrium with all the rooms situated around,<br />
and oriented on, this multi-height, truly<br />
18<br />
© LUXIGON<br />
<strong>21</strong> <strong>speech</strong>: portrait<br />
169