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THE NATIONAL FILM WEEKLY<br />

PIBIISHED IN NINE SECTIONAL EOITIONS<br />

BEN SHLYEN<br />

Editor-in-Chief and Publisher<br />

JAMES M. lERAULD Editor<br />

NATHAN COHEN Executive Editor<br />

JESSE SHLYEN Managing Editor<br />

IVAN SPEAR<br />

Western Editor<br />

FLOYD M. MIX Equipment Editor<br />

General Manager<br />

RAYMOND LEVY<br />

Published Every Saturday by<br />

ASSOCIATED PUBLICATIONS<br />

Editorial Oilices: 9 Rockefeller Plaza, New York 2U.<br />

N. Y. Raymond Levy, General Manager; James M.<br />

Jerauld, Editor; Chester Friedman, Editor Showmandiser<br />

Section; A. J. Stocker, Eastern Representative.<br />

Telephone Columbus 5-6370, 5-6371, 5-6372. Cable<br />

address: "BOXOFFICE, New York."<br />

Central Oliices: 624 South Michigan Av«.« Chicago<br />

5, 111. Jonas Perlberg, Manager; Ralph F. Scholbe,<br />

Central Representative. Telephone WEBster 9-4745.<br />

Western Oliices: 6404 Hollywood Blvd., Hollywood<br />

28, Calif. Ivan Spear, Manager. Telephone GLadstone<br />

1186.<br />

Washington Oiiices: 6417 Dahlonega Road, Alan Herbert,<br />

Manager. TelephoBe, Wisconsin 3271. Filmrow:<br />

932 New Jersey, N. W. Sara Young.<br />

London Oiiices: 136 Wardour St., John Sullivan, Manager.<br />

Telephone Gerrard 3934-5-6.<br />

PublicalioD Oiiices: 825 Van Brunt Blvd., Kansas City<br />

1, Mo. Nathan Cohen, Executive Editor; Jesse Shlyen,<br />

Managing Editor; Morris Schlozman, Business Manager.<br />

J, Herbert Roush, Manager Advertising Sales<br />

and Service. Telephone CHestnut 7777-78.<br />

Other Publications; BOXOFFICE BAROMETER, published<br />

in November as a section of BOXOFFICE;<br />

THE MODERN THEATRE, published monthly as a<br />

section of BOXOFFICE.<br />

ALBANY—21-23 Walter Ave., M. Berrigan.<br />

ATLANTA— 163 Walton. N. W., P. H. Savin.<br />

BIRMINGHAM—The News, Eddie Badger.<br />

BOfflON-Frances W. Harding, Lib. 2-9305.<br />

BUFFALO- 157 Audubon Drive, Snyder, Jim Schrader.<br />

CHARLOTTE—216 W. 4th, Pauline Griffith.<br />

CINCINNATI—4029 Reading Rd., LiUian Lazarus.<br />

CLEVELAND—Elsie Loeb, Fairmount 0046.<br />

DALLAS—4525 Holland, V. W. Crisp, J8-9780<br />

DENVER— 1645 Lafayette, Jack Rose, TA 8517.<br />

DES MOINES— Register & Tribune Bldg., Russ Schoch.<br />

DETROIT— 1009 Fox Theatre Bldg., H. F. Reves.<br />

Telephones: WOodward 2-1100; Night, UN-4-02I9.<br />

HARTFORD- 109 Weslborne, Allen Widem.<br />

HARRISBURG, PA.—Mechanicsburg, Lois Fegan.<br />

INDIANAPOLIS—Rt. 8, Box 770, Howard M. Rudeaux,<br />

MIAMI—66 S. Hibiscus Island, Mrs. Manton E. Harwood.<br />

2952 Merrick Rd., Elizabeth Sudlow.<br />

MEMPHIS—707 Spring St., Null Adams, Tel. 48-5462.<br />

MILWAUKEE—3057 hfo. Murray Ave., John E. Hubel.<br />

WO 2-0467.<br />

MINNEAPOLIS— 29 Washington Ave. So., Les Rees.<br />

NEW HAVEN—42 Church St., Gertrude Lander.<br />

NEWARK, N. J.—207 Sumner, Sarct Carleton.<br />

NEW ORLEANS—Frances Jackson, 218 So. Liberty.<br />

OKLAHOMA CITY—216 Terminal Bldg., Polly Trindle<br />

OMAHA— Omaha World-Herald Bldg., Lou Gerdes.<br />

PHILADELPHIA—5363 Berks St., Norman Shigon.<br />

PITTSBURGH—86 Van Braam St., R. F. Klingensmith<br />

PORTLAND, ORE.—Edward Cogan, Nortonia Hotel,<br />

llth and Stark.<br />

RICHMOND—Grand Theatre, Sam Pulliom.<br />

ST. LOUIS—5149 Rosa, David Barrett, FL-3727.<br />

SALT LAKE CITY—Deseret News, Howard Pearson.<br />

SAN ANTONIO—211 Cadwalder St., San Antonio<br />

L. J. B. Kelner.<br />

SAN FRANCISCO — 25 Taylor St., Gail Lipman,<br />

ORdway 3-4612.<br />

SEATTLE—928 N. 84th St., Willard Elsey.<br />

TOLEDO—4330 Willys Pkwy., Anna Kline, LA 7176.<br />

IN CANADA<br />

CALGARY—The Albertan, Wm, Campbell.<br />

MONTREAL—4330 Wilson Ave., N. D. G., Roy Carmichael.<br />

Walnut 5519.<br />

ST. JOHN— 116 Prince Edward St., Wm. J. McNulty.<br />

TORONTO—R. R. No. I, York Mills, Milton Galbraith.<br />

VANCOUVER- 411 Lyric Theatre Bldg., Jack Droy.<br />

