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THE NATIONAL FILM WEEKLY<br />
PIBIISHED IN NINE SECTIONAL EOITIONS<br />
BEN SHLYEN<br />
Editor-in-Chief and Publisher<br />
JAMES M. lERAULD Editor<br />
NATHAN COHEN Executive Editor<br />
JESSE SHLYEN Managing Editor<br />
IVAN SPEAR<br />
Western Editor<br />
FLOYD M. MIX Equipment Editor<br />
General Manager<br />
RAYMOND LEVY<br />
Published Every Saturday by<br />
ASSOCIATED PUBLICATIONS<br />
Editorial Oilices: 9 Rockefeller Plaza, New York 2U.<br />
N. Y. Raymond Levy, General Manager; James M.<br />
Jerauld, Editor; Chester Friedman, Editor Showmandiser<br />
Section; A. J. Stocker, Eastern Representative.<br />
Telephone Columbus 5-6370, 5-6371, 5-6372. Cable<br />
address: "BOXOFFICE, New York."<br />
Central Oliices: 624 South Michigan Av«.« Chicago<br />
5, 111. Jonas Perlberg, Manager; Ralph F. Scholbe,<br />
Central Representative. Telephone WEBster 9-4745.<br />
Western Oliices: 6404 Hollywood Blvd., Hollywood<br />
28, Calif. Ivan Spear, Manager. Telephone GLadstone<br />
1186.<br />
Washington Oiiices: 6417 Dahlonega Road, Alan Herbert,<br />
Manager. TelephoBe, Wisconsin 3271. Filmrow:<br />
932 New Jersey, N. W. Sara Young.<br />
London Oiiices: 136 Wardour St., John Sullivan, Manager.<br />
Telephone Gerrard 3934-5-6.<br />
PublicalioD Oiiices: 825 Van Brunt Blvd., Kansas City<br />
1, Mo. Nathan Cohen, Executive Editor; Jesse Shlyen,<br />
Managing Editor; Morris Schlozman, Business Manager.<br />
J, Herbert Roush, Manager Advertising Sales<br />
and Service. Telephone CHestnut 7777-78.<br />
Other Publications; BOXOFFICE BAROMETER, published<br />
in November as a section of BOXOFFICE;<br />
THE MODERN THEATRE, published monthly as a<br />
section of BOXOFFICE.<br />
ALBANY—21-23 Walter Ave., M. Berrigan.<br />
ATLANTA— 163 Walton. N. W., P. H. Savin.<br />
BIRMINGHAM—The News, Eddie Badger.<br />
BOfflON-Frances W. Harding, Lib. 2-9305.<br />
BUFFALO- 157 Audubon Drive, Snyder, Jim Schrader.<br />
CHARLOTTE—216 W. 4th, Pauline Griffith.<br />
CINCINNATI—4029 Reading Rd., LiUian Lazarus.<br />
CLEVELAND—Elsie Loeb, Fairmount 0046.<br />
DALLAS—4525 Holland, V. W. Crisp, J8-9780<br />
DENVER— 1645 Lafayette, Jack Rose, TA 8517.<br />
DES MOINES— Register & Tribune Bldg., Russ Schoch.<br />
DETROIT— 1009 Fox Theatre Bldg., H. F. Reves.<br />
Telephones: WOodward 2-1100; Night, UN-4-02I9.<br />
HARTFORD- 109 Weslborne, Allen Widem.<br />
HARRISBURG, PA.—Mechanicsburg, Lois Fegan.<br />
INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux,<br />
MIAMI—66 S. Hibiscus Island, Mrs. Manton E. Harwood.<br />
2952 Merrick Rd., Elizabeth Sudlow.<br />
MEMPHIS—707 Spring St., Null Adams, Tel. 48-5462.<br />
MILWAUKEE—3057 hfo. Murray Ave., John E. Hubel.<br />
WO 2-0467.<br />
MINNEAPOLIS— 29 Washington Ave. So., Les Rees.<br />
NEW HAVEN—42 Church St., Gertrude Lander.<br />
NEWARK, N. J.—207 Sumner, Sarct Carleton.<br />
NEW ORLEANS—Frances Jackson, 218 So. Liberty.<br />
OKLAHOMA CITY—216 Terminal Bldg., Polly Trindle<br />
OMAHA— Omaha World-Herald Bldg., Lou Gerdes.<br />
PHILADELPHIA—5363 Berks St., Norman Shigon.<br />
PITTSBURGH—86 Van Braam St., R. F. Klingensmith<br />
PORTLAND, ORE.—Edward Cogan, Nortonia Hotel,<br />
llth and Stark.<br />
RICHMOND—Grand Theatre, Sam Pulliom.<br />
ST. LOUIS—5149 Rosa, David Barrett, FL-3727.<br />
SALT LAKE CITY—Deseret News, Howard Pearson.<br />
SAN ANTONIO—211 Cadwalder St., San Antonio<br />
L. J. B. Kelner.<br />
SAN FRANCISCO — 25 Taylor St., Gail Lipman,<br />
ORdway 3-4612.<br />
SEATTLE—928 N. 84th St., Willard Elsey.<br />
TOLEDO—4330 Willys Pkwy., Anna Kline, LA 7176.<br />
IN CANADA<br />
CALGARY—The Albertan, Wm, Campbell.<br />
MONTREAL—4330 Wilson Ave., N. D. G., Roy Carmichael.<br />
Walnut 5519.<br />
ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />
TORONTO—R. R. No. I, York Mills, Milton Galbraith.<br />
VANCOUVER- 411 Lyric Theatre Bldg., Jack Droy.<br />
