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speech: 21 community centre

ISBN 978-3-86859-848-3 https://www.jovis.de/de/buecher/product/speech-21.html

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16–18 Центр музыки и танца<br />

в Ашкелоне, Израиль,<br />

в стадии строительства, 2012 /<br />

Music and Dance center in Ashkelon,<br />

Israel, in progress, 2012<br />

17<br />

© Manuelle Gautrand Architecture<br />

<strong>centre</strong> is intended equally for several different<br />

communities who will co-exist peacefully within a<br />

single building.<br />

A M Did this complex work take account of<br />

the desires of the communities themselves?<br />

M G Yes, of course, the project was intensively<br />

discussed with its future users. For instance,<br />

the local residents asked for more co-working<br />

spaces to be included in the complex. And<br />

restaurants too — in view of the fact that the<br />

project initially offered just one cafeteria. In<br />

Ashkelon in Israel, meanwhile, we are currently<br />

designing a philharmonic hall, and the hall’s<br />

future users have had a direct influence on its<br />

functional programme. You probably know<br />

that Ashkelon has a very large and influential<br />

Russian diaspora, and it is this diaspora that<br />

initiated the creation of a new philharmonic<br />

hall to accommodate all types of classical<br />

performing arts — ballet, music, opera, and<br />

theatre. And then they lobbied for a significant<br />

enlargement of the project: they wanted there<br />

to be room for everything, including sufficient<br />

spaces for activities with children. We looked<br />

for an adequate form for bringing together<br />

all genres and generations; so we rejected<br />

corridors and created a single large 35-metrehigh<br />

atrium with all the rooms situated around,<br />

and oriented on, this multi-height, truly<br />

18<br />

© LUXIGON<br />

<strong>21</strong> <strong>speech</strong>: portrait<br />

169

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