VICTORIA—938 Island Highway, Alec Merriman.<br />

WINNIPEG—The Tribune, Ben Lepkin.<br />

Member Audit Bureau of Circulations<br />

Entirid as Seconil Class matter at Post Otfict, Kansas City, Mo.<br />

SKtiotml Edition, $3.00 per year; National Edition, $7.50<br />

OXOFFICE<br />

LIF THOSE RESTRAINTS<br />

7 •^^ HE evidence has been building up for a long<br />

time that concerted and aggressive action will be undertaken<br />

by the industry in combatting unfair and discriminatory taxai<br />

tion. This is further emphasized in remarks made by Eric<br />

Johnston in his address at the convention of the Theatre Own- i<br />

ers of America, as follows:<br />

"Through collaborative effort, we can do more than improve the good<br />

name of the industry. We can also improve its good fortune. It is time<br />

vre stopped being easy marks on the tax front—the favorite target for<br />

taxation in Washington, in state capitals, and in municipalities.<br />

"We are perfectly willing to carry our share of the tax load. We<br />

|<br />

always have. But we do complain—and rightly— at being singled out<br />

for unfair and discriminatory taxes. I think we are on solid ground with<br />

a two-fold position on discriminatory taxation.<br />

"First, the motion picture is a free medium of expression which<br />

should have the same rights as the press, and should receive equal \<br />

treatment at the hands of all legislatures.<br />

"Second, the motion picture is not a luxury. It is a necessity. Here in<br />

America, as elsewhere around the world, it fills a vital public need in<br />

bringing information, entertainment and relaxation to the great masses<br />

of people. Stalin and Tito wouldn't be buying American films—far from<br />

it—unless they clearly recognized the motion picture as a necessity.<br />

"We have already joined hands against the wartime federal admissions<br />

tax which lays so unfair a burden on the moviegoing public. It was<br />

one of the first evidences of this growing spirit oi collaboration within<br />

our industry."<br />

Charles Sawyer, secretary-of the U,S- Department of Commerce,<br />

addressing the same group, held out a vague assurance<br />

on the possibilities of tax reduction when he declared,<br />

"There is general agreement that wartime excise taxes should<br />

be repealed as soon as possible." What made this vague was<br />

the qualification: "Here, as elsewhere, the problem for the<br />

government is to replace or lose the revenue which comes<br />

from this source. At a time when we are undertaking to stimulate<br />

consumer expenditures, we should survey carefully the<br />

possibility of reducing taxes which discourage such expenditures."<br />

Mr. Sawyer made no comment on the fact that, through<br />

increased consumer expenditures, which would result from<br />

the elimination of nuisance taxes, the government treasury<br />

would be replenished by added tax income derived from increased<br />

business profits and higher personal incomes.<br />

However he concurred with Mr. Johnston on the vital pubhe<br />

need of the motion picture when he said, "We in America<br />

have a stake in the maintenance of the solvency and strength<br />

of the movie industry. We w^ant to make life in America pleasant,<br />

and you make one of the great contributions to that end.<br />

In order that you may continue, you must operate your business<br />

at a profit." There will be wide agreement with that.<br />

Of further significance is this parallel to Mr. Johnston's<br />

remarks:<br />

"In America, motion pictures are produced without (federal) censorship,<br />

without control of subject matter by the government. They are as<br />

free as our press. In nearly every other country of the world the motion<br />

picture lies under the heavy hand of government regulation ... I know<br />

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