VICTORIA—938 Island Highway, Alec Merriman.<br />
WINNIPEG—The Tribune, Ben Lepkin.<br />
Member Audit Bureau of Circulations<br />
Entirid as Seconil Class matter at Post Otfict, Kansas City, Mo.<br />
SKtiotml Edition, $3.00 per year; National Edition, $7.50<br />
OXOFFICE<br />
LIF THOSE RESTRAINTS<br />
7 •^^ HE evidence has been building up for a long<br />
time that concerted and aggressive action will be undertaken<br />
by the industry in combatting unfair and discriminatory taxai<br />
tion. This is further emphasized in remarks made by Eric<br />
Johnston in his address at the convention of the Theatre Own- i<br />
ers of America, as follows:<br />
"Through collaborative effort, we can do more than improve the good<br />
name of the industry. We can also improve its good fortune. It is time<br />
vre stopped being easy marks on the tax front—the favorite target for<br />
taxation in Washington, in state capitals, and in municipalities.<br />
"We are perfectly willing to carry our share of the tax load. We<br />
|<br />
always have. But we do complain—and rightly— at being singled out<br />
for unfair and discriminatory taxes. I think we are on solid ground with<br />
a two-fold position on discriminatory taxation.<br />
"First, the motion picture is a free medium of expression which<br />
should have the same rights as the press, and should receive equal \<br />
treatment at the hands of all legislatures.<br />
"Second, the motion picture is not a luxury. It is a necessity. Here in<br />
America, as elsewhere around the world, it fills a vital public need in<br />
bringing information, entertainment and relaxation to the great masses<br />
of people. Stalin and Tito wouldn't be buying American films—far from<br />
it—unless they clearly recognized the motion picture as a necessity.<br />
"We have already joined hands against the wartime federal admissions<br />
tax which lays so unfair a burden on the moviegoing public. It was<br />
one of the first evidences of this growing spirit oi collaboration within<br />
our industry."<br />
Charles Sawyer, secretary-of the U,S- Department of Commerce,<br />
addressing the same group, held out a vague assurance<br />
on the possibilities of tax reduction when he declared,<br />
"There is general agreement that wartime excise taxes should<br />
be repealed as soon as possible." What made this vague was<br />
the qualification: "Here, as elsewhere, the problem for the<br />
government is to replace or lose the revenue which comes<br />
from this source. At a time when we are undertaking to stimulate<br />
consumer expenditures, we should survey carefully the<br />
possibility of reducing taxes which discourage such expenditures."<br />
Mr. Sawyer made no comment on the fact that, through<br />
increased consumer expenditures, which would result from<br />
the elimination of nuisance taxes, the government treasury<br />
would be replenished by added tax income derived from increased<br />
business profits and higher personal incomes.<br />
However he concurred with Mr. Johnston on the vital pubhe<br />
need of the motion picture when he said, "We in America<br />
have a stake in the maintenance of the solvency and strength<br />
of the movie industry. We w^ant to make life in America pleasant,<br />
and you make one of the great contributions to that end.<br />
In order that you may continue, you must operate your business<br />
at a profit." There will be wide agreement with that.<br />
Of further significance is this parallel to Mr. Johnston's<br />
remarks:<br />
"In America, motion pictures are produced without (federal) censorship,<br />
without control of subject matter by the government. They are as<br />
free as our press. In nearly every other country of the world the motion<br />
picture lies under the heavy hand of government regulation ... I know<br />
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